Kurt Schwitters

, and Kurt Schwitters.

tradition. “Why four legs if two will suffice?”, wrote artist Kurt Schwitters in 1927 after seeing the first

made popular by Picasso, Kurt Schwitters and Duchamps. This Fine and unusual Folk Art portrait of

, gestural abstraction and Kurt Schwitter’s typewriter compositions. Steel framed drawing: 27" x 35

. Designed in 1927, produced in 1982. "Why use four legs when two are enough?" asked the German painter Kurt

. designed in 1927, produced in 1982. "Why use four legs when two are enough?" asked the German painter Kurt

John’s artistic influences include the work of Kurt Schwitters, Antonio Tapies, Per Kirkeby and

to advertising and print media. He was a member of Kurt Schwitter's Ring neue Werbegestalter (Circle

edges to create work reflecting his many influences and interests including Kurt Schwitters, David

Rotella and Kurt Schwitters. Drawings made by Stephen Andrews during a performance of Christopher Fry's

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

Albers, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik

Albers, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik

Albers, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

, textiles and art of the whole Bauhaus movement and Kurt Schwitters. Born in 1983, Vera Pawelzik is a

, Francis Picabia, Hannah Höch and Kurt Schwitters. Many of these ideas would go on to flourish further in

multimedia assemblage reminiscent of Kurt Schwitters, Robert Rauschenburg, and Mike Kelley. Guzman’s work is

multimedia assemblage reminiscent of Kurt Schwitters, Robert Rauschenburg, and Mike Kelley. Guzman’s work is

, New York. Influenced by Schmidt, Picasso, Jean Debuffet, Kurt Schwitters, Antonio Gaudi, Simon Rodia

and cabinets made by Marcel Duchamp, Kurt Schwitters and Joseph Cornell. They also draw on the

many friendships with other artists like Charley Toorop, Pyke Koch and Kurt Schwitters. They all spent

choice resulted in many friendships with other artists like Charley Toorop, Pyke Koch and Kurt Schwitters

, Pyke Koch and Kurt Schwitters. They all spent many weekends together at Toorop's house. These

choice resulted in many friendships with other artists like Charley Toorop, Pyke Koch and Kurt Schwitters

, New York. Influenced by Schmidt, Picasso, Jean Debuffet, Kurt Schwitters, Antonio Gaudi, Simon Rodia

, New York. Influenced by Schmidt, Picasso, Jean Debuffet, Kurt Schwitters, Antonio Gaudi, Simon Rodia

Clarence Schmidt in Woodstock, New York. Influenced by Schmidt, Picasso, Jean Debuffet, Kurt Schwitters

Clarence Schmidt in Woodstock, New York. Influenced by Schmidt, Picasso, Jean Debuffet, Kurt Schwitters

Clarence Schmidt in Woodstock, New York. Influenced by Schmidt, Picasso, Jean Debuffet, Kurt Schwitters

, as well as by the surrealists Jean Miro and Kurt Schwitters. Later, his frequent travels to Japan

, Picasso, Jean Debuffet, Kurt Schwitters, Antonio Gaudi, Simon Rodia and Joseph Ferdinand Cheval, he was

, Picasso, Jean Debuffet, Kurt Schwitters, Antonio Gaudi, Simon Rodia and Joseph Ferdinand Cheval, he was

Gwathmey, Fernand Léger, Marino Marini, Henri Matisse, Henry Moore, Pablo Picasso, Theodore Roszak, Kurt

every year, a.o. with László Moholy-Nagy, and in 1928 with Kurt Schwitters. Walden often published

of tradition. Why four legs, when two are enough - wrote the artist Kurt Schwitters in 1927, when he

creators: Hans Arp, Marcel Duchamp, Raoul Hausmann, Richard Huelsenbeck, and Kurt Schwitters. After 1958

modernists including Kurt Schwitters, Naum Gabo, and El Lissitzky. He became familiar with prominent European

art by other modernists including Kurt Schwitters, Naum Gabo, and El Lissitzky. He became familiar

same kinds of metal objects, such as axes Inspired by an exhibition for the German Dadaist Kurt

same kinds of metal objects, such as axes Inspired by an exhibition for the German Dadaist Kurt

same kinds of metal objects, such as axes Inspired by an exhibition for the German Dadaist Kurt

same kinds of metal objects, such as axes Inspired by an exhibition for the German Dadaist Kurt

formed by his encounter with the extraordinary creations of Kurt Schwitters. The latter had fled Germany

formed by his encounter with the extraordinary creations of Kurt Schwitters. The latter had fled Germany

Inspired by an exhibition for the German Dadaist Kurt Schwitters in 1954, Arman began working on "

, George Grosz, Raoul Hausmann, Hannah Höch, Francis Picabia, Man Ray, Hans Richter, Kurt Schwitters

Inspired by an exhibition for the German Dadaist Kurt Schwitters in 1954, Arman began working on "Cachets

Duchamp, Kurt Schwitters, Joseph Cornell, John Cage and others, Rauschenberg helped obscure the lines

formed by his encounter with the extraordinary creations of Kurt Schwitters. The latter had fled Germany

Man Ray as well as Kurt Schwitters. His collages were intended to influence the viewer's outlook on

might be was formed by his encounter with the extraordinary creations of Kurt Schwitters. The latter had

of what art might be was formed by his encounter with the extraordinary creations of Kurt Schwitters