Ardine Spitters Furniture

Decorative ceramic vide-poche by Pol Chambost (circa 1950s). Small yet elegant seashell-shaped form with white base and dark, grape-purple outline and lip. Outside of the centre, the...

Beautiful large glossy pink ceramic Memphis era ball footed compote, with turquoise ceramic bowls circa 1980's great condition.

CHRISTIAN DIOR – VIDE-POCHES EN PORCELAINE Circa 2000 VIDE-POCHES en PORCELAINE à décor d’un COQUILLAGE dans les tons bleu et mauve. SIGNÉ AU REVERS ENV. 20 × 16 CM

An original and unique ceramic bowl circa 1950

An amazing zoomorphic ceramic by Accolay. Handwritten signature under the base “Accolay,” circa 1960-1970. Perfect original condition.

Rare Majolica box with oysters and snail signed Hippolyte Boulenger Choisy Le Roi, circa 1880. Measures: Height / 8", length / 15" on 6.5".

Ceramic cup by Joelle Deroubaix. Artist signature under the base. Circa 1975. H : 4.7 x 11 inches.

This is an exceptional Mid-Century Modern Aldo Londi for Bitossi ceramic set of three pieces, with a box, and two vide poche or catchalls. The pieces were meticulously crafted in Ita...

A rare published glazed ceramic bowl with surface paint decoration by Japanese imperial potter Makuzu Kozan ((1842–1916) with its original inscribed tomobako storage wood box. Unlike the better-known works Kozan made for the expositions in the west and export to the foreign market, this piece exemplifies his work for the domestic market and specifically, the tea ceremony. The bowl was made in the so called "Utusushi" Ogata Kenzan (1663-1743), a celebrated Edo painter and ceramicist. Utusushi is loosely translated as "in the spirit of". It is not at all a simple imitation of a master, but a Japanese concept of embracing the spiritual essence of a master while the creator is free to mix in his or her own unique artistic interpretation and flavor. The bowl was made to hold sweet cakes during the tea ceremony. It has a very distinguished form with a circular swelled lower body morphing into a square upper portion that further opening with flared rim. The surface has a distinct glaze pattern partitioned diagonally in black and brown. On top, snow-covered branches of prunus flowers were painted overglaze in a poetic near-abstract fashion. Blooming in winter, prunus flower is the symbol of the season and cherished for its resistance to cold. The bowl was likely reserved for the tea ceremony during the winter months. A white porcelain plaque with Kozan in black inlay was placed on the black glaze toward the bottom. Under the base, the bowl was further branded with two incised characters "Makuzu" as shown. The original tomobako bears ink inscription and paper slip label "Sweet Bowl...

A ceramic dish with glaze decoration. Perfect original conditions. 1936. Signed and dated under the base "Guillaume 1936".  

This stunning and ultra rare hand-hammered Art Deco lidded box designed by Fritz August Breuhaus de Groot for WMF Ikora in the 1920s is a true masterpiece of the era. Its design is a...

Fascinating abstract designed, hand painted ceramic platter from Tasca Nove, Italy from the 1950s. Quite possibly by Alessio Tasca Super palette of rich c...