Mobile Stabile

Mobile-stabile sculpture in chromed steel. Monogrammed F.C. and dated 70. Height: 54 cm (21.26

Memphis stabile mobile by frederik Smits Handmade by the artist. Unique piece Perfect condition.  

Large handmade Caderesque Stabile - Mobile kinetic sculpture with primary colors of reds, blues and

François COLETTE (1936-2024) : Stabile Chrome plated and articulated stabile sculpture Signed

Amazing Kinetic/stabile motion sculpture hand built and designed by Graham Sears. Stunning

Table top and of a diminutive size, signature stamped on underside of top. Margery worked during the mid-20th century at the Met in NYC.

Counterbalance floor mounted sculpture by Terry Lee Dill US, 2001 Titled "44" Fascinating multi part kinetic assemblage of individually balanced components that rest on precision-p...

Frederik Smits stabile mobile Memphis style. Unique piece, handmade by the artist Wood and metal.

Frederik Smits stabile mobile Memphis style. Unique piece, handmade by the artist Wood and metal.

Frederik Smits stabile mobile Memphis style. Unique piece, handmade by the artist Wood and metal.

Frederik Smits stabile mobile Memphis style. Unique piece, handmade by the artist Wood and metal.

Handmade and unique piece Signed and certificated by the artist Inspired by Memphis movement It's composed of different types of woods and lacquered wood

and dedicates herself exclusively to jewelry and to small sculptures like mobiles, stabiles or small

and dedicates herself exclusively to jewelry and to small sculptures like mobiles, stabiles or small

Amazing Kinetic/stabile motion sculpture hand built and designed by Graham Sears. Stunning

Whale in 1937. During World War II when metal was scarce, he made mobiles and stabiles from carved

funzionante. Patina ben conservata, mobile stabile e pronto all’uso. Autore: Pierre Pioniez. Pioniez fu

work includes kinetic art such as rolling ball machines, mobiles, stabiles, and suspended magnetic

hand or by motor power were baptized 'mobiles' in 1932 by Marcel DUCHAMP and ARP suggested 'stabiles

Stabile no. 100 by Milla Vaahtera Dimensions: D 21 x W 30 x H 90 cm Materials: Hand-blown glass

have focused on mobile artwork for the past few years, and this series with light is a natural

have focused on mobile artwork for the past few years, and this series with light is a natural

have focused on mobile artwork for the past few years, and this series with light is a natural

have focused on mobile artwork for the past few years, and this series with light is a natural

have focused on mobile artwork for the past few years, and this series with light is a natural

paintings, stabiles, standing mobiles, monumental outdoor sculptures, works on paper, domestic objects, and

colourful sculpture or mobile. Alexander Calder is an artist who redefined sculpture by introducing

use of black painted metal materials. The first section of the book is dedicated to Mobiles and

innovative mobiles and stabiles, which challenged traditional notions of sculpture by incorporating movement

#mobiles and #stabiles, sometimes monumental, which are one of the most daring expressions of sculpture in

his monotypes, stabiles, and mobiles. It unfurls its 12 steel arms, arranged like a chandelier and

mobiles and stabiles. Born July 22, 1898, in Philadelphia, Calder studied at Stevens Institute of

mobiles and stabiles. Born July 22, 1898, in Philadelphia, Calder studied at Stevens Institute of

(illustrated) Greenwich, Connecticut, Bruce Museum, The Mobile, The Stabile, The Animal: Wit in the Art of

mobiles and stabiles. Here, Calder has created an original lithograph true to his concept that simple

mobiles and stabiles. Here, Calder has created an original lithograph true to his concept that simple

mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris

monotypes-stabiles-mobiles. It unfurls its 12 steel arms, arranged like a chandelier and twisted into

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

art, applying a mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy

art, applying a mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy

art, applying a mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

before embracing art, applying a mechanical sensibility to create kinetic “mobiles” and stable “stabiles

mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

is likely a depiction of one of Calder's iconic mobiles or stabiles, rendered with a sense of whimsy

monotypes-stabiles-mobiles. It unfurls its 12 steel arms, arranged like a chandelier and twisted into

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

Gallery, and UU Market. She is most known for her Dialogue series, mobiles, and stabiles, in which she

Whale in 1937. During World War II when metal was scarce, he made mobiles and stabiles from carved

create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris during the 1920s and

art, applying a mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy

mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy static tradition. In Paris

art, applying a mechanical sensibility to create kinetic “mobiles” and stable “stabiles” that defy