Stipple Engraving

Hammerwork copperplate print on hand laid paper. Rare early form of stipple etching/engraving. Watermark: Monogram. State: Second state of 2.

This equipment allowed Wax to create large-scale color mezzotint engravings using multiple plates and incorporating a host of related techniques such as stipple, drypoint, and burin ...

Additionally, Orme’s stipple engravings of prominent naval figures in oval, including John Hunter in 1792, Horatio Nelson in 1798, among others at the National Portrait Gallery, Lond...

A delightful stipple engraving after the original painting by British artist George Morland (1763-1804).

A Set of Four French Stipple Engravings of Mushrooms partly printed in Colour and Hand-finished From Histoire des Champignons Comestible et Veneneux by Joseph Roques, Paris 1864.

Two charming stipple engravings after paintings by George Morland (1763-1803).

A fine stipple engraving of Elizabeth, Countess of Derby.

Stippled engraving of a botanical specimen strawberry plant by Pierre-Joseph Redouté (1759-1840), titled "Frasier du chili."

Antique print titled 'L'Amabilité'. Old stipple engraving depicting a young woman personifying 'kindness'.

A very fine stipple engraving by Alessandro Contardi (act.1795-1822) after the original painting by Angelica Kauffman (1741-1807).

A stipple engraving with etching, coloured in plate, by Charles Wilkin (c.1750-1814) after Sir William Beechey RA's (1753-1839) painting 'Portrait of Sir Francis Ford's Children Givi...

This well known stipple engraving/print of an original painting of Alexander Hamilton by Scottish artist Archibald Robertson (1765-1835), who studied under both Sir Joshua Reynolds a...

A late-18th to early-19th century hand-coloured stipple engraving by Francesco Bartolozzi RA (1727-1815) after Giacomo Guarana (1720-1808), also spelled Jacopo Guarana.

Two shepherds and their dogs rest beneath the shade of a tree in this charming pastoral scene by William Bond (1766-1839) after George Morland (1763-1804). Signed within the plate. W...

Francesco Bartolozzi after Hans Holbein. Presented in a black varnished frame with a gold card mount. On paper.

Francesco Bartolozzi after Hans Holbein. Depicting Henry Howard, Earl of Surrey. Inscribed with artist and printer. Presented in a black varnished frame. On paper.

Francesco Bartolozzi after Hans Holbein. Artist and engraver inscribed. Presented in a black varnished frame with a gold card mount. On paper.

Antique 19th century miniature engraving and stipple etching on cream wove paper of Napoleon Buonaparte (1769-1821) by Asaph Willard (American, 1786–1880) displayed in a red velvet f...

This early engraving captures a bustling Georgian scene in detail. The composition draws the eye down a central thoroughfare where a family sits to enjoy afternoon tea in a beautiful...

A sportsman and his dogs rest beneath the shade of a tree in this charming scene by William Bond (1766-1839) after George Morland (1763-1804). Signed within the plate. Well presented...

A handsomely presented pair of 19th Century re-strikes from the original plates by Francesco Bartolozzi. The pair show the seasons of Spring and Summer represented by putti, holding ...

Original stipple engraving printed in color and embellished by hand by Pancrasse Bessa from his "Album des Roses."

Original stipple engraving printed in color and embellished by hand from "Album de Roses" by Pancrace Bessa.

A fine stipple engraving with etched detail depicting a scene from a painting by Thomas Stothard (1755-1834) Inscribed.

The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute.

The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute.

'Stolen Kisses', mixed method engraving with printer's guild stamp. Stipple engraving, etched line & mezzotint.

An exceptional example of a Regency period hand colored stipple Engraving by Francesco Bartolozzi titled “NOONDAY” complete with its original giltwood ornate oval frame and original ...

[The Adventures of Telemachus], a set of six original stipple engravings, printed in color and finished by hand at publication, after Pierre-Jérôme Lordon (1780-1838).

An original color stipple engraving by French artist Jean-Louis Darcis (?

A fine hand coloured engraving by William Wynne Ryland (1732-1783) after Angelica Kauffman's stipple engraving of the same design.

Set of six early 19th Century French botanical stipple engravings. These engravings were printed by Langlois, a master printer who worked with Redoute.

Original aquatint with stipple engraving, color printed and hand-colored.

Original aquatint with stipple engraving, color printed and hand-colored.

Paris: Panckoucke, 1827-1833. Original stipple engraving printed in color and finished by hand.

Pierre Joseph Redoute 1759-1840; stipple engravings with original hand-coloring from Les Liliacees, Paris, 1802-16.

Billiard engraving after Henry Bunbury. A framed and mounted stipple engraving after Henry Bunbury entitled 'Billiards'.

An original copper plate stipple engraving on wove paper by an unknown presumably British artist titled "Evening Lake", c. 1830.

After returning to France, he was a integral figure in the French Revolution of 1789 and the July Revolution of 1830. The portrait is a stipple engraving by Johann-Friedrich Bolt. T...

Billiard engraving after Henry Bunbury. A framed and mounted stipple engraving after Henry Bunbury entitled 'Billiards'.

Original aquatint with stipple engraving, color printed and hand-colored at time of publication.

An original stipple engraving printed in colors with additional hand-coloring on wove paper by French artist Pierre-Joseph Redouté (1759-1840) titled "Myrsine Africana (Cape Myrtle)"...

Paire of colored stipple engravings of mythological scenes, depicting Aeneas meeting Dido and Helen.

Two stipple engravings, printed in colours and finished by hand, with fine, strong colour, framed and glazed.

The bodies are attractively engraved with stippled engraving which is typical of the period, depicting exotic birds among foliage.

At this time, he had as patron and sponsor Josephine Bonaparte, who, on acquiring Malmaison and establishing a superb garden of rare plants there, required an artist of outstanding t...

At this time, he had as patron and sponsor Josephine Bonaparte, who, on acquiring Malmaison and establishing a superb garden of rare plants there, required an artist of outstanding t...

The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he...

The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he...

The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he...

This early 19th-century stipple engraving by George Kellaway (fl. 1821-1828) is after a painting by Thomas Stewardson (1781-1859).

Using the subtle tones of the aquatint and stipple engraving techniques, Brookshaw created sumptuous images of richly coloured fruits, many against distinctive chocolate-coloured bac...

A stipple engraving is an engraving process where instead of carving or scraping from the plate, Lewis "dotted" the copper plate to create this image.

The stipple engraving depicts various images of parts of thr Nymphaea Caerulea lotus plant from the Nile.

Plate 27 by George Brookshaw from one of the finest volumes on pomology, "Pomona Britannica or a Collection of the Most Esteemed Fruits at Present Cultivated in Great Britain" Ori...

Original stipple engraving, printed in colours and finished by hand, with strong colour.

The stipple engraving was published by Antoni de Poggi in London in August of 1796.