Adria Arch Art

A Charming, Colorful 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Painted near the artist's studio and summe...

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...

Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...

A Vibrant, Colorful, 1950s Mid-Century Modern Pool Hall Scene by Notable Chicago Artist, Francis Chapin. Artwork size: 6 3/4" x 8 1/2", Oil on Masonite, Framed size: 11" x 12 1/2"....

A Colorful, Dynamic 1930s Modern Boxing Scene by Notable Chicago Artist, Francis Chapin. Artwork size: 2 3/4 x 4 inches, oil on Masonite on original mount, framed in striking perio...

Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Vibrant and playful landscape by California artist Richard "Don" Klopfer (1920-2009). Signed and dated "R. Klopfer 3.86" on verso. No frame. Board size: 13"H x 19"W Richard "Don" Kl...

An early work by Julio De Diego embodies the deep love he had for his homeland of Spain, combined with his strong emotions against war. The peacefulness of the couple holding hands l...

A whimsical modern figurative piece depicting a reclining woman with a black cat on a bright blue background by California artist Richard "Don" Klopfer (1920-2009). Signed on verso a...

Intriguing oil on masonite painting by the American artist Richard Kirk of a young boy wearing a jesters hat. Signed lower right. Circa 1960. Condition is excellent. The painting is in it original painted wood and intentionally distressed frame. Overall measurements framed 22.5 by 30.5 inches. Provenance: Sarasota, Florida collector. My first recollections were of drawing. I don't remember telling people that I wanted to be an artist. I just loved drawing. At times, it was all that occupied my young mind. My passion for drawing was instantly converted to a passion for painting after I met my best friend's father, Oleg Stavrowsky...

Hollywood regency portrait painting of a young woman by Francis Kughler (American 1901-1970). Oil on canvas board. Circa 1932. Unframed. Born in New York City in 1901, Francis Vandeveer Kughler attended Cooper Union, the Mechanics' Institute, and the National Academy of Design School of Art where he met Charlotte Livingston, an artist, whom he was later to marry. During this period he was the winner of a Tiffany scholarship, which provided him a summer of landscape painting at the Louis Comfort Tiffany estate at Oyster Bay, L.I. In the 1940s, Kughler became the President of the Salmagundi Club, a well-known art club in Washington Square in New York City.Well-known as a muralist, society portrait painter and lithographer, he was a prolific painter who made cityscapes, landscapes, and nudes. He and his wife, Charlotte Livingston, lived and worked in Bronx, New York. mid century modern wpa impressionist...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...