Sir Thomas Lawrence

Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence.Carpenter exhibited in the NPG, Portraits can be seen in various galleries /National trust houses...

It should be noted that the Dunlops had commissioned a pair of portraits by Sir Thomas Lawrence see attached. There can be no doubt that the portrait bust is the same person as depic...

., the portrait-painter, but after about a year entered the studio of Sir Thomas Lawrence, P.R.A. Harlow determined to devote himself to painting, he remained for about eighteen mont...

He began life in the office of his father's journal, but, while still very young, became a pupil of Sir William Beechey, afterwards studying under Sir Thomas Lawrence, and also, it i...

The form of the leg embellished with Grecian palms that feature in this design is for a chair design of 1765 provided by the architect Robert Adam and executed by Thomas Chippendale ...

Signed 'Caste' to the lower right. After Sir Thomas Lawrence PRA FRS (1769-1830). On paper.

Williams, The Life and Correspondence of Sir Thomas Lawrence, Volume 1, p.127; "Sold for 25 gns", published 1831 Thomas Lawrence was the most fashionable portrait painter of the Reg...

After Sir Thomas Lawrence (British, 1769-1830), Portrait of Selina Peckwell, Oil on Canvas, 20th century, unsigned, giltwood frame.

Ritratto di "Miss Murray" dopo Sir Thomas Lawrence, miniatura dipinta a olio su lastra di zinco incollata su cartone, circa 1860.

A contemporary copy of Sir Thomas Lawrence's PRA FRS (1769-1830) painting 'Master Lambton' (1825), popularly known as 'The Red Boy'.

A fine early nineteenth-century mezzotint by Samuel Cousins RA (1801-1887) after the portrait 'Master Lambton' (1825) by Sir Thomas Lawrence PRA FRS (1769-1830), popularly known as '...

Bloxham and neice of English artist Sir Thomas Lawrence. Sir Thomas Lawrence (13 April 1769 – 7 January 1830) was a leading English portrait painter and president of the Royal Acade...

Large portait of a lady standing full length in a portico with landscape beyond. Attributed to Sir Martin Arthur Shee and Sir Thomas Lawrence (1769 - 1850) of the English School.

The portrait has a similar style to the early 19th Century painter Sir Thomas Lawrence PRA FRS (1769–1830). The painting is signed illegibly to the reverse of the paper and pres...

An original watercolor titled "Portrait of an English Lady", c. 1835. Circle of Sir Thomas Lawrence (1769-1830). Unsigned. Framed in moulding from Spain and matting from Holland.

He later received advice from such established artists as Henry Benbridge, John Trumbull and Gilbert Stuart before returning to England for a year of study with Sir Thomas Lawrence a...

After the original painting by Sir Thomas Lawrence in the collection of the Museum of Fine Arts Boston, this fine facsimile was painted in the 1930s by the noted Boston artist Dante ...

Inscribed verso: ‘Copy of (“Portrait of Mrs Siddons“ Artist Unknown), In the South Kensington Museum, The portrait is attributed to Sir Thomas Lawrence’. It is also signed by the art...

Etty was born in York and moved to London in 1805 to study at the Royal Academy schools. He was a pupil of Sir Thomas Lawrence in 1807-8 and travelled to Europe at the first opportun...

Portraits were hung in country manor houses across the land with both Sir Thomas Lawrence PRA (1769-1830) and Sir William Beechey RA (1753-1839) well established.

Provenance: From the collection of Edwin Henry Lawrence (1819-91), great-nephew of the Regency-period society painter Sir Thomas Lawrence.

(British 1787-1843), was a British painter best known for his history paintings containing nude figures. A student of Sir Thomas Lawrence P.R.A (British 1769-1830), he was the first ...

He spent most of his career in London, where he trained at the Royal Academy Schools and then (1807–8) with Sir Thomas Lawrence, who had a great influence on him; this was later modi...

Following the expiration of his apprenticeship he moved to London and set himself up as miniature painter. He studied under Sir Thomas Lawrence, and gained a considerable reputation ...

Noted in her time, she mostly painted portraits in the manner of Sir Thomas Lawrence.Carpenter exhibited in the NPG, Portraits can be seen in various galleries /National trust houses...

Claraland references two historical paintings: The Blue Boy by Thomas Gainsborough and Pinkie by Sir Thomas Lawrence.

He engraved several single plates, including Prince Charlie reading a Despatch, after William Simson, Sir Walter Scott, after Sir Thomas Lawrence and another portrait of Scott after ...

His influential friends included, king George III, British Prime Minister William Pitt the Younger, Lord Nelson and artist Sir Thomas Lawrence. After his death in 1823, Angerstein’s ...

Morant & Co (fl.1885-1915) The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gild...

John Linnell spans a great age, his work begins with Sir Benjamin West and Sir Thomas Lawrence.

Your theme chess piece is based on the portrait by Sir Thomas Lawrence which is displayed in the National Gallery, London.

A museum quality oil on canvas coronation portrait of King George IV (1762-1830), probably from the studio of Sir Thomas Lawrence (1769-1830). The original painting is currently on d...

A very fine early 20th Century oil copy of the original work by Sir Thomas Lawrence PRA FRS (1769–1830). Lawrence’s portrait of Emily and Laura Anne Calmady embodies the admiration f...

After Sir Thomas Lawrence (1769-1830), this is a fine early copy of the famous painting 'The Red Boy', Master Lambton – aged six or seven, sitting on a promontory overlooking a moonl...

Circle of Sir Thomas Lawrence British, (1769-1830) Portrait of Andrew Farmer Oil on canvas Image size: 29½ inches x 24½ inches Size including frame: 39½ inches x 34½ inches Provenanc...

A contemporary copy of Sir Thomas Lawrence's PRA FRS (1769-1830) painting 'Master Lambton' (1825), popularly known as 'The Red Boy'.

A handwritten note on the back suggests the painting is by artist R. Cousins, After Sir Thomas Lawrence. Samuel Cousins was the engraver of work by Lawrence, and was also an artist i...

An original stipple engraving after English artist Sir Thomas Lawrence (1769-1830) engraved by English artist John Frederick Lewis (1804-1876) titled "Mr.

Portraits were hung in country homes across the land with both Sir Thomas Lawrence PRA (1769-1830) and Sir William Beechey RA (1753-1839) well established.

Though unsigned, the painting carries the genteel charm and emotional reserve typical of the English School, echoing the influence of artists such as Sir Thomas Lawrence and George R...

He was greatly encouraged by Abraham Cooper (of no relation) and Sir Thomas Lawrence. Cooper entered the Royal Academy Schools before taking up a position as a teacher in Brussels in...

A leading portraitist during the period of our portrait was Sir Thomas Lawrence (1769–1830), painter to George III.

Retains original label at lower center - 'From the Collection of the Late Sir Thomas Lawrence'. This very work offered here was once apart of Sir Thomas Lawrence's personal collection.

He went to Rome in about 1822, encouraged and sponsored by Sir Thomas Lawrence. Rome was to be Gott’s base for the rest of his life, sending works home to be exhibited in the Royal A...

Though the canvases have been laid down and reframed, the refinement of the brushwork and precision of detail across both compositions suggests a painter of considerable ability—poss...

One prominent artist renowned for his realistic portraits was Sir Thomas Lawrence, who held the position of President of the Royal Academy during the early Victorian era.

His father, John Charles Bromley (1795-1839), produced mezzotints after a host of well-known artists including Joseph Mallord William Turner RA (1775-1851) and Thomas Girtin (1775-18...

In 1807 he entered the London Royal Academy School, studying under Henry Fuseli, and he also studied privately for a year under Sir Thomas Lawrence, whose influence for some time dom...

He engraved subjects after Henry William Bunbury, Angelica Kauffman, Francis Wheatley, Thomas Stothard, John Hodges Benwell, John Hoppner, James Northcote, John Raphael Smith, and ot...

Williams, The Life and Correspondence of Sir Thomas Lawrence. Bound in 3/4 red morocco and marbled boards.

It is very reminiscent of the work of Sir Thomas Lawrence.

A hand-colored, 19th century mezzotint portrait of one of England's most influential women, Elizabeth Conyngham (English, 1799-1839), after Sir Thomas Lawrence (English, 1769-1830). ...

Pair of 19th Century British Portraits from the studio of the esteemed Sir Thomas Lawrence (1769 – 1830) , Russell Square, 1814-30 Oil on Canvas Circa 1823 Believed to be twin chi...

Lino Lago's lush, provocative paintings are exploration of color and art history as with one clear sweep he brings a classic Baroque painting into the foreground like an untold secre...

A fine period English painting in antique by Sir Thomas Lawrence bearing the plaque of Sir Thomas Lawrence

Inscription on reverse ' Portrait in crayons by Sir Thomas Lawrence of the Dowr. Countess Poulett'.

Similar to the works of Regency painter Sir Thomas Lawrence and William Beechey, Circa 1805 in excellent clean condition, presented in its original antique gilt frame.