Uno Ahren

Armchair by Uno Åhrén ca. 1930s Mohair velvet, stained wood feet. Designed ca. 1930 by Uno

John Gilmer for Porter & Plunk reproduction of a 1930's Swedish chair by Uno Ahrens, featured in

Library table designed by Uno Åhrén for Svenskt Tenn, Sweden, 1930. Elm. Early maker's mark

Pair of folding chairs designed by Uno Åhrén in the 1930s for Gemla. Beechwood with black iron back

Set of four Scandinavian functionalist folding chairs designed by Uno Åhrén for Gemla in the 1930s

Rare 20th century hexagonal sofa table in black lacquered pine with an pewter top. Designed by Uno

A modernist velvet and birch lounge chair designed by Bjorn Tragardh and Uno Åhren and produced by

Rare Swedish Grace Armchair Design Uno Åhrén / Björn Trägårdh for Svenskt Tenn 1930’s Dimensions

A rare mirror attributed to Uno Åhren (Swe, 1897-1977), manufactured by Firma Svenskt Tenn. Model A

Rare pair of easy chairs attributed to Uno Åhrén or Björn Trädgårdh. Produced by Svenskt Tenn in

Attributed to Uno Åhrén and Björn Trägårdh for Svenskt Tenn, easy chair, fabric, stained wood

Asplund and Uno Ahren. Malmsten has a lasting influence on Swedish design through the two schools which he

away in 1972. He collaborated with Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence on

passed away in 1972. He collaborated with Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence

educator born in 1888, Sweden and passed away in 1972. He collaborated with Gunnar Asplund and Uno Ahren

and Uno Ahren. Malmsten has a lasting influence on Swedish design through the two schools which he

passed away in 1972. He collaborated with Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence

great Swedish architects Gunnar Asplund and Uno Åhrén at the seminal exhibition, Hemutställningen

(stadshus); in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno

with Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence on Swedish design through the two

as Gunnar Asplund and Uno Åhrén. Malmsten founded an eponymous furniture store on the riverfront of

alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. Malmsten founded an eponymous

as Gunnar Asplund and Uno Åhrén. Malmsten founded an eponymous furniture store on the riverfront of

Swedish architects such as Gunnar Asplund and Uno Åhrén. Malmsten founded an eponymous furniture store on

alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. Malmsten founded an eponymous

1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén

, Carl Bergsten, Gunnar Asplund and Uno Åhrén amongst others.

, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. Malmsten

, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. Malmsten

Asplund and Uno Åhrén amongst others.

1888, in Sweden and passed away in 1972. He collaborated with Gunnar Asplund and Uno Ahren. Malmsten

, Carl Bergsten, Gunnar Asplund and Uno Åhrén amongst others.

Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence on Swedish design through the two schools

style include Axel Einar Hjorth, Carl Malmsten, Carl Bergsten, Gunnar Asplund and Uno Åhrén amongst

collaborated with Gunnar Asplund and Uno Ahren. Malmsten has a lasting influence on Swedish design through the

s'exhibent les meubles de Gunnar Asplund, Carl Hörvik ou Uno Åhrén et les sculptures d'Ivar Johnsson, rafle

and Uno Åhrén amongst others. Dimensions: 33.5"h x 20"w x 18"d, 18.25"h (to seat) Condition: Good

, Carl Hörvik ou Uno Åhrén et les sculptures d'Ivar Johnsson, rafle une ribambelle de Prix.

Stockholm in 1927. There, Ericson collaborated with renowned architects like Uno Åhrén, Björn Trägårdh, and

inspired by North African smoking tables, and soon started collaborating with the influential architect Uno

collaborating with the influential architect Uno Åhrén around the designs. Anna Petrus was one of the earliest

, where it is still located today. At that time, the Swedish functionalist architects Uno Åhrén and Björn

Gunnar Asplund and Uno Åhrén. In the 1920s he was invited to furnish a room for the crown prince

Gunnar Asplund and Uno Åhrén. In the 1920s he was invited to furnish a room for the crown prince

alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. In the 1920s he was invited

alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. In the 1920s he was invited

1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. In

well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. In the 1920s he was invited to

, Uno Åhrén, Sigurd Lewerentz et Paul Hedqvist. En 1931, il est l'un des auteurs du manifeste pro

shortly after in 1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno

1917, he exhibited alongside well-known Swedish architects such as Gunnar Asplund and Uno Åhrén. In

architects such as Gunnar Asplund and Uno Åhrén. In the 1920s he was invited to furnish a room for the

Swedish architects such as Gunnar Asplund and Uno Åhrén. In the 1920s he was invited to furnish a room

Uno Åhrén. In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf, and

and Uno Åhrén. In the 1920s he was invited to furnish a room for the crown prince, Gustaf VI Adolf

progress. As Uno Åhrén (1897-1977) and other functionalist theorists argued, the new style was not merely a

, and the reduction of ornament as visual expressions of social and technological progress. As Uno Åhrén