Alfred de Breanski Jnr

This is a lovely pair of large antique oil on canvas seascape paintings, 'The incoming tide; and catching the breeze' and each signed by the notable British artist Gustave De Bréansk...

Alfred Birdsey was a renowned English born Bermudian painter. Here is a watercolor representative of his confident loose style and familiar bayscape subjects. Signed in the lower rig...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Alfred Arthur Brunel de Neuville (French 1852-1941), the painting is titled "Hot Milk", signed 'Brunel Neuville' (lower right), oil on panel, framed. The panel measures 12 3/16" inch...

Charles D. Hartley (British/American, 19th Century) Scottish Highlands landscape oil on canvas canvas: 30 by 18 inches Frame: 33 ½ by 21 ½ inches

Circa 1880s by Alfred De Breanski Sr., (1852 - 1928), England. This lovely oil on canvas, using the impedimenti technique of layering and glazing...

Large serigraph on canvas by Alfred "Alex" Gockel, Germany. Known for his vibrant coloring, this piece showcases his artisty, and use of rich primary colors. Set in a wide gilted fra...

Watercolor “Woman and Her Maid in a Courtyard” in the manner of Pieter de Hooch,  This charming watercolor is presented in a 4” wide gilt frame, on ...

Landscape with Trees  by Alfred Henry Maurer, New York School, Gouache on Paper, Circa 1915. A dynamic Modernist rendering of trees and a wall in a landscape setting in hues of green, violet, sienna and yellow. Signed in pencil in the lower left corner “A / H Maurer”. The image measures 20-3/4 inches x 17 inches. Simple wood frame and glazing measuring 21-3/4 inches x 18  inches. Condition: Slight yellowing of the paper and other minor signs of age otherwise excellent condition. Provenance: Private Collection, New York Biography from The Phillips Collection of American Art: ALFRED HENRY MAURER (1868–1932) One of the first American painters to reflect the influence of European modernism in his painting. Born in New York, Maurer studied in 1884 at the National Academy of Design, New York, where he became recognized as an accomplished painter of portraits inspired by those of James A. M. Whistler and American impressionist William Merritt Chase. From 1897–1914 Maurer lived in Paris where he became acquainted with fellow Americans Arthur Dove and Gertrude and Leo Stein. It was in the Stein’s salon, a well-known meeting place for Americans and modern French artists...

Framed Lithograph of the original water colour painting titled Le Poney, cataloged as Inv. MCR 104 on page 55 of Marie-Christine Renauld's cabinet raisonne L'univers d'Alfred de Dreu...

Alfred Pollentine (British, 1836-1890) "Venice in July" Oil on canvas, signed lower right, dated 1890. (unframed)

ALFRED S. WALL United States, 1825-1896 Nature Morte: Fallen Doves (1865) Oil on canvas signed and dated lower left "Alfred Wall 1865" ref. 412APH13E 26 1/2" H x 32 1/2" W x 2 1/2" D [frame] 20 1/8" H x 26" W [canvas] Essay This finely executed still life painting captures a group of three doves laid upon a forest floor, rendered with meticulous attention to texture and natural detail. The composition follows the tradition of nature morte, a genre that captures the stillness of life through carefully arranged subjects. The artist employs a rich, earthy palette, contrasting the softness of the birds’ feathers with the dense foliage and scattered undergrowth, the colors in the foliage and fallen leaves suggesting an early fall setting for the scene. An almost ecclesiastical light falls on the doves, lighting them and showcasing the realism, drawing attention to the delicate gradations of color in the plumage and the subtle sheen of the wings. While the subject matter suggests themes of the hunt or the passage of life, the restrained execution avoids overt dramatization. Instead, the scene invites quiet contemplation, emphasizing form, texture, and atmosphere. Works of this nature were historically popular in European and American art, particularly in the 19th century, serving both as studies in naturalism and as reflections on mortality and transience. It is housed in what is almost certainly its first frame, a finely worked gilded composition that complements the painting beautifully with still-life emblems in the corners. Provenance: Private Collection, Senoia, Georgia Condition: Original stretchers in good condition, these only allowing for four keys instead of eight; linen is taut and unlined, in good condition. Ground layer is overall stable with fine age related craquelure throughout. Several losses under the frame rabbet that have associated inpainting. Areas of old overpaint on the dove chests removed during the conservation process. Our conservator removed the old varnish, inpainted the minor losses and applied a traditional Dammar varnish. Frame is likely the original frame and presents with minor losses, chips and overall discoloration to the gilding. A very fine presentation, ready to place. Biography Alfred S. Wall (1825–1896) was a central figure in the development of Pittsburgh’s artistic community during the 19th century. Born in Mount Pleasant, Pennsylvania, he was the son of English immigrants William and Lucy Wall. His father, a sculptor specializing in tombstones, instilled in him an appreciation for the arts, a legacy shared with his older brother, William Coventry Wall...