Antoine Aveline Wall Decorations

Set of four 18th Century engravings by J Audran. These fabulously detailed copper plate engravings show Alexander The Great in various Battle scenes, one riding an elephant, spear in...

Set ancient Roman frescos from the series "Antiquities of Herculaneum", an original etching on paper by Nicola Fiorillo in the 18th Century. Three hand colored copper engravings of classical roman. Each print is matted in a custom made silk mat that matches the clothing. Engraving with two figures measures 21.25" x 18.25". The other two prints measure 20.5" x 16.5". Size includes mat. # greek Pompeii Grand tour

It is not easy to find this kind of hand drawed and hand-made French wallpaper in good conditions. The shining turquoise and the scenes of the games of the characters and jugglers i...

Two French matted and framed 18th century black and white engravings inspired by Classical Antiquity. The first frame contains an engraving of a woman patting a unicorn, and a man an...

18th Century Engravings of Fish by Marcus Bloch, A pair, circa 1780. A fine pair of prints of fish by Marcus Bloch with decoupage frame. Dimensions: 13 3/4 inches x 20 inches wide....

Large Pair of 18th Century Continental Battle Scene Engravings in Faux Tortoiseshell Frames

Set of Three Antique Engravings of Butterflies and Moths from Diderot’s Encyclopédie, ca. 1770 A fine trio of copperplate engravings from Denis Diderot and Jean le Rond d’Alembert’s...

An inside View of the Rotundo in Ranelagh Gardens, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754. Hand colored engraving, in original ebonized frame with...

Superb pair of 18th century English engravings.

Add classical gravitas to your space with this elegant set of three antique engravings depicting views of ancient Hercules sculptures. Printed in Rome in the 18th century, each print...

A lovely set of four 18th century style portrait engravings with allegorical scenes presented in giltwood frames under glass with very fine hand-colored matting. The engravings were ...

Title: 18th Century Ethnological Engravings of Peruvians and Ecuadorians Description: These two 18th-century engravings, printed in 1756, are detailed depictions of the social and cultural life in Peru and Ecuador during the colonial era. Created by Quentin-Pierre Chedel (1705–1762), they are part of *Histoire générale des voyages* by Antoine François Prévost, a monumental collection that documented the world's exploration and cultural encounters. First Engraving (Residents of Peru): This print illustrates the residents of Lima, Peru, highlighting the various social classes and ethnic groups present in the region during the colonial period. The detailed engraving captures: A. Femme de Lima en Habit de Ville – A woman from Lima in formal city dress, representing the elite of society. B. Femme en Habit de Ménage – A woman in household dress, typical of a middle or upper-class domestic attire. C. Espagnol vêtu comme on l’est au Pérou – A Spanish man dressed as one would in Peru, showing the influence of Spanish colonial fashion on local attire. D. Mulatresse – A woman of mixed African and European descent, reflecting the diverse ethnic makeup of colonial Peru. E. Nègre Domestique – A domestic servant of African descent, showcasing the role of enslaved individuals in colonial households. The scene is set in a lush, natural landscape, with attention to the differences in social standing and attire. Second Engraving (Residents of Quito, Ecuador): The second engraving, although similar in style, depicts residents of Quito, Ecuador, and provides an ethnological view of the city’s diverse inhabitants. The composition shows: 1. Espagnole de Quito – A Spanish woman of high status, dressed elegantly, representing the colonial upper class in Quito. 2. Indienne de Distinction – An Indigenous woman of notable status, likely representing the local nobility or important community figures. 3. Barbier Indien – An Indigenous barber, reflecting the occupational diversity and social roles of the Indigenous population in colonial society. 4. Métive de Quito – A Métis woman from Quito, showing the mixed-race population that emerged during the colonial era. 5. Paysan Indien – An Indigenous farmer, indicating the essential role of agriculture and rural labor in the economy of colonial Ecuador. 6. Indienne du Commun – A common Indigenous woman, dressed in traditional attire, representing the majority of the Indigenous population. Like the first engraving, this print captures the varied ethnic and social dynamics in a colonial society, with figures placed in a landscape setting, emphasizing the connection between people and their environment. These engravings are not only artistic representations but also important historical records of colonial Latin America...