Alberto Capraro

A bold entrance making creation by fashion designer L'Wren Scott (1967-2014). Known for her impeccable taste and style as well as for long slenderizing silhouettes, femininity and im...

Stunning 1950s FRED PERLBERG white and Robin’s egg blue rhinestone encrusted strapless gown ! Boned bodice. Hundreds of rhinestones really make this dress sparkle. Features layers of...

Oscar de la Renta Gilt Floral Reembroidered Lace Mini Baby Doll Dress from the 1960's. Designed as a mini with full sheer sleeves with a faux bolero edged in elaborate gold bullion and rhinestone trim with gilt hoops. Opens down front with hooks and snaps with built in tulle crinoline. Retailed by L.A. Schulman, White Plains...

Circa 1970-1980 France Chanel Haute Couture cocktail dress numbered 59644 dating from the 1970s. Short dress, long sleeves with small puffs, in ivory...

Beautiful and unique 1930s dress. Done completely in sheer mesh with a embroidered Floral Motif. Flutter collar and sleeves. Snaps up the side. Color is a gray purple tone. Wear as a peek a boo or wear a slip. Measures up to 31 Bust -- 25Waist-- 34 Hips--51 Length. Please check our storefront for more contemporary, vintage, hundreds of pieces of designer and fine Jewelry. We have been selling on 1st dibs...

A rare John Galliano bias cut Carnation dress from the Dolores collection, Autumn-Winter 1995-96. Of Bianchini Férier ivory and black satin backed rayon acetate crêpe inset with intarsia'd black chiffon and satin embroidered in white silk running stitch embroidered carnation flower heads and unfurling leaf designs. Gently cowled neckline and back. Due to the complex design and construction very few of these dresses were put into production, and sold. There are no traditional seams on sides and the fit of the dress is integrated into the inserted black floral patterns onto the bias cut base. In the period, they cost $5000 US dollars and upwards depending on the retail establishment through special order. John Galliano’s 1995...

Circa 1980 France Pierre Balmain three-piece knitwear set in silver and purple lurex. Long-sleeved, tight-fitting top with cuffs. Small turtleneck closing with invisible staples. Long flared skirt with elastic waist, petrol blue stripes, powder pink and purple. Belt and buckle in the same fabric. Tag Les Tricots Pierre Balmain Paris Made in France black graphics on white background. Good condition and color. Dimensions: Skirt: Size 67...

This truly magnificent 1950's lilac nylon chiffon and satin dress with a matching satin shawl jacket, embellished with a pattern of trailing lilac flowers rendered in iridescent flor...

Circa 2000 France Nice Fresh evening dress in silk organza printed with black polka dots from the designer house Jacques Fath, from the wardrobe of Princess Diane of France Circa 2000. Overlay effect of the finely pleated organza of the skirt on a matching underskirt. Bustier dress with large neckline covered with an over-dress with puffed sleeves and black satin musketeer cuffs matching the lapel collar. Button fastening at the back and zipper. Black stone and rhinestone cufflinks...

Circa 1995 - 2000 Italy Elegant Tuxedo Trouser Suit in ice blue virgin wool fabric (100% WV) by the famous Italian designer Mr Gianfranco Ferre (1944 - 2007).  Soft jacket with small epaulettes, long sleeves with armpit holes for ease of movement, it is crossed by a matching belt to be tied in front. Low waist trousers...

Circa 1920/1925 France Evening dress in powder pink muslin and embroidered tulle from the Art Deco period around 1920/1925. Low-waisted straight dress ...

For his design mentor Rei Kawakubo's Japanese brand Comme des Garcons, Junya Wantanabe made this inimitable semi-transparent white taffeta floaty ruffled-V-neck sleeveless pullover dress with distinct parachute elements, cutwork, and adjustable ruching and draping as "Look 1 and 2" (see photos) for the Parisian fashion show debut of his Spring/Summer 2003 collection. The stunning combination of contrasts range from romantic-to-combat themes, gathered-to-flowing construction, raw-to-finely-finished edges, soft-to-hard materials, and gossamer-to-dense textural fabrics. Secured on the exterior of the dress with bold silver-tone metallic hardware, the parachute-like 100%-cotton grosgrain straps are mostly enclosed within multiple diagonal and vertical ruched channels to enable symmetrical or asymmetrical draping and lengthening of the thin synthetic fabric into multiple swags. Strap ends can freely hang from the functional hardware on the front of the dress and below its sides--as if they could be yanked to release the fabric into a drifty parachute sail. With the potential to be a stunning formal overlay if worn with a minimalist wedding gown or long skirt, the reverse side of the voluminous dress is equally remarkable for its ruffled diamond-shaped cutout at the lower back, where it is intersected by a trio of linked thick straps that are secured to a looped ruched channel. This creates an elongated bustle with a dramatic central 19-inch slit between the two swags that each extend 43 inches below the outer shoulder hem. This premiere-catwalk dress is distinguished from others in Wantanabe's "Parachute Jumper" collection by the complexity of its top. Two ruched straps form an X-shape via silver hardware at the upper back, extending to the front over the shoulders to form an adjustable face-flattering ruched V-neck with silver-hardware-linked narrow straps. The soft folds of the neckline contribute to the raised ruffle collar, as well as flow to the shoulder seams. The hand-cut hem was designed unfinished and meant to fray, although it has not given its minimal wear and very good condition consistent with only age and storage. See our photos of the care/material tags. All tags remain, including from the Italian concept-store 10 Corso Como, where it was purchased in Milan. The "Made in Japan" size is a large-running "S" due to the pullover and adjustable style of the dress, which is equivalent to an Italian-size 44 or U.S.-size 6. Beyond a convertible dress...