$3,000
Polish French Ecole de Paris Mid Century Modernist Oil Painting Clown Juggler
By Abram Krol
Located in Surfside, FL
Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Hand signed lower ledt Oil on Canvas Abram Krol went to France in 1938 to stu...
Canvas, Oil
$4,250
H 56.5 in W 39 in D 1.5 in
Abstract Expressionist Figurative Homage to Willem de Kooning
By Michael Pauker
Located in Soquel, CA
Abstract Expressionist Figurative Homage to Willem de Kooning's "Women Singing" Colorful and dynamic abstract expressionist figurative mixed media painting contemporary piece, featu...
Canvas, Mixed Media, Oil, Magazine Paper, Stretcher Bars
$8,000
H 31 in W 39.5 in
"Cubist Landscape" Albert Heckman, American Modernist, Fractured Landscape
By Albert Heckman
Located in New York, NY
Albert Heckman Cubist Landscape Signed lower right Oil on canvas 21 3/4 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to tr...
Canvas, Oil
Conversation #2. Oil on canvas, 144x125 cm
Located in Riga, LV
Conversation. Oil on canvas, 144x125 cm
Canvas, Oil
$8,500Sale Price|32% Off
H 52.5 in W 69 in D 2.25 in
Mary Chenoweth Large Mid-Century Modern Bicycle Painting, 1960s, Post Modern Art
Located in Denver, CO
This striking large-format oil painting by celebrated Colorado modernist Mary Chenoweth dates to the 1960s and beautifully captures the playful spirit a...
Oil, Canvas
$1,048
H 11.03 in W 12.6 in
1968 Abstract Figurative Composition "Growth" By Ole Vincent Larsen
Located in Frederiksberg C, DK
This abstract painting presents a dynamic figurative composition in which organic forms and bold contours intertwine in a rhythmic and balanced arrangement. In this oil on canvas, t...
Canvas, Oil
$5,750
H 51 in W 45 in D 2 in
Mid Century Modern Portrait Painting of Woman, Signed, 42x36 Inches
By Tarmo Pasto
Located in Soquel, CA
Mid Century Modern Portrait Painting of Woman, Signed, 42x36 Inches Substantial and period painting, a Mid Century Modern portrait of a woman in an abstracted landscape by listed Ca...
Canvas, Oil, Stretcher Bars
$16,500
H 28 in W 24 in
"Shattered" WPA Mid 20th Century Modernism American Scene Surrealism Figurative
By Leon Bibel
Located in New York, NY
"Shattered" WPA Mid 20th Century Modernism American Scene Surrealism Figurative Estate stamp on the stretcher, verso. Provenance: Estate of the artist. 20 x 24 inches. Look at the last two photos in the listing. A new book about Leon Bibel was just published and there's a photo of the artist taken in front of the painting. Amazingness. BIO Leon Bibel continued painting through 1941 and resumed work in both painting and especially wood sculpture by 1960. He worked until his very last day in 1995. His last series of large wood sculptures were modeled on spice boxes, which were miniature buildings...
Canvas, Oil
$7,500
H 25 in W 32 in
WILLIAM C GRAUER "Amish Series: Husbandry" 1940-50s Cleveland School oil/canvas
By William C. Grauer
Located in Rancho Santa Fe, CA
William C. Grauer’s oil painting, Amish Series: Husbandry, is a vivid example of mid century Cleveland School modernism. It merges regional subject matter with a sophisticated, Cubis...
Canvas, Oil
"Prayer for the Wretched"
Located in Astoria, NY
Thea Thalie (American, XX), "Prayer for the Wretched", Oil on Canvas, depicting five figures in the act of prayer before Jesus with halo, signed lower right, signed and titled to ver...
Canvas, Oil
$1,800
H 20 in W 16 in D 0.75 in
"Blue Nude" Modern Abstract Style Modigliani Study Oil Painting on Canvas
By Cindy Shaoul
Located in New York, NY
Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...
Canvas, Oil
$6,400Sale Price|20% Off
H 30.5 in W 38.5 in
"Untitled" Albert Heckman, 1950s Modernist Abstracted Still Life Painting
By Albert Heckman
Located in New York, NY
Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...
Canvas, Oil
$1,800
H 24 in W 18 in D 0.75 in
"Blue Woman by the Window" Style of Modigliani Figure Oil Painting on Canvas
By Cindy Shaoul
Located in New York, NY
Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...
Canvas, Oil
Sold
H 25 in W 15.75 in
Polish French Ecole de Paris Mid Century Modernist Oil Painting Clown Juggler
By Abram Krol
Located in Surfside, FL
Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the beginning of World War II he joined the Foreign Legion. After he was demobilized, he became a mechanic in a garage in Avignon. Although Jewish, he survived the war with a false identity. In 1943, Krol started studying to be an artist, taking courses in sculpture at the city’s School of Fine Art. He also began studying painting and self-described himself as a “Sunday painter.” Krol moved to Paris in 1944. The first exhibition of his work was in 1946 in the Katia Granoff Gallery in Paris. After the war, Krol took up engraving, studying that art form with an engraver he met in Paris. Krol reflected his Hasidic childhood often using Biblical themes in his art works. He said, During all my years of childhood I had read the Bible endlessly. I came back to the Bible because I was on solid ground there. It was part of the assertion of my own truth after a time of complacency. It seemed to me that in painting or engraving there were so many reefs to avoid, so many possibilities of setback, that I had to have all the odds in my favor do what I could—say what I had to say. Krol illustrated over 20 literary works from the late 1940s through the 1960s. He also engraved medals for the Paris mint and painted murals for schools in France. He designed tapestries and painted approximately 200 enamels. Museums and libraries which own Krol’s art works include the Bibliotheque Nationale in Paris; the Victoria and Albert Museum in London; the British Museum; Houghton Library, Harvard; Bodleian Library, Oxford, and the Palace of the Legion of Honor in San Francisco. Krol has had numerous one-man shows throughout Europe, Brazil, and in California. In 1960, Krol was invited to the Venice Biennale. He was awarded the Critics Prize in 1958. He also won the Feneon Prize among other honors. Krol died on October 9, 2001. The School of Paris, Ecole de Paris, was not a single art movement or institution, but refers to the importance of Paris as a center of Western art in the early decades of the 20th century. Between 1900 and 1940 the city drew artists from all over the world and became a centre for artistic activity. School of Paris was used to describe this loose community, particularly of non-French artists, centered in the cafes, salons and shared workspaces and galleries of Montparnasse. Before World War I, a group of expatriates in Paris created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists like Pablo Picasso, Marc Chagall, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. The term "School of Paris" was used in 1925 by André Warnod to refer to the many foreign-born artists who had migrated to Paris. The term soon gained currency, often as a derogatory label by critics who saw the foreign artists—many of whom were Jewish—as a threat to the purity of French art. Art critic Louis Vauxcelles, noted for coining the terms "Fauvism" and "Cubism", Waldemar George, himself a French Jew, in 1931 lamented that the School of Paris name "allows any artist to pretend he is French. it refers to French tradition but instead annihilates it. The artists working in Paris between World War I and World War II experimented with various styles including Cubism, Orphism, Surrealism and Dada. Foreign and French artists working in Paris included Jean Arp, Joan Miro, Constantin Brancusi, Raoul Dufy, Tsuguharu Foujita, artists from Belarus like Michel Kikoine, Pinchus Kremegne, and Jacques Lipchitz, the Polish artist Marek Szwarc and others such as Russian-born prince Alexis Arapoff. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, and the resentment expressed toward them by French critics in the 1930s was unquestionably fueled by anti-Semitism. Jewish members of the group included Emmanuel Mané-Katz, Chaim Soutine, Adolphe Féder...
Canvas, Oil
Sold
H 25 in W 15.75 in
Polish French Ecole de Paris Mid Century Modernist Oil Painting Clown Juggler
By Abram Krol
Located in Surfside, FL
Abram Abraham Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Abram Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at the be...
Canvas, Oil
Two Clowns, Mid Century Oil Painting
By Abram Krol
Located in Surfside, FL
Biography: Abram (Abraham) Krol was born January 22, 1919, in Pabianice (Lodz), Poland. Krol went to France in 1938 to study civil engineering at the University of Caen. In 1939 at...
Oil