Anton Peczely Paintings

This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

Whistlers Mother by Anonymous Artist Original Oil on Canvas 1924 Nicely executed painting after James McNeil Whistler of his mother by an anonymous artist (American, 19th-20th C.) I...

ARTIST: Unsigned Mid 20th Century English School TITLE: "The Card Players" MEDIUM: oil on board SIZE: 59cm x 23cm incl frame CONDITION: very good NOTES: A very interesting unusually...

Jordi Curós Ventura (1930-2007) - Woman in rocking chair - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish paint...

Mid 20th Century oil on canvas portrait of stylish young woman by the noted Franco Spanish artist Pere Modesto Luis Creixams. The painting is signed bottom left and presented in a ve...

Painting Study of Al Fresco Spanish Tapas Bar Scene at Night by leading British Landscape Artist, Angela Wakefield. Art measures 12 x 12 inches Frame me...

Fun and colorful contemporary Fauvist interior scene of a black cat lounging on a red couch in a brightly hued room in primary colors, by Jonathan Taylor (American, b.1966). Signed "J. Taylor" in bottom right. Displayed in a giltwood frame. Illustration board size: 16" H X 20" W. Artist Jonathan Taylor was born in 1966 and was raised in Bar Harbor Maine...

EMILIO GRAU SALA Spanish, 1911 - 1975 SCÈNE FAMILLIALLE signed "Grau Sala" (lower right) signed, titled, located and dated "GRAU SALA / SCÈNE FALLIALLE / PARIS 1969" (on the reverse)...

* No import duty to the US on this item * A superb 1930's French post-impressionist oil on canvas depicting a drinker in a bar interior. Very high quality work which is indistinctly...

Early 20th Century oil on board interior bar scene by Simon Joseph Simon-Auguste. The painting is signed bottom right and presented in a fine gilt carved wood Montparnasse frame. The...

The third work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...

EMILIO GRAU SALA Spanish, 1911 - 1975 INTERIEUR AUX FLEURS JAUNES signed "Grau Sala" (lower left) signed again, located, dated and titled "Grau Sala, Paris 61, Interieur aux fleurs jaunes" (on the reverse) oil on canvas 15 x 18-1/4 inches (38 x 46 cm.) framed: 23-1/2 x 26-1/2 (59.5 x 67 cm.) PROVENANCE Private Parisian Collection Interieur aux fleurs jaunes This interior with two female figures where also the plans made in different colors are drawing the composition. The abundant pictorial material distributed in geometric portions, gives life to the tablecloth and mother and daughter figures, in black and white colors of the jacket, while the black line takes care of the environments so as not to separate them. The fruit bowl and flowers give a cheerful touch with their pastel tones. Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, ​​geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land. He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it. All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum...