Anna Wypch Art

Ingrid Smuling Forget-me-not in an Egg Cup 15 x 20 cm olieverf Framed size! 25 x 30 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life painting...

Ingrid Smuling Buttercups in a Turquoise Bottle 15 x 9 cm olieverf Framed size! 25 x 19 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life pain...

"Serenidad", oil on wood, 80 cm H x 42 cm W This piece of art in the shape of a cutting board is ideal for a kitchen. It is made with the use of the technique "Trompe l'oeil", that...

Ingrid Smuling 'Stack of French bowls' 24 x 18 cm olieverf Framed size! 32 x 26 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life painting is ...

Bart Koning (Dutch artist) Amaryllis 46,2 x 36,8 cm ( framed included 46,6 x 37,2 cm) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibly ...

Erik van Elven Lightbulb 50 x 70 cm Framing options available This painting is by Dutch Impressionist painter Erik van Elven. This young artist likes to paint in the style of the...

Bart Koning (Dutch artist) Two Peaches 24,9 x 34,7 cm ( framed included 25,3 x 35,1 cm) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibl...

Henk Boon Composition in Blue and Green Oil on canvas on wood 100 x 120 cm Frame included 107 x 127 cm The still-life paintings of Dutch painter Henk Boon ...

Keimpe van der Kooi Ranunculus 40x 41 cm Framed: 45x 46cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint s...

Bart Koning (Dutch artist) Two Pears 23,5 x 33 cm ( framed included 23,9 x 33,4 cm) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibly cl...

Rein Pol Cello 93 x 120 cm ( Frame is included 107 x 134 cm) Oil on wood panel, 1987 Looking at Rein Pol's work, it is first and foremost striking that the artist's subjects are very diverse. However, he was mainly known for his paintings 'with trains'. If you look further, you will see that Rein Pol has many sources of inspiration about which he can tell 'stories in paint'. On the website of the Classical Academy in Groningen there is a beautiful teacher portrait of Rein Pol, the first part of this text comes from that site: The fact that Rein Pol made paintings with trains in them gave him the stigma of being a train painter. The 'Blue Angel' is just one of many, often autobiographical, subjects in his paintings. This also applies to nature, landscape, persons and objects from his immediate environment, in which transience is an underlying theme. “As a child I was always drawing. The profession of art teacher appealed to me. It never occurred to me that I could become a painter.' At the Minerva Academy, teachers such as Ger Siks and Matthijs Röling impressed him. Their influence is still noticeable in his paintings: the atmospheric of Röling and the alienating of Siks. After the academy Rein briefly taught at a secondary school. "Not an unqualified success! So when I was asked to come and teach at Minerva, I seized the opportunity with both hands. I have learned a lot myself from teaching academy students.' A violin on fire, a train soaring to heaven, Romance at its best! The passion is in the details, the feathers of a dead bird, the drops on a misty mirror. And that passion is what Romanticism is all about. Rein Pol has been working professionally as a painter since 1976. He always has a keen eye for the expressiveness of the apparently insignificant detail. Every theme that Pol paints is depicted in a clear, harmonious composition with great attention to light, texture, spatial and color effects. The paintings are not intended as an exact copy of the reality around us, but as a representation of our own reality! Hans van Seventer previously wrote: “The subjects of Rein Pol's paintings move between the ordinary and the absurd. He paints musical instruments as well as a bottle containing the fetus of a pig. Sometimes the smell of manure rises from his landscapes, then again a Groningen bum toils along the steep banks of a Norwegian fjord. His self-portraits form a collection in themselves: in the mirror of the bathroom, in a glass display case surrounded by 'gohst of the past', or simply with a jar of pickles as a sign of his dignity”. With his work Pol is counted among the Northern Figuratives. Rein Pol exhibits a lot in the Netherlands. Abroad he exhibited in Germany, Norway, Poland, Switzerland and Indonesia. With the so-called Zwiggelte Group in France, the United States, Canada and Australia. Much of the painter's work is included in private collections. His paintings are also in the possession of, among others, the Drents Museum in Assen, the Smallingerland Museum in Drachten, the Free University of Amsterdam, the ING Collection and the Philips Collection...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of great importance in his work as a goldsmith, proved of great value in painting his one of a kind still life’s. Step into a world where indulgence meets precision, and where everyday objects are elevated to timeless beauty. In “Cream Puff with Wild Strawberries”, Dutch fine painter René Smoorenburg captures a fleeting moment of sweetness with astonishing realism and elegance. At first glance, the painting is almost photographic: the gleaming swirl of fresh cream, the delicate texture of the puff pastry, and the deep, ruby-red glow of wild strawberries seem almost tangible—so vivid you can taste them. But this is more than just visual seduction. Look closer, and you'll find a perfect balance of composition, texture, and light that reflects the artist’s masterful control of his craft. His work stands in the long tradition of Dutch still life painting, originated in the seventeenth century, with its highly refined and meticulously executed depiction of reality. His work is in the spirit of many of those great works but retains its own distinctive style. Although René Smoorenburg works at a few paintings at the same time, the time it takes him to finish one individual painting amounts six months. Because of his very detailed style of painting, this time span is necessary to complete the work with a lot of patience and endurance. In contrast to the masters of the Golden Age, he chooses to emphasize the vulnerability, fragility and imperfection of everyday objects in his still life’s. According to René Smoorenburg, beauty is not perfection, but in the trace of the past and the evidence of enduring ravages of time. René Smoorenburg finds his sources of inspiration at antique fairs and markets: worn shoes...