After William Shiels Art
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Artist: After William Shiels
The English Forest Breed, sheep lithograph with original hand-colouring, c 1845
By After William Shiels
Located in Melbourne, Victoria
'Race des forets d'Angleterre' (The English Forest Breed)
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by ...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Soft-woolled Sheep of Wales, lithograph with original hand-colouring, c 1845
By After William Shiels
Located in Melbourne, Victoria
'Race a laine douce, du Pays de Galles' (Soft-woolled sheep of Wales)
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a ...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Shetland and Orkney Island Sheep, Scotland, animal lithograph print
By After William Shiels
Located in Melbourne, Victoria
'Race des iles Orcades et Shetland' (Breed of the Shetland and Orkney Islands)
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) fr...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Higher Welsh Mountains Sheep, lithograph with original hand-colouring, c 1845
By After William Shiels
Located in Melbourne, Victoria
'Race a laine douce, du Pays de Galles' (Soft-woolled sheep of Wales)
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a ...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Cheviot Sheep, lithograph with original hand-colouring, circa 1845
By After William Shiels
Located in Melbourne, Victoria
'Race Cheviot' (The Cheviot Breed) '
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by William Shiels.
From...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Old Norfolk Breed, sheep lithograph with original hand-colouring, circa 1845
By After William Shiels
Located in Melbourne, Victoria
'Ancienne Race de Norfolk (The Old Norfolk Breed) '
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Willia...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Kerry Breed, Irish sheep lithograph with original hand-colouring, circa 1845
By After William Shiels
Located in Melbourne, Victoria
'Race de Kerry' (The Kerry Breed)
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by William Shiels.
From the...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Wicklow Breed, sheep lithograph with original hand-colouring, c 1845
By After William Shiels
Located in Melbourne, Victoria
'Race des montagnes du Wicklow' (The Breed of the Wicklow Mountains)
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a p...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
Black-Faced Heath Breed, sheep lithograph with original hand-colouring, c 1845
By After William Shiels
Located in Melbourne, Victoria
'Race a tete noire, des Bruyeres' (Black-Faced Heath Breed - Ram).
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a pain...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Engraving
Wiltshire breed, sheep lithograph with original hand-colouring, circa 1845
By After William Shiels
Located in Melbourne, Victoria
'Ancienne Race de Wiltshire (The Old Wiltshire Breed)'
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a painting by Wil...
Category
Late 19th Century Naturalistic After William Shiels Art
Materials
Lithograph
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Rendering by A. Berger after Joseph Fleischmann. Published by Carl Gerold’s Son, Vienna, 1900.
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Rough-legged Buzzard: 19th C. Hand-colored Lithograph by J. Gould & Edward Lear
By Edward Lear
Located in Alamo, CA
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This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition
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John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches".
Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia".
John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time.
In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...
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Nasiterna Pygmae
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John Gould (British, 1804-1881)
Nasiterna Pygmae c. 1849-1861
Hand Colored Lithograph
Image Size: approx 19.5 x 13.5 inches
Framed Size: 27 3/8 x 21 1/2 inches
John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species.
Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827.
Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent.
This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841.
When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers.
In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...
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This striking framed Gould...
Category
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Materials
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After William Shiels art for sale on 1stDibs.
Find a wide variety of authentic After William Shiels art available for sale on 1stDibs. You can also browse by medium to find art by After William Shiels in lithograph, engraving and more. Not every interior allows for large After William Shiels art, so small editions measuring 9 inches across are available. After William Shiels art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $320 and tops out at $320, while the average work can sell for $320.
Questions About After William Shiels Art
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- 1stDibs ExpertMay 30, 2024William Morris was famous for his work as a designer. During the Victorian era, his intricate floral prints appeared on wallpaper and textiles and set interior design trends. Morris' work helped define the Arts and Crafts Movement. He was also a mathematician and a well-known poet. On 1stDibs, find a variety of William Morris pieces.
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- 1stDibs ExpertApril 5, 2022William Morris used a variety of fabrics to produce wallpaper, floor coverings and other textiles. However, cotton and linen were the most common materials. His workshop became known for producing intricate hand-blocked prints on textiles. Find a variety of William Morris rugs and textiles on 1stDibs.
- 1stDibs ExpertMarch 22, 2022William Spratling's model and inspiration was pre-Columbian decorative objects. For example, he patterned the Quetzalcoatl brooch off the details of a heart bowl found in the collection of the Museo Nacional de Antropología in Mexico City, Mexico. On 1stDibs, shop a selection of William Spratling jewelry and decorative objects.
- 1stDibs ExpertApril 5, 2022Yes, William Morris made furniture. While William Morris is best known for being a textile designer, poet and artist, he also designed furniture. William Morris’s furniture was inspired by nature and his belief in socialism, with designs focused on creating affordable and long-lasting furniture that everyone could enjoy. Shop a selection of William Morris furniture on 1stDibs.
- 1stDibs ExpertApril 5, 2022Yes, William Morris made some tapestries. William Morris was a true artisan and delved into a variety of different areas. He’s also credited with ushering in the Arts and Crafts movement in England. He held a lot of respect for those who could produce tapestries and made his first one in 1879. He learned more and created more tapestries but also established a small tapestry workshop where he employed tapestry weavers. Shop a collection of tapestries from some of the world’s top sellers on 1stDibs.
- 1stDibs ExpertFebruary 7, 2024Which William Morris designs are the most famous is open for debate. However, some patterns of William Morris wallpaper have consistently remained in style since their debut in the 19th century. They include Larkspur, Jasmine, Marigold, Wreath, Willow Boughs, Acanthus, Strawberry Thief and Chrysanthemum. On 1stDibs, shop a collection of William Morris furniture and decorative objects.
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