Nate Berkus

Two prototype chairs in powder coated steel for the Sol Chair by Jonathan Nesci for Volume Gallery. Signed and numbered by Nesci, 2010.

Paul McCobb for Directional, two piece sectional sofa, c 1958. Cream on cream minimal Jacobean floral textile and solid brass. Two parts can be used together as one long sofa or as separate pieces. Gorgeous lines and minimal modern design. Single cushions for seat and back delineate each part but come together to form a sleek, neatly symmetrical (yet one-armed) sofa, comprised of a armless Settee and one arm loveseat...

Daum Nancy lamp Art Deco period Origin France Circa 1930 Etched glass, wrought iron Incised and signed on screen and base with Daum Nancy and the cross...

Midcentury American mahogany bookcase with 12 drawers and three glass sliding doors. Adjustable shelf in upper portion. Upper cabinet: 17.75"D.

Cabinet in mahogany with doors with brass banding. The doors fold and slide back to reveal the interior. The legs in sabre form are typical of the work of Ulrich. Provenance Galerie Philippe...

Cocktail/coffee table by Cassina with square white marble top black metal tubular base. Designed by Michael McCarthy for Cassina, 1960s.

Square wall mirror framed in blackened oak, USA, circa 2000. Frame is 1/2".

A pair of 19th century English Regency ebonized armchairs with hand painted monogram. Natural pony hide seats in black and white. Measures: Arm height 25".

The Nexus Side Tables are a sculptural study, finely constructed and finished with satin black oxide steel and smoked gray glass. Versatile and modular, the triangular tables can be ...

Large octagonal leather ottoman with turned wood legs upholstered in Moore & Giles Diablo in Cognac.

This fantastic set of six Italian Mid-Century Modern design iron open back club or lounge chairs recall the style of Pierre Guariche, featuring a simple but stylish glossy black pain...

The Escalier mirror is taken from Charles Burnand's Icon's collection. It was designed in collaboration with the New York based designer Caleb Anderson of Drake/Anderson. The mirror ...

OPTICALS taps into the visual phenomenon of optical illusions. The collection explores the visual potential of the very basic weaving technique of creating vertical lines. Inspir...

René Herbst French modern rubber, nickel, bent-wood "Sandows" armchair, 1930. Establishments René Herbst. This listing is for a single chair. Most known for his work with the modern...

Contemporary artist Val Bertoia's Corner Sound Sculpture made in 2008 is part of the Bertoia Sonambient series. It's made of 11 copper tops silvered to monel rods then silvered to a ...

Parenthetical Light is a sculptural wall light trio, finely constructed and finished with fabricated silicon bronze and light to create tension through form. Largely referencing surr...

Massive rustic oak circle with hinges, American c. 1910. Architectural salvage, likely used as the top of a wooden vat/barrel. Wood: 1.75" D x 4.5"W.

The Waypoint Centerpiece is a decorative vide-poche in Force/Collide's signature design style. The dramatic lines and symmetry of this catch-all make a powerful statement for your fa...

Ebonized mahogany tri-level coffee table, attributed to Paul Laszlo, Brown Saltman Los Angeles, c. 1952. A pioneering force in the evolution of California Modern, Paul László imbued the more rigid European modernism with plusher comfort and more sumptuous flair. Laszlo began his career in Stuttgart, an epicenter of modern design prior to WWII and gained international recognition for his sumptuous, sensual brand of modernism. His early fans included Salvador Dali and George Nelson. Laszlo accepted a professorship in the US as a means of fleeing the Nazis (Two of his siblings and both his parents would die in the Holocaust). From New York, László drove cross-country to California, where he opened an office in Beverly Hills. Despite speaking hardly any English, his reputation preceded him, and he soon started receiving commissions, including remodeling and refurnishing Bullock’s on Wilshire Boulevard, the premier department store in Los Angeles. By the late 1930s László had become designer of choice to the Hollywood elite. Laszlo combined sleek geometric lines and rich woods together with novel materials and textures (ex. lucite and faux weaving), sometimes adding more traditional flourishes such as floral fabrics. His bold use of color was also a major attraction. He opened his new design studio on North Rodeo Drive in 1941, which he would maintain for over 25 years. In 1946, László furnished the residence of Rene Williams in Beverly Hills with designs that have become recognizable classics, such as the Paddle Armchairs, named for their flat, wide armrests. All the pieces from the grouping have clean, elegant lines that draw from Viennese Modern...

Mid century lighting designer Paavo Tynell's Counterbalance pendant light Model No. A 1942 was made by Idman Oy, circa 1950s. This is an a...