Javier Peláez Art

In Javier Peláez´s recent work executed in Mexico City for this year's exhibition project with William Turner Gallery there are new formal and discursive premises in the composition of the images and also lines of continuity with respect to his past explorations. Specifically, the artist continues to develop the optical complexity of abstract planimetric architectures; retains the connection with certain Japanese visual elements; supports the idea of the diagram or structure of floating or weightless forms; and continues to resort to the industrial or high-tech chromatic scenes that incorporate fluorescence into sober color repertoires. As for the new premises visible, the first thing that is noticed is an emphasis on the tension between the secant geometrical planes and the image of the trunk of the tree. The atmosphere in most of these new paintings is that of a world where the organic is placed in an artificial and strident scenery (somewhat influenced by “vapor wave” aesthetics) where architectonic planes strive to configure themselves against broken tree...

Based in Mexico City, Javier Peláez creates work that considers the myriad possibilities involved with the construction and perception of reality. Depict...

In Javier Peláez´s recent work executed in Mexico City for this year's exhibition project with William Turner Gallery there are new formal and discursive...

Based in Mexico City, Javier Peláez creates work that considers the myriad possibilities involved with the construction and perception of reality. Depict...

In Javier Peláez ‘s recent work, executed in Mexico City for this year’s exhibition project with William Turner Gallery, there are new formal and discu...

In Javier Peláez´s recent work executed in Mexico City for this year's exhibition project with William Turner Gallery there are new formal and discursive...

Based in Mexico City, Javier Peláez creates work that considers the myriad possibilities involved with the construction and perception of reality. Depict...

In Javier Peláez ‘s recent work, executed in Mexico City for this year’s exhibition project with William Turner Gallery, there are new formal and discursive premises in the composition of the images and also lines of continuity with respect to his past explorations. Specifically, the artist continues to develop the optical complexity of abstract planimetric architectures; retains the connection with certain Japanese visual elements; supports the idea of the diagram or structure of floating or weightless forms; and continues to resort to the industrial or high-tech chromatic scenes that incorporate fluorescence into sober color repertoires. As for the new premises visible, the first thing that is noticed is an emphasis on the tension between the secant geometrical planes and the image of the trunk of the tree. The atmosphere in most of these new paintings is that of a world where the organic is placed in an artificial and strident scenery (somewhat influenced by “vapor wave...

In Javier Peláez ‘s recent work, executed in Mexico City for this year’s exhibition project with William Turner Gallery, there are new formal and discursive premises in the composition of the images and also lines of continuity with respect to his past explorations. Specifically, the artist continues to develop the optical complexity of abstract planimetric architectures; retains the connection with certain Japanese visual elements; supports the idea of the diagram or structure of floating or weightless forms; and continues to resort to the industrial or high-tech chromatic scenes that incorporate fluorescence into sober color repertoires. As for the new premises visible, the first thing that is noticed is an emphasis on the tension between the secant geometrical planes and the image of the trunk of the tree. The atmosphere in most of these new paintings is that of a world where the organic is placed in an artificial and strident scenery (somewhat influenced by “vapor wave” aesthetics) where architectonic planes strive to configure themselves against broken tree...

In Javier Peláez´s recent work executed in Mexico City for this year's exhibition project with William Turner Gallery there are new formal and discursive...

In Javier Peláez´s recent work executed in Mexico City for this year's exhibition project with William Turner Gallery there are new formal and discursive premises in the composition ...

In Javier Peláez´s recent work executed in Mexico City for this year's exhibition project with William Turner Gallery there are new formal and discursive premises in the composition of the images and also lines of continuity with respect to his past explorations. Specifically, the artist continues to develop the optical complexity of abstract planimetric architectures; retains the connection with certain Japanese visual elements; supports the idea of the diagram or structure of floating or weightless forms; and continues to resort to the industrial or high-tech chromatic scenes that incorporate fluorescence into sober color repertoires. As for the new premises visible, the first thing that is noticed is an emphasis on the tension between the secant geometrical planes and the image of the trunk of the tree. The atmosphere in most of these new paintings is that of a world where the organic is placed in an artificial and strident scenery (somewhat influenced by “vapor wave” aesthetics) where architectonic planes strive to configure themselves against broken tree...

Based in Mexico City, Javier Peláez creates work that considers the myriad possibilities involved with the construction and perception of reality. Depict...

Based in Mexico City, Javier Peláez creates work that considers the myriad possibilities involved with the construction and perception of reality. Depict...