Alexander Fitzpatrick Table Lamps

Pair of 1970's crackled glass Table lamps.Great details and color.

Gelato Originally designed in the 1960s by Murano-based Carlo Nason, Gelato has been re-engineered into a playful portable lamp. Its colourful mouth-blown base holds an orb of acid-e...

Although there are a few other places in the world where the semi-precious stone Onyx exist, we found our collection in Mexico. A Bit Of Information On The Semi-Precious Stone Onyx....

A member of the Ktribe family of products, this inspiring table light provides diffused light through a transparent diffuser that gracefully moves the eye upward. The base, rod, and ...

Hand blown Murano glass table lamp, 1960s, Italy Minimal design Very high quality. Fully functional. Original cable and pl...

Table lamp with illuminated body made in the spirit of "Cartoccio", a Carlo Moretti vase in Murano glass with a round section, mouth blown with a diamond wheel free hand technique en...

A circa 1930's French crackled and hand-painted glass table lamp. Measurements Heigh of body: 19" Diameter: 7.5"

A luminous testament to Venetian artistry, this hand-blown Murano glass table lamp by Barovier & Toso features the iconic avventurina technique—infusing glass with copper particles t...

This stunning pair of modernist lamps were realized in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production. They feature aus...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Beautiful handblown bubble glass globe and gold - black metal light. Germany, 1970s. Lamp sockets.  

Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights and a fountain that feature glass as the main material. The rest of her work is informed by a similarly sophisticated playfulness, as evident in the charming forms she creates — she has designed doughnut-shaped rugs, the multifunctional resin Candy Cube side tables...