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  • The New Neutrals

    Modern neutrals now include rich, earthy shades of saffron and pale red. These warm colors bring greater depth to a versatile palette.
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Late 19th century color lithograph art nouveau bookplate figure ornate text
Late 19th century color lithograph art nouveau bookplate figure ornate text

Late 19th century color lithograph art nouveau bookplate figure ornate text

By Alphonse Mucha

Located in Milwaukee, WI

"From: Ilsée, Princess of Tripoli Ilsee's Vision" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs from "Ilsee, Princesse de Tripoli," a ra...

Category

1890s Art Nouveau Warm Neutrals

Materials

Lithograph

Late 19th century color lithograph art nouveau floral plants hands blue orange
Late 19th century color lithograph art nouveau floral plants hands blue orange

Late 19th century color lithograph art nouveau floral plants hands blue orange

By Alphonse Mucha

Located in Milwaukee, WI

"The Prince Father's Heart" and "Jaufre's Feared Affection" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 11 & 12 of "Ilsee, Princess of Tripoli," published in 1897. These pages feature decorative Art Nouveau motifs and romanticized figures. 8 1/2" x 6 11/16" art (both verso and recto) 19 3/4" x 17 5/8" frame Alphonse Mucha was born in 1860 in the small town of Ivancice, Monrovia. Though it is rumored that Mucha was drawing before he was walking, his early years were spent as a choirboy and amateur musician. It wasn’t until after he finished high school that he came to realize that living people were responsible for the art that he admired in the local churches. That epiphany made him determined to become a painter. He was soon sent off to Paris, where he studied at the Academie Julian. On January 1, 1985, he presented his own new style to the citizens of Paris. Spurning the bright colors and the more square-like shape of the more popular poster artists, the design was a sensation. Art Nouveau can...

Category

1890s Art Nouveau Warm Neutrals

Materials

Lithograph

Eduardo Arroyo - Awaken Heart - Original Lithograph
Eduardo Arroyo - Awaken Heart - Original Lithograph

Eduardo Arroyo - Awaken Heart - Original Lithograph

By Eduardo Arroyo

Located in Collonge Bellerive, Geneve, CH

Eduardo Arroyo - Awaken Heart - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Category

1980s Modern Warm Neutrals

Materials

Lithograph

Asie (Asia) from the series Atlas — Atelier 17
Asie (Asia) from the series Atlas — Atelier 17

Asie (Asia) from the series Atlas — Atelier 17

By Joseph Hecht

Located in Myrtle Beach, SC

Joseph Hecht, 'Asie (Asia) from the series Atlas', engraving, 1928, edition c. 50, Tonneau-Ryckelynck & Plumart 162. Signed and annotated 'epreuve definitive' (final proof) in pencil...

Category

1930s Modern Warm Neutrals

Materials

Engraving

Aviary, neutral abstracted birds, mixed media
Aviary, neutral abstracted birds, mixed media

Aviary, neutral abstracted birds, mixed media

By Barbara Strasen

Located in New York, NY

Acrylic, ink, and collage on Yupo mounted on museum board. Framed. Barbara Strasen creates imagery plumbed from the depths of a fertile imagination and a trove of rich memories, in ...

Category

2010s Contemporary Warm Neutrals

Materials

Paper, Ink, Mixed Media, Acrylic, Board

Hecuba

Hecuba

By Reuben Nakian

Located in Greenwich, CT

Abstract black and ink wash on paper drawing. The powerful legacy of Reuben Nakian has earned him a coveted place in the history of American art. No other sculptor of the twentieth ...

Category

Mid-20th Century Modern Warm Neutrals

Materials

Paper, Ink

Lone Elephant (Kenya) - 20 x 24 in.
Lone Elephant (Kenya) - 20 x 24 in.

Lone Elephant (Kenya) - 20 x 24 in.

By William Chua

Located in Los Angeles, CA

This particular image at Kenya's Amboseli National Park. This is drawn from the archives of fine art photographer William Chua, an award winning photographer and FujiFilm ambassador in Asia, from Singapore, presented here exclusively. The essence of nature's beautiful creatures in flight and motion or in a solitary moment...

Category

2010s Contemporary Warm Neutrals

Materials

C Print

Ballet
Ballet

Ballet

By Harold Town

Located in Toronto, Ontario

Caviar20 is excited to be offering this exceptional "Single Autographic Print" from 1954. It is the earliest "SAP" we've handled and come directly from the estate of Harold Town. Harold Town (1924-1990) remains one of the most fascinating characters from the "Painters Eleven" group. While Town coined the group's name (based on the number of artists who simply attended their first meeting) his output was diverse ever-changing. Somewhat ironically, Town's first significant body of work, which established his reputation, was a group of monoprints - which he called "Single Autographic Prints" Town was introduced to lithography by fellow Painters Eleven member Oscar Cahen...

Category

1950s Abstract Warm Neutrals

Materials

Monotype

Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17
Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17

Lion Défendant sa Proie (Lion Defending Its Prey) — Atelier 17

By Joseph Hecht

Located in Myrtle Beach, SC

Joseph Hecht, 'Lion Défendant sa Proie (Lion Defending Its Prey)', engraving, 1931, edition 50, Tonneau-Ryckelynck & Plumart 215. Signed and numbered '18/50' in pencil. A fine impres...

Category

1930s Modern Warm Neutrals

Materials

Engraving

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Located in New Orleans, LA

Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

Category

1980s Modern Warm Neutrals

Materials

Mezzotint

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