Belgochrom Armchairs

A spectacular pair of Grosfeld House chairs featuring a flower shaped backrest, channeled arms and an intricate carved wooden frame. A rare and completely stunning pair of chairs fro...

Modern set of 4 chairs or garden chairs or dining chairs from aluminum by Jorge Pensi 1986-1988, Spain. The name Toledo is given from a fortress, which obtain impregnable. Produced ...

Stylish and sculptural Surrealist Postmodern style 1980s lounge chair newly reupholstered in super soft ivory white bouclé. The look of high art. Whimsical. Unexpected. Killer profil...

Set of four elegant dining room chairs manufactured by Belgochrom. Nicely designed metal frames with elegant legs. Uphosltered in grey fabric with powdercoated frames. Belgochr...

- Made in Czechoslovakia - Made of beech wood, fabric. - Good, original condition. - Seat height 41 cm.

Pair of Napoleon style ebonized fauteuils, 20th century, each with domed back and scrolled arms, padded back and seat, brass accents on tip of the arms.

Set of 6 rare dining chairs by Belgochrom with brushed steel and green metal frames with their original mint green suede upholstery. Beautiful classical design, timeless Good cond...

Three 'Seconda' chairs designed by the famous architect Mario Botta for the Italian firm Alias, model 602. All 4 are painted black both in the structure and in the seat, they bear ...

Chair with a design inspired by the Bauhaus movement, made in the 1980s. Tubular chrome-plated steel frame, combined with a seat and backrest in cognac imitation leather. In excellen...

Crafted from rich mahogany, it reflects the bold symmetry and mythological influence that defined Thomas Hope’s vision of Regency furniture. The distinctive bowed and panel-carved to...

Pair of 1950s Hollywood Regency cheetah or leopard printed vinyl curved back armchairs attributed to Dorothy Draper. Item features mahogany wood frames, brass handles, curved backs, ...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...