Terracotta Goat

Life sized glazed terracotta Billy goat.

Dated from the mid-19th century, terracotta statue of a small Bacchus and a goat. Bacchus, simply

'Goat Lady' by Robin Whiteman is terra-cotta clay with a crackled white glaze. This wall piece is a

"Tiny Goat Totem -100", by Robin Whiteman, in brown terracotta and crackled white glaze is an

"Tiny Goat Totem -152" by Robin Whiteman in brown terracotta with crackled white glaze is a

model in terracotta by Nicolas Poussin, ca. 1787 - 1788. Musée du Louvre - Amalthea and Jupiter's goat

1940s Italian terracotta goat, Life-like in size with matte and satin glaze.

A fantastic and unique vintage terracotta goat sculpture that can add personality to any room

Terracotta Anthropomorphic bust of a Goat. A charming and one-of-a-kind sculpture. Made in

This large, charming, antique clay cherub and goat composition was crafted in France, circa 1950

Terracotta table top ram or goat sculpture by Dominique Pouchain. Signed on underside 'Dominique

Goat face, Pablo Picasso, 1950's, Edition, Plate, Design, Animals, Earthenware Tête de chèvre de

PABLO PICASSO (1881-1973) Tête de chèvre de profil 1952 Ed. 100 pcs - Exemplaire Editeur White earthenware clay, decoration in engobes under partial brushed glazed with black, green,...

19th century fine terracotta group, signed by Gossin, Paris. very good condition and quality.

3 medallion geometrical design of stylised flowers, vines (and a couple of goats!) on a terracotta

Terracotta goat by Dominique Pouchain in brown and gold patina.

Fetching terracotta sculpture of a ram or Billy goat, great indoors or in the garden.      

. They are terracotta with a glazed rasberry faux goatskin finish.

These beautifully crafted terra cotta goats are whimsical with exaggerated features. Typical of

luscious brown. Terracotta chevre leather (goat skin) interior with one side zippered pocket and a

Tiny Goat Totem, by Robin Whiteman, in brown terracotta and crackled white glaze is one of several

The vase is raised on a slightly splayed foot and flanked on the tall cylindrical neck by a pair of mask handles. The body is molded with lotus scroll pattern between a floral scroll...

A bird on a tree. Stoneware with underglaze blue and painted green. The leaves were creatively expressed with green-glaze. The use of green overpainting, a distinctive element in A...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates ...

This pair of Qingbai vases features a soft bluish-green glaze with elegant, fluted bodies and wide, flared rims. The vases are hand-crafted, with subtle differences that highlight th...

The artwork, with its foliage and floral motifs, suggests a connection to the natural world—a common theme in Vietnamese art. Such items were highly traded, and their recovery from s...

Figures from this era tend to be simpler and more utilitarian, reflecting the instability and regional diversity of the time. These pottery figures often unglazed or painted with bas...

Modelled as a yellow bird, green deer, and yellow monkey grouped together on a brown-glazed stand. These brush rest with a bird, a monkey and a deer probably refers to the rebus 'may...

Vietnamese stoneware crab boxes. Light blue glaze. This is one of the representative types of miniature works of Hoi An ships. Dates : 15th century Le Dynasty Region : North Annam,...

* Set Item(Teabowl and saucer) The saucer with four carp swimming among floating dumps of water weed, the teabowl with a central carp medallion within a band of smaller fish and wate...

This celadon vase features a gently rounded shoulder, a tall, slender neck, and a broad, flaring rim. Two small loop handles are applied to the shoulders. The body is finely incised ...

Stoneware painted with underglaze cobalt blue and remnants of overglaze enamel. This work has been presented as a centerpiece in the Annamese gallery of the Asian Art Museum of San F...

This Longquan celadon figure is defined by a composed frontal presence: half-lidded eyes, a calm oval face, and a hooded mantle that reads as a single, clean silhouette. The robe is ...

With peony and chrysanthemum plants flowering on a terrace, butterflies in flight. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination ...

This Annamese ceramic dish features a central lotus motif, enclosed by a thin circular border. The rim is adorned with intertwining vine patterns and swirling motifs. The dish has a...

Mandarin ducks symbolize eternal love and fidelity in East Asian culture, often representing marital harmony as they are believed to mate for life. Reishi mushrooms, known as symbols...

It features a complex design with a central circular motif surrounded by eight petal-like sections, each intricately adorned with various botanical and geometric patterns, creating a...