Vintage Bride

It's such a unique and fitted party look for a bride— one that you'll wear over and over again in the future!

This unique and stylish diamond engagement ring is the perfect choice for a bride who loves retro-inspired designs. Crafted in 14K yellow and white gold, the ring features a small bu...

The initials of the couple, the marriage date, double hearts and representations of the bride and groom were often included in the design.

He married Wyeth's oldest daughter, Henriette, in 1929, and took his bride to New Mexico, the place of his birth, for an extended honeymoon.

The box has two hinged panels of an acetate reproduction and a collotype reproduction, with the former depicting a scale-version of Duchamp's famous The Bride Stripped Bare by her Ba...

It makes a great vintage option for a bride– the perfect look for a beachy wedding event, welcome lunch, etc.— and one that you will wear over and over again in the future.

He married Wyeth's oldest daughter, Henriette, in 1929, and took his bride to New Mexico, the place of his birth, for an extended honeymoon.

This extremely popular and highly sought after piece was made by famous French Hermès artist, Françoise De La Perriere who was responsible for many iconic designs such as "Bride de C...

With its divine cornflower blue color, it would make the perfect "Something Blue" for brides-to-be. Made in the 1970s, it is a lovely linen-blend fabric, with beautiful embroidery an...

The ring’s style remains versatile, making it a perfect choice for the modern bride who appreciates vintage allure. For added convenience, this Vintage Diamond Engagement Ring can b...

The initials of the couple, the marriage date, double hearts and representations of the bride and groom were often included in the design.

The initials of the couple, the marriage date, double hearts and representations of the bride and groom were often included in the design.

Hercules Knot The Hercules Knot was notably a wedding symbol and also represented the virginity of the bride: this coming from the Roman lore that the Knot symbolized the legendary ...

Ruhlmann became involved seriously in furniture design in 1910, after furnishing an apartment for himself and his new bride. By 1919, after the close of the First World War, he and h...

Ruhlmann became involved seriously in furniture design in 1910, after furnishing an apartment for himself and his new bride. By 1919, after the close of the First World War, he and h...

A cute couple, Chassidic bride and groom in their wedding best. Frank Meisler has sculpted the city of Jerusalem, its walls and buildings culminating in the Temple Mount.

Judaica Shtetl wedding scene in village. This one depicts a bride anfd groom being led by parents. it has in hebrew across the top "Mazel Tov, Mazel Tov" Anatoli Lwowitch Kaplan was...

Accepting a teaching position at the University of Colorado, van Ek moved to Boulder with his bride, who pursued her interest by helping found the Boulder Artists’ Guild.

This aroused the perplexities of his brother Erminio who was worried about the fate of Bernardo due to the poor health of his thirty-year-old bride. From 9 to 24 July 1943 he partici...

In 1925 Avery relocated to New York to be closer to his future bride. Following his marriage in 1926 he was able to quit working and paint full time.

The Das residence today harbors the largest private collection of Jamini Roy paintings with 25 of the master’s originals. "Bride and two Companions", 1952, tempera on card,...

Five years later, Audubon and his Pennsylvania bride, Lucy Bakewell, settled in Kentucky, and he cobbled together jobs as a merchant, miller, and portrait painter.

This aroused the perplexities of his brother Erminio who was worried about the fate of Bernardo due to the poor health of his thirty-year-old bride. From 9 to 24 July 1943 he partici...

After marrying in 1925, Simpson and his bride, Gertrude Woodcock, moved to France where Simpson continued his art education until their return to the United States in 1929.

The House of Chaumet is particularly renowned for its tiaras, which have adorned the heads of brides and royalty throughout history. Today, Chaumet remains a symbol of timeless elega...

The initials of the couple, the marriage date, double hearts and representations of the bride and groom were often included in the design.

Rubin, Curator of 20th Century Art, Phoenix Art Museum Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs” The Painted Bride Art Center, Philadelphia, PA, 2 pers...

Rubin, Curator of 20th Century Art, Phoenix Art Museum Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs” The Painted Bride Art Center, Philadelphia, PA, 2 pers...

Rubin, Curator of 20th Century Art, Phoenix Art Museum Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs” The Painted Bride Art Center, Philadelphia, PA, 2 pers...

Rubin, Curator of 20th Century Art, Phoenix Art Museum Beatrice Conde Gallery, New York, NY, “Paintings, Drawings, Photographs” The Painted Bride Art Center, Philadelphia, PA, 2 pers...

., Tokyo, Japan 1990 The Contemporary Museum, Honolulu, HI 1990 Hunter College Art Gallery, New York, NY 1989 Yokohama Museum of Art, Japan 1989 Grotesques, M Galleria d arte, Floren...

., Tokyo, Japan 1990 The Contemporary Museum, Honolulu, HI 1990 Hunter College Art Gallery, New York, NY 1989 Yokohama Museum of Art, Japan 1989 Grotesques, M Galleria d arte, Floren...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

His photograph of an Indian bride under a veil, her face reflected in a mirror on her lap, was selected by Edward Steichen for The Family of Man exhibit at the Museum of Modern Art w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...

Especially in his pastels, Pann envisioned Rachel, Rebekah, and other Biblical women as child-brides and imagined the teen-aged Jewish girls from Yemen whom he used as models along w...