Anton Chotka Furniture

Vienna bronze hare, circa 1900.

Pair of Japanese bronze bookends, circa 1880.

Pair of Japanese Bronze Bookends, circa 1880

Bronze with brown patina of a nude woman, standing, putting up her hair. Wear and tear on the patina. circa 1900 Height 56.5cm. 20 x 15cm.

Bronze statue of young goatherder by Oscar Gladenbeck. Circa 1900. Signed "Oscar Gladenbeck Friedrichshagen".

This pair of Art Deco cast brass and cold-painted bookends are signed by an unknown maker, but presumed to have been made in the United States in approximately 1925. The front faces ...

Pair of Hand Carved Signed Balinese figure bookends or sculptures - two outstanding carved wood figures - both intricately carved. The pair are lovely island people and can work as ...

This pair of cast and cold-painted sculptural horse head bookends are unsigned, but presumed to have been made in England in approximately 1960 in a realistic style. The well execute...

A charming antique Viennese bronze sculpture of a young Dutch boy pulling in a fishing net by Peter Tereszczuk dating from circa 1910. The f...

Vintage pair of bronze dolphins bookends. The dolphin figurines are displayed hovering a wave Size: each 10" height x 3" x 5". Weight: heavy: 5lbs. 8.

Antique Viennese cold-painted bronze sculpture with a camel by Bergman Austrian, c. 1910 Height 39cm, width 31cm, depth 20cm Franz Xaver Bergman (1861-1936) is the artist behind this unusual sculptural desk piece. A camel stands majestically atop a rocky road. His rider, dressed in a flowing, cream garment holds a rope in one hand and a spear in the other. The male figure is looking towards the other male, who is dressed more vibrantly in shades of blue and red. Next to the camel is a large container, surrounded by two urns. The container can be used as a stationary holder...

Pair of bookends circa 1930. Wrought iron squirrels stamped P. Kiss for Paul Kiss. In perfect condition. Total height: 17.5 cm Width: 14.2 cm Depth: 7.5 cm Total weight: 5.8 kg A French master ironworker, Paul Kiss was born in 1885 in Belafalva, Romania, and trained in Central and Western Europe before settling in Paris. He gained recognition and awards in the mid-1920s, when he gained recognition for his Art Nouveau and Art Deco-inspired creations with the arrival of Cubism and its clean lines. This is evidenced by an article by critic George Denoinville on the 1925 International Exhibition of Decorative Arts, and more specifically on Paul Kiss, whose contribution to interior and exterior furniture he celebrated through decorative objects such as console tables, doors, and radiator covers. According to him, Paul Kiss… "Master Ironworker works tirelessly towards this goal… What stood out above all was this interior partition door, so simple, rich in patterns and frames, that it appeared to us like a veritable metallic lacework. …Paul Kiss is, without a doubt, one of our most original artistic ironworkers…" Excerpts from "Mobilier et Décoration, December 1925," pp. 21-27. After the First World War, Kiss opened his own studio and showroom on rue Léon-Delhomme. Kiss designed and produced numerous pieces of iron furniture throughout the 1920s and 1930s. He was commissioned to restore historic monuments and create new public monuments. His clients included the kings of Siam and Egypt. Kiss created the metalwork for the Monuments aux Morts war memorial in Levallois-Perret, France, for which he received the silver medal at the Salon des Artistes Français in 1924. In 1925, he exhibited at the Salon des Artistes Décorateurs and the Exposition Internationale des Arts Décoratifs et Industriels Modernes. In the 1920s, Kiss mentored the young designer Paul Fehér...