Accolay Pottery Dinner Plates

Accolay Elegant freeform ceramic vase by Accolay Signed under the base Original perfect conditions Decorative blue and grey ceramic glazes colors Measures: Height 29cm...

French Mid-century stoneware vase by ACCOLAY, France, 1950s. Height : 27cm (10.6"), Diameter : 18cm (7.1"). Marked "accolay" under the base (see photo, difficult to read) After the ...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and 1...

Decorative midcentury ceramic vase / pitcher by Accolay (circa 1960s). A classically shaped piece from antiquity is reinterpreted in Accolay's unmistakable style. The pitcher has sof...

A turquoise ceramic table lamp by Accolay. Stamped to the underside. France, late 1950s. Excellent condition, rewired in braided black cable, PAT rested and supplied with an off whi...

Ceramic Mask, Accolay, France, 1960s Accolay was a pottery center in France, north of Burgundy, founded amongst others, by 4 students of Alexandre Kostanda. Active between 1945 and ...

Produced by Accolay, France, around 1960-1970. Signed Accolay under the base.

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

Vase Accolay with anthropomorphic dancers, 1950s Reminds the dancers of Henri Matisse.

Freeform ceramic pitcher by renowned french workshop Accolay. Made in France in the 1950s. From the "Gauloise" series. Deep and rich blue glaze on the outside with a black interio...

French Mid-Century Anthropomorphic Vase by Accolay, France, 1950s. This unique anthropomorphic vase was crafted by Accolay in France during the 1950s. Featuring a sculptural form wit...

Accolay Original 20th century ceramic pitcher by Accolay potters White and brown ceramic glazes colors Original perfect condition Signed under the base Height : 25cm L...