Antoine Daens Paintings

Luminoso quadro con mazzo di fiori arancioni su fondo verde

Antique Fauvist Vanitas "Still Life with Flowers and Skull" Louis Mathieu Verdilhan (Provence, France, 1875-1928) Circa 1910 Oil on canvas on ...

Title: Barcelona and Its People Artist: Josep Maria Martínez Lozano (1923–2006) Year: 1979 Technique: Oil on canvas mounted on board Dimensions: 29.13 x 21.65 in Condition: Unfr...

Still Life by Josine Vignon (French 1922-2022) stamped verso oil painting on canvas, unframed canvas: 26 x 18 inches Colors: Brown colors, blue, pink, white and red Very good cond...

Opera con effetto Trompe-l'œil ,fiori e finestra , appeso da la sensazione fi avere un'altra finestra. - Firmato e datato , venduto con certificato di autenticità - Maya KOPITZEVA ...

Leigh Ann Van Fossan's "Secret Garden" (2023) is an original, handmade oil painting that depicts a path surrounded by colorful flowers and trees arching over. Van Fossan was born in...

Flowers and blueberries, yellow, white MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundatio...

Dog Roses by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on board, unframed board: 18 x 13 inches Colors: Pink colors, red, blue, brown and green Very go...

Fiori, Giardino, Lilla, Viola, Bianco, Primavera Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - San Pietroburgo, 2015) MUSEI Mosca, Galleria Tret'jakov Mosca, Collezione degli Arti...

"Slow Pour" is a handmade expressionist oil painting, depicting a warm interior of a busy pub." Artist Statement: "It's a pub in Galway, Ireland. Visited my daughter who lived ther...

Alte Fischerhütten (1949) by Max Pechstein is an oil on canvas in which the artist transforms a humble cluster of weathered fishing huts into a study of light, form, and atmosphere. Broad, rhythmic brushstrokes delineate the worn timbers and thatched roofs, while a sky streaked with lavender and rose imbues the scene with a quiet, almost meditative luminosity. Pechstein's bold outlines and flattened perspective are tempered by a late-career restraint, allowing the simple geometry of dunes, huts, and sea to resonate with an almost timeless calm. The artwork is signed lower right, "HMPechstein 1949" and signed verso, "Alte Fischerhütten 1949 HMPechstein” Provenance: Private Collection, Europe Lempertz, Cologne, June 15, 1966, lot 531 Selected Artists Galleries, New York, acquired by 1970 Private Collection, New York, acquired from the above Private Collection, by descent from above Phillips, New York, Wednesday, November 15, 2023, lot 123 Private Collection, acquired from the above Literature: Aya Soika, Max Pechstein The Catalgoue raisonne of oil paintings, Volume II 1919–1954, Munich, 2011, no. 1949/12, p. 490, illustrated Hermann Max Pechstein was born on December 31, 1881, in Zwickau, into a working-class family headed by his father, a textile-mill craftsman. Drawn to art early on, he apprenticed as a decorative painter from 1896 to 1900 before enrolling at Dresden’s School of Applied Arts and, from 1902, studying under Otto Gussmann at the Royal Academy of Fine Arts. His academic grounding—unique among his future peers—laid a solid foundation for the bold, expressive work that would follow. In 1906 Erich Heckel invited Pechstein to join Die Brücke, the pioneering Expressionist collective, and he quickly became one of its most active members. Exposure to ethnographic wood carvings in Dresden in 1905 spurred his first woodcuts, and travels to Italy (1907) and Paris (1908)—where he befriended the Fauvist Kees van Dongen—expanded his palette and compositional daring. After relocating to Berlin in 1908, he co-founded the New Secession in 1910, serving as its chairman and gaining acclaim for richly colored prints inspired by Van Gogh, Matisse, and the Fauves. With the outbreak of World War I, Pechstein’s peripatetic life took him from internment in Japan to service on the Western Front in 1916. In the revolution’s aftermath, he aligned with radical socialist art...

An oil painting by Amy Florence (b. 1989, London) of pink, purple, and white wildflowers cut and gathered in a round glass vase. A small pair of scissors rests beside them. Frame...