By (after) Mark Rothko
Located in New York City, NY
This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility.
From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form.
His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche.
The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas.
For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect.
In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection.
The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical.
Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally.
Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970
University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973
Denver Art Museum, Colorado Annual, 1967
National Academy of Design, National Audubon Exhibition, New York
Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska
Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York
Chicago Botanical Garden, solo exhibition, North Brook Illinois
Colorado Symphony Orchestra Association, limited-edition lithograph commission
Broadway South West department store Commission; shopping bag and print.
Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York
Stables Art Center, Taos New Mexico, Artist of Taos
Who's Who in American Art, 1990, New York
Arts Student's League of Denver, Board of Directors
O'Sullivan Art Center, Regis University solo exhibition, Denver
Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003
Amarillo Art Museum, permanent collection
Amoco Oil Company, Chicago
Federal Reserve Bank, Denver
University of Colorado, permanent collection, Boulder, Colorado
Garnett Corporation headquarters, Arlington Virginia
IBM Corporation Miami Florida
Las Vegas Federal Medical Center
Kirkland Art Museum, permanent collection, Denver
Northern Trust Bank, Naples, Florida
Planes Art...
Category
1990s (after) Mark Rothko Furniture
MaterialsAcrylic, Paint, Paper