Urushi Lacquer

Japanese workshop specializing in Urushi lacquer—a precious natural finish traditionally used in Japan

Japanese workshop specializing in Urushi lacquer—a precious natural finish traditionally used in Japan

workshop in Japan specialized in Urushi laquer, a fine natural lacquer, traditionally used in the country

alluvial layers. Hand-turned solid oak box enveloped in lacquered eggshell marquetry.

Brulé means 'burnt' in French. Raw and delicate, the Brulé boxes evoke the idea of baked earth or ashes. There is a powerful energy in the details of decisions and patterns that crea...

Brulé means 'burnt' in French. Raw and delicate, the Brulé boxes evoke the idea of baked earth or ashes. There is a powerful energy in the details of decisions and patterns that crea...

. Between 15 and 20 layers of lacquer are brushed onto lost-wax cast organic forms. Each layer cures after 5

. Between 15 and 20 layers of lacquer are brushed onto lost-wax cast organic forms. Each layer cures after 5

Dimensions: W 17.7 × D 17.5 × H 8.3 cm Weight: 255 g Origin: Japan (Aizu region) A refined urushi

warmers which are now the perfect vessels for orchids or other sculptural plants. The Urushi lacquer is of

contemporary or classical interior. Material: Lacquered wood Technique: Traditional Japanese urushi lacquer

Uncommon ecru lacquer tea caddy (natsume) with a nice golden hiramaki-e (low-relief design) of cart

A sumptuous sloping vase that is rich with texture and colour. Urushi lacquer in classic red and

bako), both decorated with gilt lacquer in the style of takamaki-e and hiramaki-e urushi lacquer

From Tohoku area, Japan. This mid-size, black Urushi lacquered Tansu chest of drawers is a product

"Jouban", one of an essential tools of Japanese Urushi lacquer craftsmen. Manufactured circa 1910s to

hollowing out. It's very cool, isn't it? It is a lacquered tall foot round tray made of one piece of wood

From Kanto or Tohoku area, Japan. This mid-size, black Urushi lacquered Tansu chest of drawers is

-size, black Urushi lacquered Tansu chest of drawers is a product of late Edo to early Meiji era (circa

From Kanto or Tohoku area, Japan. This mid tall size, Urushi lacquered Tansu chest of drawers is a

From Kanto or Tohoku area, Japan. This mid-size, black Urushi lacquered Tansu chest of drawers is

From Tohoku area, Japan. This mid-size, black Urushi lacquered Tansu chest of drawers is a product

Vintage Urushi red lacquer tray with six stemmed cups - each cup gilt decorated with a different

by sprinkling fine gold or silver powder onto a layer of wet urushi lacquer before sealing it with

Made of Japanese newspapers, urushi lacquer, red ochre (bengara).

Mid-size, Dark reddish brown Urushi lacquered Tansu chest of drawers. Made of Sugi cedar - a

From Tohoku area, Japan. This mid-size, dark reddish brown Urushi lacquered Tansu chest of drawers

). Made with traditional woodworking jointly without metal fastener. Finished with black urushi lacquer

; conditions. Overall, the original urushi lacquer remains in nice wabi sabi condition, There're some dents

. A beautiful example of Japanese lacquer (urushi), this elegant hibachi makes an ideal jardinière for

), estimate from the style, technique & conditions. Finished with traditional black Urushi lacquer. Top panel

The Console Table is the wooden version of Aldo Bakker’s Green Table, originally made with Urushi

). Refinished by seller with traditional black Urushi lacquer, persimmon tannin & burnt pine ink. Product of

patina that calls to be touched. A beautiful example of Japanese lacquer (urushi), this classic hibachi

shishi (temple lions) and the lucky god Hotei 布袋 on a rôiro’urushi (black lacquer) ground. Hotei is the

Small namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with

of drawers) with 5 drawers. Finished with traditional Urushi lacquer remains well, and some old paper

& traditional materials (beeswax, linseed oil, urushi lacquer, persimmon tannin, burnt pine ink

hardware craftsmen in Toyama Prefecture. The finish is made of traditional Japanese urushi lacquer, and the

traditional Urushi lacquer, which color is deepened by age and remains in nice wabi sabi touch. Fully stained

deep black urushi lacquer, softly worn over time to reveal traces of the red underlayer beneath. These

heavier than its size, and having unique surface. Original Urushi lacquer slightly remains in wabi sabi

), estimate from the style & conditions. Tabletop is finished with traditional black Urushi lacquer, made of

serrata), original fuki-urushi lacquer finish, completed with hinoki (Chamaecyparis obtusa) configured

Gloss finish urushi lacquer over ABS thermoplastic viewer / Black film diffuser Kojun is an self

& Urushi lacquer, it gives extra sturdiness & water proofing to the pot. Washi layers are

; Urushi lacquer, it gives extra sturdiness & water proofing to the pot. Washi layers are almost

; traditional materials (beeswax, linseed oil, urushi lacquer, persimmon tannin, burnt pine ink, etc) for

Tataki-nuri textured finish urushi lacquer over ABS thermoplastic viewer / Rough-textured black

finished with traditional urushi lacquer, which has darkened and softened with age, developing a warm

& traditional materials (beeswax, linseed oil, urushi lacquer, persimmon tannin, burnt pine ink

comes not only from the layers of Urushi lacquer, persimmon tannin (kakishibu) & burnt pine ink, as

. The repair was completed with 24k gold and traditional urushi lacquer. While a piece with many cracks

, linseed oil, urushi lacquer, persimmon tannin, burnt pine ink, etc) for repainted/re-finished items

; traditional materials (beeswax, linseed oil, urushi lacquer, persimmon tannin, burnt pine ink, etc) for

& traditional materials (beeswax, linseed oil, urushi lacquer, persimmon tannin, burnt pine ink

use. Original urushi lacquer remains well with slight wabi sabi touch. Made with traditional wood