Patricia Oblack Art

Artist Comments
"My work is completely in the direction of abstract, but many viewers experience other views," says Patricia. "In this piece, the name tells the story that wh...

Artist Comments
Patricia builds her compositions intuitively with palette knives, blending colors and developing texture directly on the surface of her panels. She says this ...

Artist Comments
Artist Patricia Oblack offers a dramatic abstract landscape with beige and rustic accents. In her process, Patricia starts with...

Artist Comments
"Weatherworn walls and fresco texture abound on the face of this painting," says Patricia. "Time passed by leaving bits of color to hold onto their space in t...

Artist Comments
Part of Patricia's signature series of modern abstract paintings, in which she blends colors and builds texture directly on the surface of the piece. "While I...

Artist Comments
Patricia builds her compositions intuitively with palette knives, blending colors and developing texture directly on the surface of her panels. She describes ...

Artist Comments
Horizontal blackness could suggest hills in darkness, but the viewer must decide.

About the Artist
As a child in the 1950s, Patricia Oblack sat in front of the television and learned to draw with Jon Gnagy...

Artist Comments
Lines from my palette knife, striking over and into submerged colors, lots of energy as in sports, with suggestions of streets ; bridges from a busy city. Yet, there is a sense of calm and comfort.

About the Artist
As a child in the 1950s, Patricia Oblack sat in front of the television and learned to draw with Jon Gnagy...

Artist Comments
Patricia builds her compositions intuitively with palette knives, blending colors and developing texture directly on the surface of her panels. She poetically describes the composition of this painting as "greys and black spreading apart to let in the sunset."

About the Artist
As a child in the 1950s, Patricia Oblack sat in front of the television and learned to draw with Jon Gnagy...

Artist Comments
Patricia builds her compositions intuitively with palette knives, blending colors and developing texture directly on the surface of her panels. In this piece, lines connected by dots reference our interconnected relationships and voices speaking with each other.

About the Artist
As a child in the 1950s, Patricia Oblack sat in front of the television and learned to draw with Jon Gnagy...

Artist Comments
Patricia describes this painting as a "three color separation blended into one." She says she worked to create balance between the sections to impart a soothi...

Artist Comments
"Think of the surface of Voices like a crowd of people, all whispering conversations across a crowded room," says Patricia. "Lines, some very thin, others str...

Artist Comments
Layer upon layer of color applied with my palette knives gives this small piece an amazing sense of power for its small size.

About the Artist
As a child in the 1950s, Patricia Oblack sat in front of the television and learned to draw with Jon Gnagy...

Artist Comments
Patricia builds her compositions intuitively with palette knives, blending colors and developing texture directly on the surface of her panels. In this painti...

Artist Comments
Vertical strokes might suggest rain, soft teal green could be clouds full of money, but as in all my work, the viewer is always l...

Artist Comments
My abstracts can be enjoyed by anyone, just let your imagination fly. Travel the surface with your eyes and relax in all of the blueness.

About the Artist
As a child in the 1950s, Patricia Oblack sat in front of the television and learned to draw with Jon Gnagy...