Milan - Art

The work presents a low-relief surface modelled in foam clay and finished with layers of acrylic and enamel that amplify volume and texture. The black ground functions as a neutral f...

Compact modular domino wall sculpture in pink foam clay with embedded plastic game pieces on a black wood panel, a playful relief designed for repeatable multi-panel installation. A...

This modular domino wall sculpture is executed in foam clay and acrylic on a black painted wood panel. The composition pairs a deep matte ground with a sculpted white shell and two g...

Modeling clay and enamel sculptural relief on fir wood that transposes runaway thought into a looping painted ribbon. This modeled sculptural relief, executed in modeling clay and e...

Mixed-media wall sculpture in modeling clay and acrylic on wood, a textural seascape in intense blue tones where layered bas-relief waves open a perceptual passage across a circular ...

Oil on Canvas. Traditional landscape thick with vegetation , with a watercourse in the lower left, lined with paths over which a number of figures pass, including the one in the f...

Oil on Canvas. Signed lower right. Jean Ferdinand Chaigneau was a painter of the Barbizon School, a realist landscape current in northern France. Offered here is one of his character...

Small-scale clay sculpture in acrylic explores consumption through a juice-carton object, pairing sugar and pill imagery within a snowy emotional landscape. This hand-modeled clay sc...

Salvatore Postiglione (Naples, Italy, 1861 – 1906) Title: Pastime of a young lady from a good family Medium: Oil on canvas Dimensions: without frame 88.3 × 33.3 cm – with frame 115 x...

L’Ordine delle Onde (The Order of the Waves) is a textural sculpture by Vera Vizzi, part of her ongoing exploration of contemporary coastal art. Crafted from foam clay, acrylic, plas...

Sezione Aurea A7 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 72 × 53.5 × 4 cm (28.3 × 21.1 ×...

Modeling-clay relief on a repurposed ping-pong racket where a luminous chroma spot animates a restrained, tactile surface. Scintilla is a concise mixed-media relief that foregrounds ...

Olio su tela. L'opera, dipinta seguendo lo stile della pittura spagnola di inizio '600, è in realtà di fine '800. Ritrae una nobildonna che indossa la gorgiera, il colletto pieghetta...

SWEETNESS is a contemporary pop sculpture by Vera Vizzi combining foam clay, enamel, acrylic markers and fir wood into a compact, whimsical composition. Measuring 18 × 18 × 13 cm, th...

Olio su tela. Firma dell'artista in basso a destra. Il quadro è di dimensione notevole, probabilmente eseguito per una committenza di pregio. Eugenio Gignous si affermò come paesaggi...

GALAXY ART is a mixed media wall sculpture by Vera Vizzi that fuses astronomy-inspired painting with tactile lunar relief. Created with foam clay, acrylic and enamel on a circular 30...

Foam clay, acrylic and enamel on fir wood circular relief that combines lunar bas-relief with a measured, stitched yellow band; a mixed-media wall sculpture engaging lunar topography...

Oil on Canvas. L'opera riprende i modi diffusi in tutta Europa da Jakob Ferdinand Voet, pittore fiammingo affermatosi soprattutto come ritrattista, che ebbe ampio seguito sia negli ...

Oil on Canvas. L'opera riprende i modi diffusi in tutta Europa da Jakob Ferdinand Voet, pittore fiammingo affermatosi soprattutto come ritrattista, che ebbe ampio seguito sia negli ...

THE SAME is a mixed media wall sculpture by Vera Vizzi that renders the lunar surface as both stage and symbol. Modeled in clay and acrylic on a 30 cm Ø fir wood disc, the piece pres...

Jean-Baptiste Oudry (Paris, France, 1686 - Beauvais, France, 1755) Title: White duck Medium: Oil on canvas Dimensions: without frame 98 × 73 cm – with frame 109.5 x 84.3 x 6 cm Not s...

Frans Van Der Mijn (Düsseldorf, Germany, 1719 - London, UK, 1783) Title: Portrait of a gentlewoman Year: 1756 Medium: Oil on canvas Dimensions: without frame 71.8 × 59.5 x 2 cm Pain...

Oil on Canvas. The scene corresponds to a Stations of the Cross, during which Jesus falls under the weight of the heavy cross, which he carries on his shoulders as he ascends to Golg...

Oil on Canvas. The original, painted in 1592 and displayed at the Risaliti Chapel in Santa Croce in Florence, was enormously successful, so much so that numerous copies were produced...

Antonio Zanchi (Este, Italy, 1631 – Venice, Italy, 1722) Title: Prometheus Bound Year: 1655-1660 Medium: Oil on canvas Dimensions: without frame 188 × 146 cm – with frame 194 x 152 x...

17th-century Roman Maestro Title: Still life with parrot, fruit, flowers and metal jug on a cloth Medium: Oil on canvas Dimensions: without frame 64 × 118 cm - with frame 88 x 140 x ...

Oil on Canvas. Central European school of the late 1700s. The large painting depicts a rural landscape, with a peasant dwelling on the left, the shepherdess in the left foreground wa...

Oil on canvas, applied to wooden plate. The saint is depicted in the foreground, half-length: the naked torso of the body is partially covered by a fur falling from the shoulders, ov...

Olio su tela. Scuola veneta del XVIII secolo. Il grande paesaggio nordico, con pendici montuose verdeggianti in mezzo alle quali scorre un fiume, è abitata da diverse figure in primo...

Oil on Canvas. Neapolitan school of the 18th century. The work derives from one created by Francesco Solimena, taken up repeatedly over the centuries first by his own workshop then b...

Olio su tela. Scuola veneta del XVII secolo. Le figure, ritratte in primo piano a mezzo busto, vedono collocata al centro Maria con in braccio il Bambin Gesù; alle loro spalle sulla ...

Majestic Wrought Iron Magnolia Tree Sculpture by Zanoni - Unique Handcrafted Masterpiece Description: A breathtaking fusion of art, symbolism, and masterful Italian craftsmanship, this one-of-a-kind monumental magnolia tree sculpture is a tribute to nature's enduring grace. Created by the celebrated Italian artist Zanoni, known for his exceptional work in wrought iron, this piece stands as a singular work of art, both sculptural and soulful. Forged entirely by hand, each petal and leaf of the magnolia is shaped with remarkable detail, imbuing the iron with an organic softness that belies its strength. Towering in presence yet delicate in expression, this magnolia tree becomes not just a decorative element but a powerful symbol in any space. In the language of flowers, the magnolia represents candour, fidelity, purity, perseverance, and dignity-qualities beautifully embodied in this sculpture. Its timeless message, coupled with its commanding form, makes it ideal for grand interiors, gardens, cultural spaces, or luxury hospitality environments seeking a poetic and bold statement. Details: Artist: Zanoni Origin: Italy Material: Hand-forged wrought iron Dimensions: Monumental scale (exact measurements upon request) Unique Piece: One-of-a-kind, signed by the artist Symbolism: Magnolia - candour, fidelity, purity, perseverance, and dignity Finish: Weather-resistant patina for outdoor placement (optional custom finishes available) Placement: Suitable for both indoor and outdoor settings Style: Sculptural, botanical, timeless elegance Despite its size, the work is easily transportable thanks to an ingenious system developed over decades by the artists. The branches can be dismantled and reassembled very easily (please see the video). This piece is more than a sculpture-it's a living legacy in iron, carrying both the strength of the material and the poetry of nature. For collectors and admirers of extraordinary craftsmanship, the Zanoni Magnolia is a rare and meaningful acquisition. Flowers and turtles are not included in the price. Zanoni's biography Based in Caldes (Trentino, Italy), Zanoni is heir to a family tradition of blacksmithing passed down from his father, Luciano Zanoni, who famously forged a monumental four-meter olive tree sculpture...

The exquisite still life can be paired with another still life with apples (symbolizing spring and autumn) also published on 1stdibs. Gianluca Corona expresses the values of the mo...

Snowy bands of foam clay unfold like a winter landscape in this tactile relief, where confectionery discs and miniature pill-like figures puncture the porous white field. Executed as...

Francesco Traballesi (Florence, Italy, 1541 - Mantua, Italy, 1588) Title: Portrait of a young man with a glove Medium: Oil on panel Dimensions: without frame 69.5 × 86.5 cm Painting ...

The painting, done in oil on canvas, depicts the meeting between King David and Abigail, as narrated in the biblical text from the First Book of Samuel (I Samuel 25:1-34). David, left without food in the wilderness with his army, seeks relief from the wealthy Nabal, who contemptuously denies him any help, ungrateful of the benevolence he previously received from the king. Upon hearing the rejection, the ruler intends to take revenge by killing his entire lineage. Abigail, Nabal's beautiful and wise wife, decides to right the wrong and bring David plenty of food and gifts. In the king's presence the woman humbles herself, winning his forgiveness and benevolence. Soon afterwards widowed, she will in fact become his bride. The broad scene depicts the climax of the Old Testament episode, the moment when the woman prostrates herself before David and his servants prepare to deliver the gifts. The biblical event is here a pretext, as is customary in modern-age painting, for staging the colorful description of a sumptuous procession, which can be divided into two parts, almost two wings of a crowd divided specularly: on the left David with his dignitaries and the army; on the other, Abigail's retinue, handmaids, servants leading dromedaries and donkeys laden with food. The crowded group of figures is set in a natural proscenium: above a low horizon, barely hinted at by distant blue mountains, rises on the left side a craggy rocky cliff, the shelter of the army led by the ruler. The 'somatic intonation of the characters, as well as the choice of metallic chromatics and the play of light on the shiny fabrics refer to a clear Flemish matrix, particularly the influence of the frothy and sumptuous painting of Rubens and Van Dyck. As well set forth in the expert report prepared by Professor Giuseppe Sava, the work is to be attributed to Vincent Malò...

Oil on Canvas. Central Italian school of the 17th century. The unusual and peculiar depiction presents on the left the three figures of the Holy Family, with Jesus already a child, s...

Andrea Vaccaro (Naples, Italy, 1604 – 1670) Title: Penitent Magdalene Year: 1630-1635 ca. Medium: Oil on canvas Dimensions: without frame 75 x 62 cm – with frame 87.5 x 74.7 x 5.5 cm...

Avalanche moon relief in foam clay and acrylic, white palette with pill-like figurines, stages a snowlike flood that links natural avalanche imagery to mental and psychiatric metapho...

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

The exquisite still life can be paired with another still life with peaches (symbolising spring and autumn) also published on 1stdibs. Gianluca Corona expresses the values of the m...

Nicola Magrin was born in Milan in 1978. In 2004 he graduated from the Accademia di Belle Arti di Brera in Milan with a thesis on Miquel Barceló. In 2008 he was selected for a three...

Contemporary Forged Bamboo Sculpture by Luciano Zanoni Hand-Forged Steel, Customizable Base – Italy This striking contemporary sculpture by Italian artist Luciano Zanoni features fi...

Andrea Pozzo (Trento, Italy, 1642 – Vienna, Austria, 1709) Title: Christ in the house of Simon the Pharisee Medium: Oil on canvas Dimensions: without frame 88 x 128.5 cm - with frame...

Oil on Canvas. North-Italian school of the 18th century. The elegant lady, in a dress embellished with pearls and satins, holds three cut flowers in one hand, while the brim of her h...

Sir Henry Raeburn (Stockbridge, Edinburgh, UK, 1756 - Edinburgh, UK, 1823) Title: Portrait of a landowner Year: Early 19th century, 1803 Medium: Oil on canvas Dimensions: Without fra...

Nicola Viso, (active 1724 – 1742) Title: The adoration of the magi Medium: Oil on canvas Dimensions: without frame 63 x 100 cm – with frame 76.5 x 114.7 x 4.5 cm Signed “N. Viso. f” ...

Pietro della Vecchia (Vicenza, Italy, 1603 – Venice, Italy, 1678) Title: Bacchus and Ceres Medium: Oil on canvas Dimensions: without frame 109 x 130 cm – with frame 128 x 152 x 8 cm...

Antiveduto Gramatica or Grammatica (Rome, Italy, 1571 – 1626) Title: Magdalene Praying with a Skull Medium:Oil on canvas Dimensions: without frame 58 x 43.2 cm - with frame 85 x 72 x...

Boxwood figure of Christ

Johann Carl Loth (Munich, Germany, 1632 - Venice, Italy, 1698) Title: Saint Mark Medium: Oil on canvas Dimensions: without frame 65 × 72 cm - with frame 82.5 x 88 cm Not signed Expertise by Professor Dario Succi Publications: Lo studiolo...

Hendrick van Somer o Someren o de Somer (Lokeren, Belgium, 1607 - Naples, Italy, 1656) Title: Saint Jerome Medium: Oil on canvas Dimensions: without frame 91 x 72 cm - with frame 108...

SAFE IN THE MIDDLE is a mixed media wall sculpture by Vera Vizzi that juxtaposes urban sketching with organic relief. Executed in foam clay, acrylic paint and enamel on a 34 × 40 × 3...

Maestro della Flagellazione di Cesena, active in the second decade of the 17th century Title: The morra players Year: 1620 ca. Medium: Oil on canvas Dimensions: without frame 115 x ...

Pietro Bardellino (Naples, Italy, 1731 – 1806) Title: Mary Magdalene Medium: Oil on canvas Dimensions: without frame 75 x 60 cm – with frame 97 x 82 cm Antique shaped and carved wood...

Oil on Canvas. Lombard school of the 18th century. Presented in the composition on a dark background is a large branch laden with bunches of grapes spilling over a vase of colorful ...

Meiffren Conte or Comte (Marseille, France, 1630 – 1705) Title: A pair of paintings, still lifes with magnificent jugs and shell Year: 1690 ca. Medium: Oil on canvas Dimensions: wit...

Giovanni Domenico Ferrucci (Fiesole, Italy, 1619 – Lucca, Italy, post 1669) Title: The Death of Cleopatra Medium: Oil on canvas Dimensions: without frame 85 x 70.7 cm – with frame 10...

Margherita Leoni's small and precious painting presents all the fullness of thriving nature offering its fruits. As in sacred art, gold has always evoked the divine, the choice of th...

Olio su tela. La grande scena racconta la Deposizione di Cristo dalla Croce, condensando due momenti della narrazione: il Compianto della Madonna sul corpo del Cristo e la deposizion...