Martiny Donald

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

Donald Martiny’s is interested in allowing gesture to escape from the traditional rectangular

The River Series by Donald Martiny continues the artist's exploration of pushing past art barriers

“Donald Martiny’s work forces us to question the established definitions which form the backbone

Donald Martiny’s work involves allowing gesture to escape from the traditional rectangular support

Donald Martiny’s work involves allowing gesture to escape from the traditional rectangular support

The Painting is the Gesture marks Donald Martiny’s much-anticipated return to Galleri Urbane since

A painting from Donald Martiny's 2018 show "Epistrophy". "Chrotta" is an abstract gestural polymer

Lichtenstein to James Nares, Martiny takes a singular approach. Each smear of paint is full of flecks of

Lichtenstein to James Nares, Martiny takes a singular approach. Each smear of paint is full of flecks of

Lichtenstein to James Nares, Martiny takes a singular approach. Each smear of paint is full of flecks of

The works of Donald Martiny are full of visceral movement and vibrant color, but it would be too

The works of Donald Martiny are full of visceral movement and vibrant color, but it would be too

31, 2016 The works of Donald Martiny are full of visceral movement and vibrant color, but it would

31, 2016 The works of Donald Martiny are full of visceral movement and vibrant color, but it would

31, 2016 The works of Donald Martiny are full of visceral movement and vibrant color, but it would

Lichtenstein to James Nares, Martiny takes a singular approach. Each smear of paint is full of flecks of

Presented by 'Sponder Gallery' for Market Art & Design Milyan is a sculptural painting created with polymer and pigment. An aluminum backing allows for simple hanging in any orientat...

Donald Martiny’s work involves allowing gesture to escape from the traditional rectangular support

Donald Martiny’s work involves allowing gesture to escape from the traditional rectangular support

This beautiful teal blue work is by Donald Martiny. His process involves allowing gesture to escape

Donald Martiny has been called a gestural abstractionist. This term refers to a method of how the

Donald Martiny has been called a gestural abstractionist. This term refers to a method of how the

Donald Martiny has been called a gestural abstractionist. This term refers to a method of how the

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

This framed gestural work is by Donald Martiny. This signature piece is composed of enamel and

This large blue gestural work is by Donald Martiny. This signature piece is composed of dispersed

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

While the brushstroke motif has been embraced by Roy Lichtenstein to James Nares, Martiny takes a

polymer and dispersed pigment on aluminum

Don Martiny Cerma, 2020 polymer and pigment on aluminum 55 x 54 in. (mart030ap) "The focus of my

This magenta work by Donald Martiny’s is composed of dispersed pigment on aluminum. He creates

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny Sicel, 2019 Polymer and pigment mounted on aluminum 41 x 40 in.

Donald Martiny Venetis, 2019 Polymer and pigment mounted on aluminum 37 x 29 in.

The first in Donald Martiny's new body of work The River Series, featured this summer at Diehl

“Donald Martiny’s work forces us to question the established definitions which form the backbone

“Donald Martiny’s work forces us to question the established definitions which form the

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support

Donald Martiny is interested in allowing gesture to escape from the traditional rectangular support