Anderson CURRIE Photography

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

Rare Original Photo of JFK Speaking on the Front Lawn 16.5 x 12.5” framed Circa 1960's Photographer Unknown This photograph comes framed in a white frame with a white matte under...

The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...

Realistic artist Mitch Gibbs was raised in York, Pennsylvania. He studied art and was drawn to painting in a photo-realistic style. His art passion was coupled with his love for the...

Quiet - Limited edition pigment print - Limited Editions of 8 Field under the snow, peaceful landscape with only one tree , rural France, 2006 Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 30 x 65 cm / 11,81" x 25.59" - Edition of 8 48 x 101.6 cm / 18.89" x 40” - Edition of 8 A custom size is possible, it will be included in the nearest edition of 8 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Horses - Limited edition archival pigment print , Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed on Hahne...

Photo, print, done in Bratislava, roof of the Slovak National Gallery which doesn't exist in this shape anymore. Could be delivered also in different sizes. This size limited to 5 an...

Man walking - Limited edition pigment print - Limited Editions of 5 France, 2003 Signed + numbered by artist with certificate of authenticity. Free delivery Archival pigment pri...

"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...

Landscape, Vintage Car, Palm Tree, Classic Porsche, Mid Century Modern, Limited Series. Archival Inkjet Print on Semi Gloss 100% Cotton Paper. Mid Century Design. Tom Blachford. Moonlight Classic Porsche in Palm Springs California. This is a limited edition print in a series of 10. Each pieces comes with a hand-signed certificate of authenticity. The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loosening the shackles of Palm Springs and Mid Century, Blachford’s large scale works explores some of the outer reaches of the Modernist movement in Architecture, and captured using only the light of the full moon. Blachford's series is a surreal ode to the landscapes of California and its cache of pristine Modernist buildings. Shot entirely at night, bathed in moonlight, the homes, vintage cars, and foliage appear as they have been captured in another space and time. Recognizing the locations may be easy, but it is more difficult to identity when the image was actually taken, be this day or night, in the past, present, or future. The images act as portals in time where it seems these moments exist in all places at once. For Blachford these unique residences act as the sets for infinite narratives, both real and imagined, which the viewer is invited to script for themselves. Each image acts as a still frame for a story about to start and end simultaneously. California has a unique geography and climate, and this gives rise to a distinct deep blue sky: a hue of moonlight ideal for this approach to architectural photography. The long exposure allows the camera to capture a world just beyond our perception and distil it into a single moment. Midnight Modern has already included Palm Springs' most iconic properties; the Kaufman Desert House...

Les Pyrénées - Limited edition pigment print - Limited Editions of 15 Mountain between France and Spain This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo ...