Aida Subirè Mixed Media

This painting features an abundant bouquet of blooming summer flowers in a spherical vase. Each brushstroke is my testament to the artistry and charm of summer flowers. This pa...

"Window VI" is one piece in Heather Hartman's Spare Room series. Hartman’s work combines paper softly appearing behind polyester mesh to create the illusion of light glowing through ...

In BOOM BUST REPEAT17, Peña creates a silhouette of house and fills it with sharpe-edged shapes that contain gradients and saturated hues of red, green, and violet. He balances these colors with muted tones of orange and yellow . The viewer can create a house that is yet to be built in between the gaps here. In "Boom, Bust, Repeat", Peña remarks on a house and landscape that has yet to take place. The painting is created with watercolor and acrylic paint on paper. In the foreground we see Sintra board or flattened PVC that has been CNC routed. In the "soil" beneath the house are small circular lines that have been hand drawn with India ink. The Sintra board has been cut to reveal arrows in the negative space pointing upwards as to hint at a boom in the market. Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment and national psyche. The realization that both the idealistic pursuit of happiness and the relevance of painting in a technologically driven world informs his practice. With each composition the labor begins with digital composites of a fragmented American landscape in peril —where tension lies in the contrasts between past and present, analog and digital, representation and abstraction, and stability and instability. In his most recent series the American home (stability) and fragmented and shifting landscape (instability) are veiled by a digitally produced mat. Traditionally a mat is, by definition, a flat, thin piece of paper based material included within the picture frame and serves as additional decoration when framing artwork. He activates this commonly overlooked material by using a non-traditional material, Sintra (flattened sheet of PVC), that has a negative digitally drawn image cut-out. This cut-out might, at first glance, look hand cut however, a more astute viewer would realize the precision is mechanical. The mat has been transformed from inactive decoration to digitally produced veil that represents the technologically anxious precision we surround ourselves with. Nick Peña...

In POSSIBLE, IMPOSSIBLE, POSSIBLE, Peña combines representational elements of a bright green landscape in the background with a more abstracted silhouette of a house in the middle gr...

Float (Whimsical Landscape Collage of Swans and Figure Against Blue Sky) by Olan Quattro 2024, gouache, paper, and acrylic on wood panel, 24 x 36 inches Olan Quattro's subtle and so...

Summer Lawn (Elegant Collage of Three Female Figures Playing Croquet) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophi...

Original mixed media composed of graphite, watercolor, gouache and acrylic paint on hardboard by the well known American artist, Thornton Utz. Signed lower left and dated 1992. Con...

Meander (Female Figure in Quilted Dress with Collage Lake Landscape) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophis...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

El Temor (The Fear) (#1719) 2019 Signed in black ink, l.c. Watercolor, acrylic, and India ink on paper 30 x 22 inches This work is offered by ClampArt in New York City.

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

In his early years Colin Kent studied and worked as an architect. He was elected a member of the Royal Institute of Painters in Watercolours in 1971 and then became a full time paint...