Sir Thomas Lawrence

Similar to the works of Regency painter Sir Thomas Lawrence and William Beechey, Circa 1805 in excellent clean condition, presented in its original antique gilt frame.

An excellent copy of Sir Thomas Lawrence's portrait of the Duke of Wellington painted in 1818.

History of Morant & Co: The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded fra...

History of Morant & Co: The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded fra...

The Comtesse (Countess) Lawrence Grosvenor, captured very adeptly here in miniature by the artist, 'apres' or after a portrait of her by Sir Thomas Lawrence in 1818, just prior to he...

He was specifically a portrait painter and miniaturist who trained under the great Regency portraitist Sir Thomas Lawrence. Lawrence's influence is clearly evident in this portrait.

Artists using Roberson & Miller’s colors included Andrew Plimer, Sir Thomas Lawrence, Hamilton Kerr and Samuel Palmer whilst Roberson & Miller canvases were also used by J.M.W.

The family connection was to prove advantageous because when Thomas Le Breton (who was painted by Sir by Sir Thomas Lawrence), resigned as Bailiff in 1831, Tindal secured the appoint...

He was admitted an Associate of the Academy in 1798 and from then onwards his career was that of the hugely successful portrait painter, especially when, after the death of Sir Thoma...

Anne Handcock, youngest daughter of the second Lord Castlemaine. Thomas Barber was a Nottingham based portrait painter who showed early enough promise to study in London and assis...

He was admitted an Associate of the Academy in 1798 and from then onwards his career was that of the hugely successful portrait painter, especially when, after the death of Sir Thoma...

After being educated at Ely he became a pupil of his father and a student of the Royal Academy, and was subsequently an assistant of Sir Thomas Lawrence. He exhibited at the British ...

He began life in the office of his father's journal, but, while still very young, became a pupil of Sir William Beechey, afterwards studying under Sir Thomas Lawrence, and also, it i...

The pair of bookcases commissioned by Sir Lawrence Dundas from Thomas Chippendale in 1764.

Portrait Of A Gentleman Reading, early 19th Century circle of SIR THOMAS LAWRENCE (1769-1830) Large early 19th Century English Regency portrait of a gentleman reading, oil on canv...

Portrait Of A Gentleman, circa 1810 circle of Sir Thomas LAWRENCE Large early 19th Century Regency era portrait of a gentleman, oil on canvas.

He exhibited at the British Institution in 1821 and 1822 and the Royal Academy between 1820 and 1848. 1n 1822 Sir Thomas Lawrence gave him a letter of introduction to Antonio Canova ...

A portrait of him was painted by Sir Thomas Lawrence in 1805, and another by Sir Francis Grant in 1848.

., the portrait-painter, but after about a year entered the studio of Sir Thomas Lawrence, P.R.A. Harlow determined to devote himself to painting, he remained for about eighteen mon...

His work was influenced by his Sir Thomas Lawrence (1769–1830). Lonsdale was a pupil of George Romney (1734–1802).