Baron Adolf De Meyer Art

Teriade, E. (director) Texts by Georges Braque, Paul Valéry, André Gide, André Malraux, James Joyce, Ernest Hemingway, et. al. Verve, Volume One No. 2; Verve for For Spring 1938 (Mar...

4th issue of VERVE, "the magazine to look for" Teriade, E. (director), texts by Henri Michaux, Paul Valéry, Rainer Maria Rilke, Jean-Paul Sartre et. al Verve Volume One No. 4; No. 4...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

Artist's statement: In the last years, parallel to photography and video, I have been making works on canvas, prints, drawings, collages, and small installations. Many of these piece...

An abandoned car rusts quietly by the seaside, a relic of times past... This print captures the serene decay of a vehicle along a tranquil coast. A forgotten car stands as a testament to nature's reclamation. "Coastal Ruin..." "Time's Relic..." "Nature's Claim..." "Automotive Ghost..." "Forgotten Journey..." "End of the Road..." "Lost and Found..." "Remnants by the Sea..." "Rust Reverie..." "David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

Robert Adams Harney County, Oregon 2005 Set of four photogravures Each image: 19 7/8 x 15 5/8 inches; 51 x 40 cm Each frame: 29 x 25 inches; 74 x 64 cm Edition of 30 Each signed, ...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print, 4 11/16 × 8 9/16 inches (119 × 218 mm), tipped onto a mounting sheet 8 x 11 3/4 inches. Signature o...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print, 5 9/16 x 7 11/16 inches (148 x 196 mm), tipped onto a mounting sheet 8 x 11 3/4 inches. A muted an...

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

"David George has been exploring photographic representations of the contemporary British landscapes for forty years and has incorporated themes prevalent in nineteenth century painting practice and aesthetic, to aid this exploration. He has appropriated the sublime, melancholy, the romantic, the pastoral and the uncanny to create something that not only represents the contemporary landscape in a pictorial way, but also making work that can be still viewed as documenting the landscape." David George's interest in British landscape began under the tutelage of John Blakemore at Derby University and continues to be a major part of his practice, now mainly concerned with ideas of classical and romantic visual semantics in the contemporary British landscape. His work looks at the decline of traditional industries, incorporating his interest in 19th century European landscape painting. David George (b.1957, Cheltenham and brought up in County Durham) lives and works in east London and in 2009 he co- founded the Uncertain States project which championed contemporary thinking and practice in UK photography...

McDermott & McGough Experiment upon the center of gravity made on a set of Dominoes from Sentimental Education, 1998 Photogravure 13 1/2 x 10 1/4 inches (image) 25 x 20 inches...