Alexandra Romano Art

Beauty In The Shadows by Lucy Moore [2022] Signed by the artist Acrylic on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:1.5cm Please not...

One of a kind acrylic canvas painting by Linda Coppola.

A large, dramatic abstract oil painting by Contemporary artist Bill Hewes. William (Bill) Hewes is an American self-taught artist. Hewes was born in Easthampton, Massachusetts in 19...

Primary Colour Series- Blue Cat is inspired by Japanese woodblock Print and the a nod to calligraphy tradition. With strokes of gilded gold leaves, gesso and acrylic, Shizico Yi pain...

Echoes (14/13) is a painting by Scottish artist James Lumsden created with acrylic on canvas (gloss finish) and focusing on shades of blue and pink. Dimensions: 23.6 x 19.7 inches (6...

"Ranunculus II", 2024, 84" H x 60" W. Large-scale abstract painting in hues of blush crimson consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina...

Jack Roth (American, 1927-2004), Untitled, Acrylic on Canvas, 1980, signed and dated lower left, signed on back and with estate stamp, unframed. 66.25" H x 94" W. Provenance: The E...

This contemporary, expressive figurative oil painting titled "No Limits" was created by French artist Natalya Mougenot and marks a significant shift in her artistic journey. Part of ...

Acrylic, graphite and printed paper collage on board 42.6 x 36.8 cms (16 3/4 x 14 1/2 ins) This is the only collage in which Motherwell used a green package from Gauloises Caporal D...

This stunning Original Set of two paintings by Shizico Yi on Canvas includes: Sunlit-Primary Colour Series- Blue Sunlit-Primary Colour Series- Red these are a part of Shizico Yi's Su...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Abstract expressionist painting and collage by Bay Area artist Michael Pauker (American, b.1957). Titled and dated "Brescia 2014" on verso. Unsigned. From a collection of his work. F...