Antoine Bofill Art
Spanish, 1875-1939
Antoine Bofill was born in Barcelona in 1875. He studied at the Fine Art Academy in Barcelona. He exhibited in Spain, Germany and Austria as well as in France. Bofill started exhibiting at the Paris Salon from 1894 and in 1902, he was awarded an honorable mention.
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Artist: Antoine Bofill
Little Red Riding Hood Inkwell
By Antoine Bofill
Located in Missouri, MO
Antoine Bofill
"Little Red Riding Hood"
Bronze Inkwell
6H x 10W x 6D
Signed
Inscribed: 25 Septembre 1920
Antoine Bofill was born in Barcelona i...
Category
1920s Realist Antoine Bofill Art
Materials
Bronze
Antoine Bofill Bronze of a Sea Man with Oars, French, circa 1900
By Antoine Bofill
Located in Dallas, TX
This larger than life gold gilded bronze of a sea man with oars will decorate any area and be a great conversation piece. The composition and casting detail are amazing. This is the ...
Category
Early 1900s Art Nouveau Antoine Bofill Art
Materials
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Antoine Bofill Art Nouveau Nude Bronze Sculpture, circa 1900
By Antoine Bofill
Located in Dallas, TX
This is one of Antoine Bofill's best models, being a signature Art Nouveau nature form with a beautiful nude nymph gazing upon a bumble bee insect. The patina on this statue figure i...
Category
Early 1900s Art Nouveau Antoine Bofill Art
Materials
Bronze
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In order to open up the above-mentioned associations, Kaesbach deliberately designed the female figure in such a way that she cannot be identified as a specific person. He has created an allegory of natural femininity, characteristic of Art Nouveau, in which the deer is far more than a companion animal. It displays the same gracefulness as the young woman, and the inner resemblance between the two makes the deer appear as her other self. In animal terms, it embodies her inner being, which also gives the deer an allegorical character.
About the artist
Rudolf Kaesbach studied sculpture at the Hanau Academy and worked in a bronze foundry in Paris in 1900. In order to work as an independent artist, he opened a workshop in Düsseldorf, where he cast bronzes from models he designed. In 1902 he made his debut at the German National Art Exhibition in Düsseldorf. The following year Kaesbach went to the academy in Brussels. There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald and devoted himself to life-size marble sculptures and the design of bronzes. From 1911, he regularly presented his works at the major art exhibitions in Berlin, as well as in Düsseldorf and Malmö. Between 1936 and 1939, he also created models for the Rosenthal porcelain factory. From 1939 to 1944, Kaesbach was represented at the major German art exhibitions in Munich.
GERMAN VERSION
Rudolf Kaesbach (1873 Gladbach - 1955 Berlin), Waldidyll, um 1915. Gold und goldbraun patinierte Bronze mit gegossener Plinthe, auf einem Marmorsockel montiert (5 cm Höhe), Gesamthöhe 36 cm, Maße der Bronze: 31 cm (Höhe) x 17 cm (Länge) x 12 cm (Breite). Gewicht 4,6 kg, auf der Plinthe mit „R.[udolf] KAESBACH“ signiert.
- vereinzele beriebene Stellen, insgesamt in einem altersgemäß ausgezeichneten Zustand
- Seelenverwandtschaft -
Die Bronzeplastik veranschaulicht eine junge Frau im innigen Austausch mit einem sie begleitenden Reh. Das Tier hält inne, um sich zu ihr hochzuwenden, während die nackte Schönheit ihren Schritt verlangsamt, um dem Reh ebenfalls in die Augen zu schauen und es zärtlich mit der Hand zu liebkosen. Die Frau und das Reh sind in einem inneren Gleichklang. Auch wenn ihre Lippen unbewegt bleiben, spricht sie die Sprache des Tieres, mit dem sie auf eine tief empfundene Weise verbunden ist.
Die im Kontrast zur naturalistischeren Einfärbung des Rehs aufstrahlende goldfarbene Patina lässt die junge Frau wie eine Heilige erscheinen, auch wenn sich nicht als Heilige identifizierbar ist. Zugleich ruft sie Erinnerungen an die Jagdgöttin Diana oder eine Nymphe hervor. Dafür fehlt ihr allerdings die Wildheit. In ihrer unschuldigen Naivität gemahnt sie vielmehr an eine Vestalin, die freilich nicht in der Waldeinsamkeit zu Hause ist. Und doch wirkt die sich unbekleidet im Herzen der Natur bewegende junge Schönheit wie eine Priesterin, die sich mit hochgebundenem Haar und der vorsichtig getragenen Schale und dem Wege zu einem Heiligen Hain befindet.
Um die gennannten Assoziationen zu eröffnen, hat Kaesbach die Frauenfigur bewusst so gestaltet, dass sie nicht als konkrete Person identifizierbar ist. Damit hat er eine für den Jugendstil charakteristische Allegorie natürlicher Weiblichkeit geschaffen, bei der das Reh weit mehr als ein Begleittier ist. Es weist dieselbe grazile Anmut wie die junge Frau auf und der innere Gleichklag der beiden lässt das Reh als ihr anderen Ich erscheinen. Es verkörpert – ins Animalische übertragen - ihr inneres Wesen, wodurch auch dem Reh ein allegorischer Charakter zukommt.
zum Künstler
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Antoine Bofill art for sale on 1stDibs.
Find a wide variety of authentic Antoine Bofill art available for sale on 1stDibs. You can also browse by medium to find art by Antoine Bofill in bronze, metal and more. Not every interior allows for large Antoine Bofill art, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Gary Alsum, SOPHIE MARTIN, and Gary Sczerbaniewicz. Antoine Bofill art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,800 and tops out at $3,800, while the average work can sell for $3,800.