Arindam Chatterjee Art

DRINKS WITH DEGAS - This dress painting features an interplay of paint, lace collage and ribbon creating an outcome both expressive and refined. Through the process of adding and sub...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

(Comes framed in a deep-profile maple or black floater frame, ready to hang.) Artist's Statement: "This painting harkens back to my 'Gridish' series but with more negative space, a broader array of media and more complexity to the oval forms. I have tried to create tension between these iconic forms through the divergence of dissonant and unusual materials, colors and textures. These ovals keep reappearing in my work; they seem almost like groups of silent but sentient beings to me." “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being either loud or decorative. " Artbeit Zeitschrift “His paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018 (from a collector): "Love your work. We collect colorists like Wolf Kahn and Jennifer Bartlett, whom I commissioned a piece from that is in the entrance of Mayo Clinic. We are old fans...

This beautiful painting by Malka is from her latest body of works called "Figurinot" - Whether portraying human figures or porcelain and ceramic sculptures, Malka grants each subject...

Acrylic on canvas Nino Tolomashvili is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. After completing her schooling, she pursued her studies at the Tbilis...

Peter Peereboom (1952) graduated from the Royal Academy of Arts in The Hague. He has various solo shows on his name including Centre Pompidou Paris in ...

Artist's statement: "Separate from the tar paintings I have been doing, I am creating a series of work in which I am channeling some of the things I have always loved about Cy Twombly along with qualities of a painting I saw in a local collection by a Cuban painter that I really admired and have thought about a lot since. Of course both share a graffiti quality; Twombly was the first to work with a sort of automatic drawing, beginning in the 1950s, and what he did opened up this new language for countless painters. You still see traces of it in so much contemporary art. Antoni Tapies has been a big influence on me as well, and you can see some of him in this work as well. I limited the color palette in this one as a sort of exercise in discipline, since it is easy to let color get away from you in a painting like this one. There are areas of three-dimensional paint that help flatten the picture plane and restrict the eye from reading depth into the painting; they function in the same way as Barnett Newman's 'zips' and Susan Rothenberg's lines across some of her horse images...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

Symbol of Memories 1 is an original painting by Oladimeji Alabi. Oladimeji created the Symbol of Memories with Mixed Media on a 30W by 50H inches primed canvas. The symbol of Memories is inspired by the story of my childhood. The objects and signs we grew up with as a child in our homes become symbols of our memories today. Art has the ability to evoke strong emotions and convey meaningful messages. One such artwork that does just that is "Symbol of Memories," a stunning piece that uses the mother as a symbol of life and hope. This artwork is made even more significant by the use of damask fabric, which was popular among Nigerian women in the late 70s to 90s and used for making gele, the head ties worn by women. The artwork speaks volumes about the importance of mothers in society. The mother is dressed in a vibrant damask fabric, which adds a sense of richness and texture to the painting. The use of damask fabric in the painting is significant as it represents a part of Nigerian culture and history. Damask was a popular fashion among Nigerian women in the late 70s to 90s and was used to make gele, the head ties worn by women on special occasions. The fabric is often associated with elegance, sophistication, and beauty, which adds a layer of meaning to the artwork. The mother in the painting is the focal point of the artwork, symbolizing the importance of mothers in society. Mothers are the backbone of families, providing love, support, and guidance to their children. They are often the ones who hold families together through difficult times, serving as a symbol of hope and resilience. The use of the damask fabric in the painting also represents the concept of memories. The fabric has a rich history in Nigerian culture, and for many people, it is a symbol of their childhood and the memories they hold dear. The painting serves as a reminder of the importance of preserving memories, both good and bad, and how they shape our lives. Overall, "Symbol of Memories" is a beautiful piece of art that celebrates the role of mothers in society. The use of damask fabric adds a layer of meaning to the painting, representing the importance of preserving memories and the rich culture of Nigeria. The mother as a focused subject symbolizes life and hope, the fabric applied in this art is called damask, which was a popular fashion among Nigerian women around the late 70s to 90s used for making gele(the head ties). Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Contemporary acrylic on canvas painting depicting a nude by Polish artist Michal Bajsarowicz. The artwork is an artistic take on human body with abstract elements. Composition is ske...

Urania, the Muse of Astronomy in Greek mythology, symbolizes the pursuit of celestial knowledge and the wonders of the universe. She is often depicted with a globe or a telescope, hi...