Acton Bjørn Furniture

A lovely pair of Maison Lunel wall lights France, 1950s. Elegant design in gilt brass with two crossing scrolled Lamp-arm with opaline glass shades. Both pieces in fine vintage cond...

Very rare pair of brass sconces attributed to Emil Stejnar, 1950s. Made of sculpted sheet brass with alternating white lacquered stripes these unique wall lights have four rows of st...

A brass and white opaline glass wall light, designed and produced by Fog & Mørup, Denmark, c. 1950s.  Overall Dimensions (inches):  16” H x  6.5” W x  5.75” D Back Plate Dimensions...

Set of two brass wall lamps from the 1950s, produced by Danish lighting company Lyfa. These fine pieces of geometric design have adjustable brass shades and teak base. Condition of...

A pair of brass and white opaline glass wall lights designed and produced in Denmark, c. 1950s. Overall Dimensions (Inches): 10.75"H x 3.875"W x 8.125"D Back Plate Dimensions (Inch...

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

DANISH MODERN Coffee Table 1950s - W5734 Nice design Danish Modern Coffee Table in good, usable condition. Dimensions: Height 15.5" Width 75" Depth 16" We deal in INVESTMENT Q...

A good diminuitive tambor roll front Danish Mid Century Modern teak cabinet/credenza, circa 1960, by Kai Kristiansen for Feldballes Møbelfabrik. The cabinet is of diminuitive form and has twin tambor roll-front doors, enclosing four storage areas, the cabinet is raised on circular tapered legs. The cabinet is made from figured grain teak and is in excellent condition, this elegant & classic MCM cabinet...

A chic and elegant 1950s Italian brass swan coffee table with swan head legs and original glass. Well-made and heavy. Dimensions base: Wid...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

A brass and white opaline glass wall light produced by Fog & Mørup, Denmark, c. 1950s. The brass fixture presents with light to moderate oxidation throughout. Overall Dimensions (I...

East meets West with this captivating Renzo Rutili style cabinet. The efficient size makes it perfect for any room. Ideal as an entertainment console, dining room sideboard buffet ...