Alice Barber Stephens Art

"Men in Barracks" WPA Mid 20th Century American Scene Realism Gay Modernism WWII. 18 x 24 inches Watercolor on paper. c. 1940s. Signed lower right. BIO ...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. Original wooden frame. 18 x 13 cm. Good conditions

In this vibrant oil painting, I've unleashed a wave of dynamic energy and emotion. The abstract forms blend with expressionist fervor, as the figures—a synthesis of impressionist and...

Plein air image of Yosemite's Bridal Veil Falls done in watercolor by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" lowe...

Academic drawing: L'Écorché by Houdon. Italian school. 19th century. 59x44cm This represents the statue of the écorché by the French sculptor Houdon. Sculpture - Anatomical model o...

Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed). A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...

Viggo Loos lists the painting under works from 1875 as a "Skåne farmstead," but this is likely incorrect. Skånberg was in France at that time. In this composition, he incorporates a ...

Frammenti Mineral Oxide on Paper (Fabriano Elle) 100x70 cm 2022 Original Art Marilina Marchica's research delves into the relationship between Man and Nature and the emotional impl...

The loose style of this drawing comes together quickly to convey the relaxed state of this nude female. The pastel accents bring a beautiful warmth to this drawing. Christopher Ganz Woman at Rest, 2013 pastel and charcoal on green paper 23h x 18w in 58.42h x 45.72w cm CG0062 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

Small limited edition run of 49 and 6 E.A."s (Edition of the artist). Each canvas reproduction is crafted by a skilled printer under the supervision of the artist. Román Francés has...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...