Leon Cogniet

pupil of the painter Léon Cogniet (1794 - 1880) at the Ecole des Beaux-Arts. In 1857 he was awarded the

Vallancienne was a painter living in Montmartre who studied with Léon Cogniet. He painted mostly landscapes and

man and was a student of Leon Cogniet during the late 1870's. Cogniet instilled within Piot a love for

entered the workshops of the painters Léon Cogniet and Paul Delaroche at the Beaux-Arts in Paris at an

Realist school who studied with Léon Cogniet. This painting is probably a sketch for his Salon exhibition

lower left. Adolphe Potémont was a pupil of Léon Cogniet and Félix Brissot de Warville. He

used the same original engraving plate and is dated in the margins. Based off of Léon Cogniet

pupil of Leon Cogniet and Charles Jacque. In 1857 he obtained a second prize in Rome for his tableau of

small portrait of a Zouave is probably Antoine Pascal from Lyon, who was a student of Léon Cogniet and

Livache who studied with Leon Cogniet). He was influenced in his colors and his light by the great post

return to New York. Léon Cogniet (1794-1880) was a French painter of the Romantic school who

Brissot de Warville (1791-1854), a man of letters under the Restoration. As pupil of Léon Cogniet at the

Jules Quantin, Léon Cogniet and Isidore Pils at the Ecole des Beaux-Arts in Paris, he exhibited at the

des Beaux-arts with Léon Cogniet (1794-1880). Accard went on to achieve critical and commercial

Mathey, an artist who studied at the École des Beaux-Arts in Paris in the studios of painters Léon

to Paris in the 1850s where she studied with Léon Cogniet, and then William Bouguereau at the

Léon Cogniet, a French history and portrait painter. He began exhibiting at the French Salon in 1850

Valence in 1993. We know of his training at the Ecole des Beaux Arts and as a student of Léon Cogniet. He

A.-P. Martial, his true name was Adolphe Théodore Jules Martial Potémont. He was a pupil of Léon

, directed by Anatole Devosge, then in 1843 he joined the workshop of Léon Cogniet in Paris. Michaud

-Arts with Léon Cogniet. He then exhibited at the Salon in Paris between 1850 and 1873. Known for his

began his apprenticeship as a landscape and marine painter with Léon Cogniet and the society portraitist

Delaroche and Léon Cogniet. He first exhibited in Paris at the Salon in 1864, receiving medals in 1866 and

Delaroche and Léon Cogniet. He first exhibited in Paris at the Salon in 1864, receiving medals in 1866 and

and then Léon Cogniet. His first submission dates from 1857 and he was awarded a medal in 1866 for

. Charles Théodore Frère was a pupil of Camille Roqueplan and Léon Cogniet. He travelled in Normandy

painting in Paris with Nicolas Charlet and Léon Cogniet from whom he learned the art of portrait. But he

under the painters Léon Cogniet, Isidore Pils and Alexis-Joseph Mazerolle. He began exhibiting at the

-Fleury, and a pupil of Paul Delaroche and Léon Cogniet. He first exhibited in Paris at the Salon in 1864

Théodore Frère was a pupil of Camille Roqueplan and Léon Cogniet. He travelled in Normandy, Alsace and the

river of Tunisia. Charles Théodore Frère was a pupil of Camille Roqueplan and Léon Cogniet. He

send her for formal training with historical and portrait painter Léon Cogniet. She first exhibited at

not choose painting; painting imposed itself on him. Entering the studio of Léon Cogniet at a young

Paris, where he trained as a painter with Louis Hersent and Léon Cogniet. In 1836, he presented his

Buttura or Alfred de Curzon. Pupil of Picot then Leon Cogniet, he quickly specialized in landscape

painting in Paris. Jules Lefebvre entered the Ecole des Beaux-Arts in Paris in 1852 in the studio of Léon

Beaux-Arts in April of 1852 and began studies under Léon Cogniet, an established academic artist who

frame Amédée Rosier was a pupil of painters Léon Cogniet and Carolus-Duran. His first submission to the

French painter. He was the pupil of Léon Cogniet, Baron Gros and others in the École des Beaux-Arts. In

Marseille at the studio of Aubert and pupil in 1842 of Drolling and Léon Cogniet in Paris. Painter of

known as Martial-Potémon, or even as Martial.He was a pupil of Léon Cogniet and Félix Brissot de

French painter. Born in Paris in 1830, Nehlig studied painting under Léon Cogniet and Abel de Pujol. In

in Paris. There he became a pupil of Léon Cogniet at the famous Ecole des Beaux-Arts, painting

municipality of Drubec (Calvados), he learned his art in the studio of Léon Cogniet at the School of Fine Arts

Jules Quantin, Léon Cogniet and Isidore Pils at the Ecole des Beaux-Arts in Paris, he exhibited at the

and Léon Cogniet. Three years later he began exhibiting at the Salon where he would contribute

Léon Cogniet and Isidore Pils. A talented portraitist, he exhibited his first works at the Salon as

supérieure des Beaux-Arts in 1852, where he studied with Léon Cogniet and Louis Joseph César Ducornet. He was

under Léon Cogniet, Drolling and Lehmann. He made his Paris Salon debut in 1857, going on to win a

a painter under Léon Cogniet at the École des Beaux-Arts and settled permanently in France. At 27

-Arts in Paris under the painters Léon Cogniet, Isidore Pils and Alexis-Joseph Mazerolle. He began

. Charles Théodore Frère was a pupil of Camille Roqueplan and Léon Cogniet. He travelled in Normandy

technical drawing, and he quickly became a pupil of thepainters Léon Cogniet and Isidore Pils at the Beaux

Camille Roqueplan and Léon Cogniet. He travelled in Normandy, Alsace and the Auvergne before visiting

Jean-Léon Cogniet and Camille Roqueplan. Shortly after beginning his studies, he left Paris and

the studio of Léon Cogniet. By this time, horses had become his favorite subject. His first exhibition

Barrias a well-known painter. Louis-Ernest also started out as a painter, studying under Léon Cogniet, but