Sir Thomas Lawrence

Charming work in the Regency style, mid 19th Century after Sir Thomas Lawrence. High quality

A fine 19th century watercolour copy of the original, infamous portrait by Sir Thomas Lawrence. The

A charming copy of Sir Thomas Lawrence's oil portrait of Miss Murray, commissioned by Sir George

An accomplished watercolour study depicting Sir Thomas Lawrence's portrait of The Duchess of Argyll

Portrait Of A Gentleman, early 19th Century circle of SIR THOMAS LAWRENCE (1769-1830) Large circa

Thomas Lawrence (1769-1830). The scene depicts the actor John Philip Kemble (1757-1823), one of the most

; ) può essere attribuito Sir Thomas Lawrence come riportato nell'etichetta sulla cornice: Sir Thomas

Wonderful image after Sir Thomas Lawrence Fine Steel engraving. Published by FullartonC.1850

paper. Sir Thomas Lawrence was the leading British portrait painter of the early 19th century

size is 44 inches by 35 inches and in good condition. Sir Thomas Lawrence PRA FRS (1769-1830) was a

This lovely British Old Master portrait oil painting is attributed to circle of Sir Thomas Lawrence

This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted

Early 19th Century Coloured Mezzotint – Lady Carrington after Sir Thomas Lawrence A finely

Sir Thomas Lawrence PRA 1769-1830 Portrait of a Young Officer Pastel with touches of black chalk

Sir Thomas Lawrence. Painted circa 1800 it is a half length portrait of a beautiful young woman in a

Hodgson & Graves, after Sir Thomas Lawrence, circa 1840. Gebhard Leberecht von Blücher, Fürst von

in good condition. Sir Thomas Lawrence (1769-1830) was a leading English portrait painter and the

Arthur Wellesley Duke of Wellington. Etching engraved by H.T Ryall, from the original by Sir Thomas

time spent learning under Sir Thomas Lawrence. Incidentally, this painting was executed in 1817, two

by 36 inches and in good condition. Sir Thomas Lawrence (1769-1830) was a leading English portrait

painter, and draughtsman. Had no formal training but was mentored by Sir Thomas Lawrence. Born and died in

Museum. Her portraits follow the tradition of Sir Thomas Lawrence but have a more fanciful and feminine

career in art upon the encouragement of Sir Thomas Lawrence, and the unrelated animal painter, Abraham

portrait of the actor by Sir Thomas Lawrence of 1801 (Tate Gallery, London), which was subsequently

with Sir Thomas Lawrence, another famous artist and President of the Royal Academy, consequently the

Sir Thomas Lawrence, who described him in a letter of introduction to Antonio Canova as possessing

Lonsdale, and with his help he came in 1829 to London with an introduction to Sir Thomas Lawrence (1769

collection as by Lawrence in the Palais Nathaniel Rothschild in Vienna, Austria and descended through the

by Sir Thomas Lawrence, one of the most prominent portrait painters of the Regency era, whose works

Thomas Lawrence. Condition: Very good.

by his younger rivals, John Hoppner and Sir Thomas Lawrence. Although capable of impetuousness and

' Collections: Sir Thomas Lawrence PRA, acquired from Fuseli’s estate; Susan Coutts, Baroness North and

portrait painters of Georgian England. A rival of Sir Thomas Lawrence, Hoppner painted members of the royal

Collections: Sir Thomas Lawrence, who acquired the contents of Fuseli’s studio; Susan, Countess

picture "Prospero and Miranda", and the "Daughter of Jephthah." On the death of Sir Thomas Lawrence in

the flamboyant and free techniques employed by his younger rivals, John Hoppner and Sir Thomas

artist was sharing a house at 57 Greek Street, Soho, with his friend Sir Thomas Lawrence, the future

under Sir Thomas Lawrence, whose influence for some time dominated his art. His works are exhibited

drawings by Italian Old Masters he sold to Sir Thomas Lawrence, a close friend, for £8,000, and his print

beginning of 1830 Wilkie was appointed to succeed Sir Thomas Lawrence as painter in ordinary to the king

and Paper Hanging Manufacturer to their Royal Highnesses'. Work was executed for Sir Thomas Lawrence

portraits in the manner of Sir Thomas Lawrence. She was a close friend of Richard Parkes Bonington

A sofa designed by Robert Adam and made by Thomas Chippendale for Sir Lawrence Dundas for the Great

Charming work in the Regency style, mid-19th century after Sir Thomas Lawrence. High quality

portrait of the Rev F Archer, Oxonian,Attributed to Sir Thomas Lawrence (1769-1830), oil on canvas

Antique print after painting by Sir Thomas Lawrence (1769-1830) portraying Lady Elizabeth Anne

) wife to / Sir Herbert Croft Bart painted after Sir Thomas Lawrence. Lady Croft was also painted by Sir

A handsome Regency or early Victorian blue-eyed gentleman from the school of Sir Thomas Lawrence

style of Sir Thomas Lawrence, this portrait likely depicts either HRH Frederick, Duke of York or

Richard Wellesley, Marquis wellesley, K.G. from the painting by sir Thomas Lawrence RA engraved by G

children, studio of artist Sir Thomas Lawrence and attributed to one of his pupils produced under his

studio of Sir Thomas Lawrence (president of the Royal Academy). Harlow's natural affinity to Lawrence

painted portraits in the manner of Sir Thomas Lawrence.Carpenter exhibited in the NPG, Portraits can be

that the Dunlops had commissioned a pair of portraits by Sir Thomas Lawrence see attached. There can be

., the portrait-painter, but after about a year entered the studio of Sir Thomas Lawrence, P.R.A. Harlow

 Thomas Lawrence, and also, it is said, under Benjamin Haydon. His first original work was an altar-piece

Thomas Chippendale for Sir Lawrence Dundas, Christopher Gilbert, op. cit., figs, 402 and 176.