Contemporary Asian Art

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #087, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

HIROSHI SUGIMOTO (*1948, Japan) 267 Arcadia, Milan 1998 Gelatin silver print Image 119,4 x 149,2 cm (47 x 58 5/8 in.) Framed 152,4 x 182,2 x 7,6 cm (60 x 71 5/8 x 2 3/4 in.) Editi...

Mixed metal multiple with lightbulb, 1990, signed in black ink, dated, numbered from an edition of 91 unique works, published by Edition Mönchehaus-Museum, Goslar, Germany, height: 5...

Jung LEE (*1972, South Korea) I Want To Be Your Love, 2012 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist ...

JUN AHN (*1981, South Korea) Self Portrait 2021 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Image 101,6 x 134,6 cm (40 x 53 i...

Paramesh Paul - Varanasi - 14 x 18 inches (unframed size) Acrylic on Canvas Style : Paramesh Paul is a freelance artist from Mumbai. Looking at his paintings the viewer d...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Bench made from a single block of scented cedar. Unique wavy and sinuous movement that evolves through an interplay of fullness alternated with emptiness. Designed by Hsiao-Ching wang...

Inspired by the artists of the Modern Art era, including Post-Impressionist Paul Cezanne, Kang visualizes the modern day search for identity in an age where information and images permeate every aspect of contemporary life. His architectural urban scenes are flattened, with everything pressed against the surface of the artwork. At times, multiple views of the same houses are visible, trees and bushes are vaguely alluded to, and the color palette finds a hectic balance. Just as a city operates in a balance of chaos and the sublime, so do the artworks of Kang. The Sublime is an euphoria that affects the deep recesses of one’s consciousness. As is this experience of the sublime, his work is largely abstract. This large colorful horizontal artwork is 38 inches high by 48 inches wide. The sides of this textured, original mixed-media artwork are finished as a continuation of the front and it does not require framing. It is hand-signed and dated by the artist on the back. It is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and worldwide shipping is available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Tae Ho Kang was born in Seoul, Korea in 1945. He studied at the College of Arts of Hongik University in Seoul, South Korea. He later moved to California to study Fine Art at California State University, where he graduated in 1980. Since then, his artworks have focused on the never-ending quest for home and belonging in a dense urban landscape. About his mixed media artworks, he remarks: “One day, when I was traveling, I was impressed by the beautiful scenery of the city under the sky, with many straight lines, curved lines, and harmonies of different colors, which seemed to be a magnificent orchestral performance. The beauty of this urban landscape gave me a deep impression and great change began to take place in my work. I wanted to be a molecule in this huge space. I have to find a house of my heart to be molecule. Where is the house I live in? What is my identity? This question has begun to arise. I am on a long journey to find my own house.” His mixed media collage artworks have been exhibited in solo and group exhibitions as well as international art fairs throughout the US and in Korea. Kang's work has also been featured in Television and Film productions, including Criminal Minds, NCIS Los Angeles, Unforgettable, The Mindy Project, The Great Indoors, and American Housewife. His artworks have been exhibited and acquired by private collectors around the world. EDUCATION 1980 Studied Fine Art at California State University in Los Angeles 1974 College of Arts of Hongik University, Seoul Korea TEACHING 1976 DucK Sung University Seoul, Korea 1975-1978 Sinku University Seoul, Korea 1974-1979 Seoul Music and Art High school. Seoul, Korea SOLO EXHIBITIONS 2017 CLU Gallery, Los Angeles, CA 2010 Vendome Gallery, Los Angeles, CA 2009 LA Artcore Gallery, Los Angeles, CA 2006 Artcore Brewery Annex Gallery, Los Angeles, CA 2005 Yemac Gallery, Seoul, Korea 2004 Andrewshire Gallery, Los Angeles, CA 1998 John N Joe gallery, Los Angeles, CA 1995 John N Joe gallery, Los Angeles, CA 1994 Andrewshire Gallery, Los Angeles, CA 1992 LA Artcore Gallery, Los Angeles, CA 1991 Hyo-Chun Gallery, Seoul, Korea 1991 Andrewshire Gallery, Los Angeles 1978 Shin Moon Gallery, Seoul Korea GROUP EXHIBITIONS 2020 Artspace Warehouse, Los Angeles, CA 2014 Invitational Exhibition of 11 Artists in California, Art center, Seoul Korea 2012 Bring a Friend, Lois Lambert Gallery-Bergamot Station(E-3), Santa Monica, CA 2011 Selected works (3 artists), Lois Lambert Gallery-Bergamot Station(E-3) CA 2011 Perserverance+Passion, Korean Cultural Center, Los Angeles CA 2010 The 1st Annual APLA(Aids Project Los Angeles), Bonhams & Butterfields Auction House 2009 The 10th Annual Exhibition of Hong-Ik Alumni 2009 Exhibition of Association of Christian Artist, Modern Art Gallery, L.A, CA 2009 “Conscious Pleasure(3 Artists)”, Sabina Lee Gallery, Los Angeles, CA 2009 Group Show, Western Gallery, Los Angeles, CA 2008 Seoul Arts High School Alumni Association, FT Art Gallery, Los Angeles, CA 2006 “New Paintings(3 Artists)”, Gail Harvey Gallery-Bergamot Station(b-5}, Santa Monica, CA 2006 “Exodus-1” Gallery Blue Wave, Los Angeles, CA 2006 “Connection-2006”,Joong-Ang Art Gallery, Los Angeles, CA 2006 “process”, Sara Lee gallery, Bergamot Station, Santa Monica, CA 2006 Group show, Joong-Ang Art gallery Opening Exhibition, LA. CA 2005 SAHS Exhibition, Lotus Gallery, Los Angeles CA 2005 30 Group show, Lotus Gallery, Los Angeles CA 2005 The 7th Exhibition of Hong-Ik Alumni, Dosan Hall, Los Angeles, CA 2005 Drawing Exhibition, Lotus Gallery, Los Angeles, CA 2005 Print works Exhibition of 9 Artists, Jung Dong Art Hall, LA CA 2005 Group Show, LA Art Core Gallery, LA CA 2005 Selected paintings Show, LACMA, LA CA 2004 Four Korean Contemporary Artists Show, Andrewshire Gallery, LA CA 2003 Hong-Ik University Alumni Exhibition, Dosan Hall Art Gallery, LA CA 1997 Four Artists Group Show, John N Joe Gallery LA CA 1996 “Four Dimension”, John N Joe Gallery, LA CA 1996 “Blessings” 10 Artists Show, John N Joe Gallery, LA CA 1995 “Blessings” 10 Artists Show(2nd) John N Joe Gallery, LA CA 1995 “Who’s Afraid of Freedom”, Newport Harbor Museum, LA CA 1995 “Inner Echo”, Unity Art...

Please note: On display at the S. Wilson and Grace M. Pollock Education Center Gallery at the Susquehanna Art Museum (1401 N 3rd St, Harrisburg, PA 17102) from August 12 through November 30, 2025. Sold artwork will be shipped to collectors following the close of the exhibition in January 2026.  This piece is an original artwork by Jason Chen titled "Seconds Later". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 34”h x 22”w and ships framed in the pictured 37”h x 25”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

Kota Ezawa recreates animated sequences from television, cinema, and art history. He uses basic digital drawing and animation software to create slide projections, light boxes, collages, and prints. In the vein of Warhol, his highly stylized facsimiles of familiar and often infamous images emphasize the distance between the viewer and the depicted figures that feature so prominently in America’s collective memory. His work is included in the permanent collections of the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York and the San Francisco Museum of Art, California among others. The artist is represented by the Cheryl Haines Gallery...

"A World in a Flower" is a Buddhist saying, similar meaning like what William Blake's poem says, to see a world in a grain of sand, and a heaven in a wild flower. Hold infinity in th...

Yayoi Kusama X MoMA Infinity Nets (set of 3), 2018 Screenprints in colors on skate decks 32 x 8 inches (81.3 x 20.3 cm) (each) Edition of 500 Produced by the Museum of Modern Art, Ne...

A little girl watching a white horse from a distance. It seems so close yet so far away. Touchable and yet untouchable, like our dreams in life. Clementine believes in the power of ...

Color lithograph with gold metallic powder, Edition 15. Barbara Takenaga writes: “About the prints, they’re part of a series of recent Angel paintings — which were influenced by seeing a small painting fragment of angel’s wings by Fra Angelico. I liked the way the feather pattern is similar to the Asian motif of fish scales or waves of water. There is a reference to the natural world, as well as the heavenly, but in an abstract, decorative approach. With the scale change of smaller elements in the center and larger dots on the edge, there is the implication of folded space that moves from near to distant — with some sensation of being pulled toward a far off place. The metallic background is dusted with gold or pearlescent powder over deep orange, which gives the surface some shimmer and color change. The title, Angel (Little Egypt), comes from the colors that are reminiscent of ancient Egyptian collars...

Voiles à la mer, color Lithograph on Rives paper 1953 by Zao Wou-ki Printed in 5 colors by E. and J. Desjobert, Paris Published by La Hune, Paris signed and numbered image 36.5 x 49 cm; sheet 50.0 x 65 cm Edition 106/120 Provenance: Private Collection Germany Literature: Catalogue Raisonné of Zao Wou-ki's graphic works (AGERUP) plate 81 About the Artist: Born in 1920 in Beijing, Zao Wou-Ki attended the National School of Arts, Hangzhou for six years under the supervision of Lin Fengmian...

Kitade’s search for the universal common ground in life, even in conflict. ‘Conflict is part of human nature, there is always a Side A and Side B in life and in this show it is the s...

Color lithograph with hand coloring, Edition 20 Her most recent prints are "Lines of Force (Fire Red) State II" and "Lines of Force (TBR) State II." Vibrant hand-colored lithograp...

Nobuyoshi ARAKI (*1940, Japan) 69YK #48, 2009 Gelatin silver print 60 x 50.8 cm (23 5/8 x 20 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Leigh Wen’s works reflect her personal and cultural histories. Having grown up on the island of Taiwan, she has a deep affinity for the elemental power of water and the forces of nat...

Framed, Hand-woven photography print. This piece is an original artwork by Jason Chen titled "Like Nobody’s Watching". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 40.5”h x 30”w and ships framed in the pictured 44.75”h x 34”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his first solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

An oil on linen, minimalist abstract painting by contemporary artist Zhang Huan depicting numerous tiny flying insects. Signed verso, "(unreadable) 2006, No. 19." Provenance: Private...

Abstract composition is an original colored etching realized by Hsiao Chin in 1977. The artwork is hand-signed and dated in pencil on the lower right. Numbered on the lower left. ...

JUN AHN (*1981) Invisible Seascape #2 2010 HDR Ultra Chrome Archival Pigment Print Sheet 304.8 x 101.6 cm (120 x 40 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Framed to artist's speci...

Jun AHN (*1981, South Korea) Invisible Seascape #7-1/7-2, 2011 Archival pigment print, face mounted to Acrylic (Diasec) Brown flame stained and hardened wood frame Diptych (two work...

Longfellow Tower Hand-dyed cast polymer rubber on painted steel base. 73 X 6 X 6 inches. The steel base is 18 X 18 inches. Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

2005 Wood Edition of 100 Limited Edition made by VILAC

This 123 Drumming Girl Collectible Object exemplifies the aesthetic of its creator, Yoshitomo Nara: naive and cute but with an edgy undercurrent dri...

DETAILS: 27 x 17 inches 2020 Offset lithograph 80# Classic Linen Solar White Cover

HIROSHI SUGIMOTO (*1948, Japan) 357 Ionian Sea, Santa Cesarea 1987 Gelatin silver print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25; Ed. no 1/25 For o...

HIROSHI SUGIMOTO (*1948, Japan) 310 Sea of Japan, Oki 1987 Gelatin silver print Sheet 50.8 x 61 cm (20 x 24 in.) Edition of 25; Ed. no 15/25 For over 40 years, the Japanese artist...

Pink time, 2009 by Takashi Murakami Offset print, numbered and signed by the artist in gold and silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 139/300 Dokuro (literally starv...

Jellyfish Eyes - Black 3 by Takashi Murakami (2004) Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 34/300 T...

Flowerball (3D) - Red Ball, 2013 by Takashi Murakami Woven paper, four-color offset print, cold foil stamp, glossy varnish Published by Kaikai Kiki Co., Ltd., Tokyo 28 in diameter 71...

Comprehending the 51st Dimension, 2013 by Takashi Murakami Woven paper, four-color offset print, cold foil stamp, glossy varnish Published by Kaikai Kiki Co., Ltd., Tokyo 28 in diame...

Takashi Murakami Maiden in the Yellow Straw Hat, 2010 Edition of 300 Offset Lithograph in Colours Edition of 300 23 3/5 × 23 3/5 in Edition of 300

The print is Diasec® framed. This mean the print is mounted between acrylic glass (UV-resistant) and a dibond (aluminum) backside, with an attached frame for easy hanging. Depth of t...

Jellyfish Eyes - Black 5 by Takashi Murakami Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 33/300 Takashi Murakami is best known for his...

Kaikai & Kiki: Dreaming of Shangri-la by Takashi Murakami Offset print, numbered and signed by the artist Framed 23 ⁵/₈ × 23 ⁵/₈in 60 × 60 cm Edition 155/300 Takashi Murakami is be...

Behold! Tis the Netherworld, 2016 by Takashi Murakami Offset print signed and numbered by the artist 26 ⁴⁹/₆₄ × 26 ⁴⁹/₆₄ in 68 × 68 cm Edition 34/300 Takashi Murakami is best know...

Silkscreen Edition of 100 (Edition number unknown as the print is unopened, to preserve condition) Signed and numbered on the front Mint, as issued Sold in the original KaiKai KiKi p...

And Then and then and then and then and then (Yellow), 1999 by Takashi Murakami Offset print, in silver ink signed and numbered by the artist 26 4/5 ...

Kansei: Like The River's Flow 2010 by Takashi Murakami Offset print, cold stamp and high gloss varnishing with silver ink signed, numbered and stamped by the Artist 27 7/8 in diamete...

Artist: Takashi Murakami, Japanese (1962 - ) Title: Hiropon II Bear Solar Citizen Watch Year: 1998 Medium: Plush Toy and Watch Edition: 1999 Size: 7...

Artist: Yue Minjun Title: Untitled (Smile-ism No. 20) Year: 2006 Medium: Lithograph on Rives BFK paper Edition: 45; signed and numbered in pencil Sheet: 43.50 x 35.25 in. (110.5 x 8...

Artist: Yue Minjun Title: Untitled (Smile-ism No. 9) Year: 2006 Medium: Lithograph on Rives BFK paper Edition: 45; signed and numbered in pencil Sheet: 31.5 x 43.25 in. (80 x 109.9 ...

Pequi Tree Miniature is a sculpture, created from the most recent work by Ai Weiwei, Pequi Tree, 2018-2020, and produced at a 1/100 scale. The sculpture is...

The dust jackets for the artist edition of the catalogue of Ai Weiwei’s 2015 exhibition at the Royal Academy have been individually painted by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each, a bold, calligraphic stroke sweeps across the paper to produce a painting of great vibrancy and spontaneity in celebration of the tactile qualities of the medium. Using a fully loaded brush, Ai has allowed the paint to run and dribble down the paper under its own weight, producing works with an affinity to his Coloured Vases, which he creates by dipping antique Chinese ceramics...

The dust jackets for the artist edition of the catalogue of Ai Weiwei’s 2015 exhibition at the Royal Academy have been individually painted by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each, a bold, calligraphic stroke sweeps across the paper to produce a painting of great vibrancy and spontaneity in celebration of the tactile qualities of the medium. Using a fully loaded brush, Ai has allowed the paint to run and dribble down the paper under its own weight, producing works with an affinity to his Coloured Vases, which he creates by dipping antique Chinese ceramics...

The dust jackets for the artist edition of the catalogue of Ai Weiwei’s 2015 exhibition at the Royal Academy have been individually painted by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each, a bold, calligraphic stroke sweeps across the paper to produce a painting of great vibrancy and spontaneity in celebration of the tactile qualities of the medium. Using a fully loaded brush, Ai has allowed the paint to run and dribble down the paper under its own weight, producing works with an affinity to his Coloured Vases, which he creates by dipping antique Chinese ceramics...

The dust jackets for the artist edition of the catalogue of Ai Weiwei’s 2015 exhibition at the Royal Academy have been individually painted by the artist in one of ten colours: black, white, yellow, red, green, blue, purple, turquoise, lilac and grey. In each, a bold, calligraphic stroke sweeps across the paper to produce a painting of great vibrancy and spontaneity in celebration of the tactile qualities of the medium. Using a fully loaded brush, Ai has allowed the paint to run and dribble down the paper under its own weight, producing works with an affinity to his Coloured Vases, which he creates by dipping antique Chinese ceramics...

This limited edition of Ai Weiwei’s book was realized by the publishing house Damocle Edizioni – Venice in 200 numbered copies. The book is hand bound with thermal blankets like thos...

n his widely anticipated memoir, "one of the most important artists working in the world today" ( Financial Times ) tells a century-long epic tale of China through the story of his o...

Papercutting is a traditional Chinese art going back 2,000 years. The colored, intricately cut papers are used as a story-telling medium in fes...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN051, 2007 RP Direct print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

Nobuyoshi ARAKI (*1940, Japan) 69YK #39, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Nobuyoshi ARAKI (*1940, Japan) 69YK #15, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #011, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #010, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage, flowers, food, his cat, faces and Tokyo street...

Nobuyoshi ARAKI (*1940, Japan) 67 Shooting Back #GDN160, 2007 RP Direct print 60 x 50.8 cm (23 5/8 x 20 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-ba...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #083, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...