Anselm Schultzberg Art

19th century Scottish Highland Sheep in a landscape. Signed lower left A Scottish 19th century Highland landscape painting featuring Highland sheep by Vincent Collier offers more th...

Impressionist Landscape by Claude Marin (French 1914-2001) signed oil on canvas, framed Framed: 19 x 22 inches Canvas : 13.5 x 16.5 inches Inscribed Verso Provenance: private collect...

Pastoral Scene with Figures Dutch Old Master, 17th century oil on canvas, framed Framed: 16.5 x 24 inches Canvas : 13 x 21 inches Provenance: private collection, UK Condition: very g...

Alejandro Rubio Valley Landscape, 2025 Oil on canvas 18 x 24 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

Rustic Village Paul Molinard 19/ 20th Century French Artist signed oil on panel, unframed board : 10.5 x 14.5 inches Inscribed verso Provenance: private collection, France Condition...

“Written In The Clouds” is a semi-abstract landscape painting by Helen Howells. It was inspired by the Mountains of South Wales, which is my homeland. It is not of any specific place...

Attributed to James Barenger (British, 1780–1831) Huntsman with Hound in a Parkland Landscape Oil on canvas, English, circa 1830 Presented in an antique gilt frame The piece is not ...

J. Langlois 1855 - 1904 An English painter of working terriers in country settings who enjoyed popularity in the late Victorian era. His work is stylistically and compositionally clo...

Superbe original painting on canvas depicting a young ballerina performing a trick while onlookers contemplate perplexed to her prowess. keywords; americana, surrealism, ballerina, ...

Alte Fischerhütten (1949) by Max Pechstein is an oil on canvas in which the artist transforms a humble cluster of weathered fishing huts into a study of light, form, and atmosphere. Broad, rhythmic brushstrokes delineate the worn timbers and thatched roofs, while a sky streaked with lavender and rose imbues the scene with a quiet, almost meditative luminosity. Pechstein's bold outlines and flattened perspective are tempered by a late-career restraint, allowing the simple geometry of dunes, huts, and sea to resonate with an almost timeless calm. The artwork is signed lower right, "HMPechstein 1949" and signed verso, "Alte Fischerhütten 1949 HMPechstein” Provenance: Private Collection, Europe Lempertz, Cologne, June 15, 1966, lot 531 Selected Artists Galleries, New York, acquired by 1970 Private Collection, New York, acquired from the above Private Collection, by descent from above Phillips, New York, Wednesday, November 15, 2023, lot 123 Private Collection, acquired from the above Literature: Aya Soika, Max Pechstein The Catalgoue raisonne of oil paintings, Volume II 1919–1954, Munich, 2011, no. 1949/12, p. 490, illustrated Hermann Max Pechstein was born on December 31, 1881, in Zwickau, into a working-class family headed by his father, a textile-mill craftsman. Drawn to art early on, he apprenticed as a decorative painter from 1896 to 1900 before enrolling at Dresden’s School of Applied Arts and, from 1902, studying under Otto Gussmann at the Royal Academy of Fine Arts. His academic grounding—unique among his future peers—laid a solid foundation for the bold, expressive work that would follow. In 1906 Erich Heckel invited Pechstein to join Die Brücke, the pioneering Expressionist collective, and he quickly became one of its most active members. Exposure to ethnographic wood carvings in Dresden in 1905 spurred his first woodcuts, and travels to Italy (1907) and Paris (1908)—where he befriended the Fauvist Kees van Dongen—expanded his palette and compositional daring. After relocating to Berlin in 1908, he co-founded the New Secession in 1910, serving as its chairman and gaining acclaim for richly colored prints inspired by Van Gogh, Matisse, and the Fauves. With the outbreak of World War I, Pechstein’s peripatetic life took him from internment in Japan to service on the Western Front in 1916. In the revolution’s aftermath, he aligned with radical socialist art...

This late 19th-century winter landscape by Erik Abrahamson captures a still, luminous moment at the edge of a frozen river. The sun has just set, and the sky glows in soft tones of p...

Represented by George Billis' Gallery, NY & LA Steven Katz's work has been featured in numerous solo and group exhibitions at galleries and museums across the U.S. His paintin...