Adrien SCHULZ Art

Artist: Stanley Sobossek, American (1918 - 1996) Title: City Street Year: circa 1965 Medium: Oil on Canvas, Signed Size: 43 x 34 inches [109 x 86 cm]

Primary Colour Series- Red is Shizico Yi's on going project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition. The series is a continuation of her "Sunlit ...

Oil on Unstretched Canvas, 2007 12 x 16 in, Unframed Signed by Artist, comes with Certificate of Authenticity Good Condition

Leading British Expressionist Paul Wadsworth captures the magic of India in his paintings. These unique pieces are created from real life scenes and experiences laid down onto the ca...

Oil Painting of the Winter Sunshine with Mountain Lake by 20th Century Dutch Artist, Joop Smits (1938-2014) Art measures 16 x 12 inches Fr...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Original Period Newcomb Macklin Frame George William Sotter (1879 - 1953) Born in Pittsburgh on September 25, 1879, Sotter began his art education with local teachers and with Henry G. Keller, who had studied in various German academies. Keller, known for his superb, atmospheric watercolors, taught at the Cleveland School of Art but Sotter studied with him in Pittsburgh. Later Sotter would exhibit between 1903 and 1937 at the Pennsylvania Academy of the Fine Arts. His works were also shown at the Corcoran Gallery (1912-23), the Carnegie International (1901-26), the National Academy of Design (1913 and 1921), and at the Art Institute of Chicago (1911-27). In 1915, Sotter exhibited four works at the Panama-Pacific International Exposition in San Francisco, where he won a silver medal. Sotter was known mainly as a stained-glass artist; his work may be seen from New York City to Salt Lake City. Around a dozen craftsmen worked under him for these commissions. Sotter spent the summer of 1902 with Pennsylvania impressionist Edward Redfield in Boothbay Harbor, Maine. Between 1910 and 1919, Sotter taught at the Carnegie Institute of Technology. His paintings often feature large areas of sky filled with clouds and he frequently painted winter night scenes, such as Moonlight, Bucks County (Beacon Hill Fine Art), a perfectly successful depiction of a quiet, moonlit landscape filled with twinkling stars. Star-studded skies, although rare in landscape painting, go back at least to 1600 when they appear in the oeuvre of Adam Elsheimer...

Harald Grote. Afternoon at Fairmount Park Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.

Harald Grote. Pennypack Creek I Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.

Signedlower right

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

William Fisher (American, 1891-1985) Untitled (Covered Bridge), 20th century Oil on canvas 24 x 30 in. Signed lower right: William Fisher William Fisher was born in Brooklyn, NY in 1891. He studied at the Brooklyn Institute of Art and Science and at Pratt Institute. Following service as an ambulance driver in WWI, he remained in Europe after the war and studied painting in Rome, Italy for one year. Upon his return from Rome, to New Jersey, he pursued his painting and began to teach small art classes. In the 1920's Fisher became a successful illustrator. His work appeared in Saturday Evening Post, Mc Calls, Harpers and other popular magazines. He later did pen and ink sketches for the "Villager," a weekly Greenwich Village newspaper. Microfilmed pages of the Villager are preserved in New York University's Washington Square Library. His sketches also appeared on the cover of the "Gotham Guide," which was sold Fridays at news stands in Manhattan. In partnership with Margaret Kilburn, an artist and crafts person, Fisher opened an art gallery and school at 33 West 8th St in NYC during the 1930's. They also opened a summer art gallery and school in 1949 in Kennebunkport, Maine, which ran for many years, and, after the NY gallery closed (around 1952), they made a full time commitment to living and working in Kennebunkport, Maine. Fisher was the recipient of over 100 awards. His work was widely exhibited in Philadelphia,Pa., Montclair, Trenton, and Newark, NJ, the Currier Gallery in New Hampshire and the Brick Store Museum in Kennebunk, Maine. William Fisher and Margaret Kilburn were familiar and beloved figures in Kennebunkport. They taught generations of local children, and they participated in numerous exhibits with other artists, both in the Kennebunkport area and throughout Maine. Mr Fisher always insisted on marching in the local Memorial Day parade, until he was well in his 90's, because he didn't want to ride in a car provided for older veterans. Many homes in the Kennebunks have his works, including members of the Bush family, and they were purchased by numerous out of state and Canadian summer visitors. There are several examples of his works in the Kennebunkport Town Offices and in local churches. Fisher loved to paint "big" canvases, usually local Maine scenes...

Suzanne Schweig Langsdorf Martyl was active/lived in Illinois, Missouri, Kansas. Suzanne Martyl is known for abstract western landscape, magazine cover illustration, murals, botanics. Illustrator of the Doomsday Clock. Martyl exhibited infrequently but five one-man shows in Saint Louis since 1936 kept her in the public. She was also represented in many of the National exhibitions. In 1940 she was awarded the first prize in the Midwestern Show at the Kansas City Art Institute and won the hundred dollar purchase prize at the Y.M.H.A., Saint Louis. The following year she was awarded first prize in the annual exhibition of Missouri artists at the Saint Louis City...