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Item Ships From: Nice
Bronze Jewelry Chest In Neo-gothic Style From The Napoleon III Period
Located in NICE, FR
We present you with a large jewellry chest crafted in bronze with medal patina in the neo-gothic style and hailing from the Napoleon II period. It boasts practical dimensions (34cm x 35cm) and intricate ornamentation. Its entrance is concealed by a mechanism, rendering it invisible. The chest's decoration features figures, columns, friezes, and repeating motifs reminiscent of techniques employed during the era of Violet le Duc...
Category
Mid-19th Century French Gothic Revival Antique Nice - Boxes
Materials
Metal, Bronze
$6,859 Sale Price
20% Off
19th century non-combustible cast-iron travel strongbox by Bauche-Fichet, France
Located in NICE, FR
19th century non-combustible cast-iron travel strongbox by Bauche-Fichet, France
Antique travel safe in non-combustible cast iron from northeastern France (Gueux, Marne).
It is de...
Category
Mid-19th Century French Napoleon III Antique Nice - Boxes
Materials
Iron
Embossed Ceramic Box, Model "Flowers" by Mithé Espelt, France, 1970
By Mithé Espelt
Located in Paris, Ile-de-France
A rectangular chest with three flowers glazed in green, blue and white.
Crackled gold frame.
Wooden base with green felt at the back.
France,
Circa 1970
Dimensions :
Height ...
Category
1970s French Mid-Century Modern Vintage Nice - Boxes
Materials
Earthenware
Large cut-crystal box with gilt-bronze mounting, Charles X period, circa 1830.
Located in NICE, FR
Large cut-crystal box with gilt-bronze mounting, Charles X period, circa 1830.
Antique rectangular-shaped jewelry box in diamond-cut crystal and gilt bronze.
This imposing jewelry ...
Category
1820s French Charles X Antique Nice - Boxes
Materials
Crystal
" Tresor" chest, Mithé Espelt circa 1953.
By Mithé Espelt
Located in Paris, Ile-de-France
" Tresor" chest. Rare rectangular box with glazed ceramic domed lid.
Set of blue and gold points, framed with crackled gold .
The box in black painted wood.
Original felt lining a...
Category
1950s French Mid-Century Modern Vintage Nice - Boxes
Materials
Ceramic, Felt, Wood
19th Century Gilt Bronze Jewelry Box depicting Lovers from Classical Antiquity
Located in NICE, FR
We present you this exquisite gilded bronze box hailing from the Napoleon III period. It represents a scene from Classical Antiquity that captures the romantic rendezvous between two...
Category
19th Century French Napoleon III Antique Nice - Boxes
Materials
Bronze
Smoker's set signed FRED, Force 10 collection, silver gilt metal & stee, 1960
Located in NICE, FR
Smoker's set signed FRED from the Force 10 collection, consisting of a lighter, ashtray and cigar box in silver-gilt metal with the brand's typical stylized rope-style braided steel ...
Category
1960s French Mid-Century Modern Vintage Nice - Boxes
Materials
Metal, Steel
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Set of Vintage Jewellery Holders with Decorative Ceramic Lids by Mithé Espelt
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Vintage French jewellery containers with decorative ceramic lids by Mithé Espelt (circa 1970s). Flower and Bird motifs decorate these five delightful, diminutive wooden boxes. Two of the ceramic lids have golden craqueleur boundaries encircling the inner decoration. The containers would be an attractive grouping on the surface of a vanity or dressing table. Alternatively, they might simply be suitable as a splendid decorative display in the home. The pieces are in good overall condition with some minor natural differences in the colour of the woods. The overall charm is undeniable and they are real collector's items. Please enjoy the many photos accompanying the listing. Upon request, a video will be provided.
About the artist: Born in 1923 in Lunel, in the South of France, Mithé Espelt grew up in a family of affluent winegrowers and was very close to her grandfather who passed on his love for the arts and brought her into contact with major intellectuals and artists of the time. She rubbed shoulders with Jean Hugo, Jean Cocteau, Pablo Picasso, Christian Bérard and many others. She graduated from the Beaux-Arts school in Montpellier in 1942, and then studied at the Fontcarrade school where she took a special interest in ceramics. She began by designing buttons for fashion houses in Paris, before managing the entire production of buttons and jewellery at the Lydia Chartier workshop and collaborating with Line Vautrin, amongst others. At the end of the war, she returned to her native south, opened her studio and took advantage of the growing excitement around ceramics, particularly those from the town of Vallauris. To stand out and sustain the workshop business, she started designing gilded jewellery...
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