Pompeo Batoni

). Amico e allievo di Pompeo Batoni (1708-87), che ne influenzò la pittura in chiave accademica, entrò

traveled to Italy where he studied with Pompeo Batoni. Dance may have started his career as a history

The present lot is after Pompeo Batoni's Saint Mary Magdalene, , . The original was destroyed in

The attribution to Pompeo Batoni has been confirmed by Professor Francesco Petrucci based upon a

of the original by Italian artist Pompeo Batoni (1708-1787) Mary is depicted reclining as she reads a

Antique German semi-nude classical painting on porcelain after Pompeo Batoni's "Penitent Magdalene

, before embarking to Italy around 1747. Whilst in Rome he studied for a brief time under Pompeo Batoni

Oil Painting by studio of Pompeo Girolamo Batoni "James Bruce of Kinnaird 1730-1794, discover of

Pompeo Batoni, François-Xavier Fabre, and Johann Heinrich Wilhelm Tischbein, whose portraits of elite

different settings. The Original was painted by Pompeo Batoni (1770) is in Hermitage Museum. story of

Florence in 1747, where one of his teachers was Pompeo Batoni. He married three times and because of his

the same subject of Pompeo Batoni. Neo-Classicism, which had developed in the 18th century as a

a man of considerable means. It’s similar to the outfit worn in Pompeo Batoni’s portrait of a young

Mary Magdalene Penitent by Pompeo Girolamo Batoni (Follower) oil on canvas 19th century Italian

much influenced by the sophisticated portrait style of Pompeo Batoni (1708-1787). Dance-Holland also

much influenced by the sophisticated portrait style of Pompeo Batoni (1708-1787). Dance-Holland also

, Pompeo Girolamo Batoni and Byers, an antique dealer whose advice proved particularly useful, especially

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

Figurative Sketches Italian School, mid 18th century circle of Pompeo Batoni (1707-1787) charcoal

sophisticated portrait style of Pompeo Batoni (and where, like several of his contemporaries, he was smitten by

was first patronised by John Evelyn as early as 1645,[5] Pompeo Batoni the portraitist, and the

of Giovan Domenico Lombardi and then in Rome of his fellow citizen Pompeo Batoni-worked more or less

as 1645, Pompeo Batoni the portraitist, and the vedutisti such as Canaletto, Pannini and Guardi. The

market included Carlo Maratti, who was first patronised by John Evelyn as early as 1645, Pompeo Batoni

also popular. Pompeo Batoni made a career of painting the English milordi posed with graceful ease

same time as Pompeo Batoni. As Evelyn Newby pointed out, it was here that Hoare almost certainly

respected gentleman's guide to ancient history. Pompeo Batoni made a career of painting the English milord

. The two painters were not accepted at the Pompeo Batoni school of painting but were well integrated

during the 1740s when Pompeo Batoni and the Frenchman Pierre Subleyras established reputations in Rome

. There he collaborated with Pompeo Batoni who influenced his work, painting several historic and

traveled to Italy where he studied with Pompeo Batoni. Dance may have started his career as a history

Late 19th / early 20th C pillow cases , embroidered in silk on a satin silk background. The backing has been replaced with a hand loomed silk and cotton fabric. Insert is not provide...

15th century period Gothic Tabernacle, extremely rare (Medieval) architectural religious art, museum quality ecclesiastical altar piece. This is an absolutely stunning circa 1450 or...

18th century spanish polychromed tabernacle, niche for the display of Santos. Original finish in somber tones of ochre and siena.

Extremly Rare South American Silver-Mounted Miquelet-Lock Blunderbuss Belt Pistol Late 18th century, Mexican With a roped silver band around the turned and belled muzzle, the forw...

Beautiful authentic Italian metal and wood portable tabernacle in style of Antonio da Sangallo the Younger. A civil and military architect, Antonio da Sangallo the Younger was tr...

A scarce Baroque Period Spanish altarpiece retablo / reredo, by (attributed) Luis Salvador Carmona (1708-1767), depicting thorn crowned Christ crucified / Cristo crucificado hand car...

Italian Venetian style (20th Cent) octagonal shaped painted and decorated metal and wood bird cage with 8 upholstered seat and back cushions around base. (Franco Zefferelli Collection)

Exceptional Period Renaissance processional cross early 16th century, France Extremely rare and beautiful processional cross from the early period of the French Renaissance. This ...

Large brass low bell base candlestick, Spanish, circa 1680-1730 Measures: 24 cm high diameter base 16 cm. Free shipping.

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

An early 19th century English carved limewood neoclassical frieze panel, circa 1800. This decorative wooden panel is over a metre long and features five putti or cherubs carved in th...

An antique neoclassical style carved lime wood wall panel. This striking piece would make a charming wall decoration on the main wall of a period property. Dating to 1780, this han...

Striking original oil on canvas painting of Madonna and child with the infant Saint John the Baptist. Unsigned. After the original by Guercino (Giovanni Francesco Barbieri) dated ca....

A pair of Fortuny cushions in a discontinued pale yellow-on-white gold pattern. It has a mitered self-fabric trim and bias edging with a color border. Sold as a pair.

Beautiful antique Mexican oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos. Framed with gilt wood frame. .Saint Anthony ...

This superb Louis Vuitton steamer trunk features the very sought after checkers canvas, all leather chocolate color trim, LV stamped solid brass locks and studs as well as solid bras...