Alexandre Kostanda Ceramics

Ceramic vase model “Bleached Amarillo” From the “Bleached” series Manufactured by Adam Knoche USA, 2022 Hand built, ram-pressed pulverized porcelain, glaze, cone six oxidation ...

GUIDO GAMBONE - VIETRI - Rare Mid Century monumental studio ceramic vessel / jug - hand painted - thick, frothy, gritty glaze (sand added in production) - signed with a donkey and VI...

Trish DeMasi Camille Vessel, 2020 Glazed Ceramic 13.5 x 6.5 x 6.5 in Subtly textured with an undulating form, this white glazed ceramic vessel by Philadelphia artist Trish DeMasi is...

An elegant, hand-painted bowl by Waylande Gregory. Stylized leaf pattern in green and silver leaf.

Trish DeMasi Aldo, 2020 Glazed Ceramic 20.25 x 11 x 11 in The Moderno Collection by Trish DeMasi features geometric shapes, sumptuous textures and pleasing neutral colors in the for...

French contemporary sculpted ceramic bowl, cream glaze. Signed: Vissiere.

Trish DeMasi Botanica vessel II, 2021 Glazed ceramic Measures: 14.75 x 11 x 10.5 in.

Beautiful brass mounted antique ceramic bowl. Very good condition and Color.

A large and impressive bowl by M.Anderson from the "transmutation" series.

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

Trish DeMasi Botanica Vessel, 2022 Glazed ceramic 6.5 x 6.5 x 14.5 in.

A potter and painter, Albert Green (1914-1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University ...