Arthur Burdett Frost

Antonio Monasterio – Angel Among Humans. No. 8 Medium: Mixed media on paper (pastels, wax crayons, red pen) Dimensions: 56 x 44 cm Signature: Signed lower right in cursive Support: W...

'Sacré-Coeur, Montmartre at Willette Square, Paris', gouache on art paper (circa 1930s), by Lucien Génin. Created by the Director of Public Ways and Promenades under Napoleon III, Sq...

Painting depicts contact, ambiguous as to whether it could be adverse contact or intimate contact between the focal characters.

'Emile's Tavern', gouache on paper (circa 1930s), by Lucien Génin. A tavern in French is called a 'guinguette'. With the rise in living standards from the 1860s along with the develo...

Delicate and layered collotype on both sides of heavy bond paper by Patricia A. Pearce (American, b. 1948). The background of this piece is a collotype. Gold leaf, treated in a varie...

'Courtyard in Provence', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a tree...

A fantastic example of Marsh’s renowned depictions of ladies walking in downtown Manhattan. This richly worked ink and wash composition captures a sidewalk populated by stylish women...

'The Church of Saint-Nicolas du Chardonnet, Paris', gouache on art paper by Lucien Génin (circa 1930s). In Paris' 5th Arrondissement the site in which Saint-Nicolas du Chardonnet is ...

Nude is an original artwork realized by Georges Henri Tribout in about 1940. Ink Drawing. Good Conditions. Georges Henri Tribout (1884-1962) ...

Amate Bark Painting - People Working in a Village by Manuel Remigio S. In this scene, people are working in a village. Interspersed throughout th...

This has young ISraeli pioneers dancing with the flag as typical of works of the late British mandate Palestine era early state of Israel. Genre: Modern Subject: Figurative (stained glass style) Medium: Mixed media gouache on paper Hand signed lower left Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues in the United States. Katz and other Jewish artists in Chicago who expressed Jewish and Biblical themes were inspired by the artist Abel Pann (1883-1963). Pann, who is regarded as the leading painter of the Land of Israel, exhibited in the Art Institute of Chicago in 1920. Early in his career, Katz began to explore the artistic possibilities inherent in the characters of the Hebrew alphabet. He developed aesthetic and philosophical interpretations of each letter and became the leading innovator and pioneer in the field of Hebraic art. Katz applies this concept in the woodcut Moses and the Burning Bush. Hebrew letters appears in Moses’ head, his cane and inside the flame. The initial of Moses’ name crowns his head. The letter in the flame is the first letter of the name of God. A combination of images and Hebrew letters appeared commonly in illustrations of the scene Moses and the Burning Bush in the Haggadah, the book of Passover. The symbolism of the burning bush corresponds to the motifs of A Gift to Biro-Bidjan. Among the fourteen participating artists were notable Chicago modernists Todros Geller, Mitchell Siporin...

Erté (Romain de Tirtoff) 1892-1990 Russian-French Les sisters Signed “Erté” (lower right) Gouache on paper Designed for a performance of Moi, J’aime le Music-Hall, Erté’s Les sis...