Ben Nicholson Paintings

Oil on canvas painting Mediterranean seascape. Signed lower left "F. Tierre". Overall framed size 31 1/2"h x 42"w sight size 25"h x 35 1/2"w Age is approximate.

The image shows a framed oil painting titled "Still Life with Fruit" by James Poulton, a British artist active in the mid-19th century. It depicts a variety of fruits arranged on a t...

Lovely atmospheric oil painting of tug boats on the River Thames with London Bridge in the background. This midcentury oil painting captures a dynamic and bustling scene of tugboats ...

An evocative early 20th-century oil portrait depicting a poised young British gentleman, likely a merchant or naval officer, painted against a moody, clouded sky with a distinct pago...

Early 19th-Century Italian School Oil on Canvas – After Raphael The Holy Family with Saint Elisabeth and the Infant Saint John the Baptist Introduction: A Masterpiece Inspired by Rap...

A captivating and finely executed 19th-century English still life painting, rendered in oil on wood panel, depicting an abundant bouquet of mixed flowers in a terracotta urn. This hi...

Circle of Sir Godfrey Kneller, Mrs Voss, and Catherine Kneller, oil on paper laid to wood panel Overview This exceptional Baroque portrait artwork, the circle of Sir Godfrey Kneller, is an oil on canvas painting from the early 18th century. The painting, laid onto a panel, represents a compelling historical piece linked to Mrs. Voss, who was active circa 1685-1690 and recognized as the mistress of Sir Godfrey Kneller and the mother of Catherine (Agnes) Huckle. Key Details: Sir Godfrey Kneller, Mrs Voss and Catherine Kneller oil canvas Medium: Oil on paper, laid onto panel Period: Early 18th century Condition: Unframed oil panel Dimensions: Height - 28 inches, Width - 34 inches Historical Connection: A larger version of this artwork is held in the Kingston Lacy Estate, Dorset Artist Influence: Connected to the circle of Sir Godfrey Kneller, one of the most influential portrait artists of the Baroque period. This Old Master portrait painting is a fine example of Kneller’s portrait style, making it a sought-after piece for collectors, historians, and art enthusiasts looking to buy antique paintings in Sussex or the UK. About Sir Godfrey Kneller (1646-1723) Sir Godfrey Kneller (born Gottfried Kniller) was a renowned Baroque portrait painter of Anglo-German descent, widely considered one of the greatest portraitists of the late 17th and early 18th centuries. His influence on English portraiture was significant, and his works remain highly collectable today. 1. Early Life and Training Birth: August 8, 1646, Lübeck, Germany Parents: Zacharias Kniller (merchant) and Lucia Kniller Education: Studied painting in Lübeck Trained in Amsterdam under Ferdinand Bol (a student of Rembrandt) Influenced by the Dutch Golden Age art movement During his training, Kneller adopted techniques from Rembrandt and Bol, shaping his mastery of light, shadow, and lifelike portraiture. 2. Italian Influence and Artistic Growth Sir Godfrey Kneller Mrs Voss and Catherine Kneller oil canvas Traveled to Italy in the early 1670s to study Titian, Veronese, and Caravaggio His exposure to Italian Renaissance and Baroque art deepened his understanding of color theory, composition, and grand portraiture After returning to Northern Europe, he briefly worked in Hamburg before moving to England in 1676 3. Kneller’s Rise in England and Royal Patronage His talent quickly gained recognition among the English aristocracy and royalty In 1680, he was appointed Principal Painter to King Charles II Over his career, Kneller painted portraits of five English and British monarchs: King Charles II King James II King William III & Queen Mary II Queen Anne King George I His iconic portrait paintings continue to serve as historical records of British nobility, making his works highly valuable in the art market. 4. Notable Works and Contributions Kit-Cat Club Portraits: A famous series of 48 portraits of prominent literary, political, and cultural figures of the time. Developed the grand yet lifelike Baroque portrait style, balancing realism with nobility. His influence on later English portrait painters, such as Thomas Gainsborough and Joshua Reynolds, was profound. 5. Kneller’s Honors and Legacy Knighted by King William III in 1692 Created a Baronet by King George I in 1715 Naturalized British Citizen in 1711 Passed away on October 19, 1723, and was buried in Twickenham, England. His works remain highly collectible, sought after by art collectors, historians, and museums worldwide. Historical & Artistic Significance of the Painting This early 18th-century oil portrait attributed to Kneller’s circle is an outstanding example of his influence on Baroque portraiture. The depiction of Mrs. Voss and her connection to Catherine (Agnes) Huckle adds historical depth and collector value. 1. Artistic Style and Features Detailed brushwork characteristic of Kneller’s school Rich color palette influenced by Titian and Rembrandt Noble posturing typical of 17th-18th century aristocratic portraiture Use of light and shadow to enhance depth and realism 2. Collector’s Appeal & Investment Potential Highly sought-after Old Master artwork with documented provenance Strong appeal to art collectors, historians, and museums Valuable addition to Baroque art collections Investment-worthy due to high demand for Kneller’s works in auctions and private sales 3. Comparison to the Kingston Lacy Version A much larger version of this painting exists in the Kingston Lacy Estate, Dorset This smaller panel version offers collectors a unique opportunity to own a historically significant work at a more accessible scale and price Final Thoughts The circle of Godfrey Kneller oil on canvas painting featuring Mrs. Voss and Catherine (Agnes) Huckle is an important historical artwork. Whether you are an art collector, investor, or historian, this painting represents a rare opportunity to acquire a piece of Baroque portraiture. Why This Painting is a Must-Have for Collectors: Authentic Old Master Portrait from the School of Kneller Strong Historical and Artistic Value Investment Potential in the Art Market Connected to the Kingston Lacy Collection Ideal for Collectors of English Baroque Portraits...

Description The mourning of Christ Oil on Board cm 47,5x65,5 The panel can be traced to a sixteenth-century artist and active along the Adriatic route. The old attribution, referrin...

Egor Plotnikov works in the field of figurative painting and sculpture, often combining two media in one installation. He is one of the few contemporary Russian artists, whose works ...

A monumental Italian mid-19th century ornately carved and gilded frame surrounds an oil on canvas signed painting, by listed artist E.Pieracinni. The frame is carved with elaborate s...

Sydney Harbour poster Sydney Harbour Bridge poster design Attributed to Douglas Annand in our opinion, this was an original drawing for the 1932 poster competition. In 1932, the poster competition committee asked Douglas Annand and Arthur Whitmore to collaborate together to produce the now-famous 19th March 1932 poster. There are clear similarities between ours and the collaborative poster. Our design clearly shows more of an Art Deco and feminine design, as opposed to the more masculine, collaborative Sydney Harbour Bridge poster design. Our drawing is Gouache on paper laid down on the artist's board. The drawing is in the original frame and mount, dated March 1932 and is unsigned. BIOGRAPHY Douglas Shenton Annand (1903-1976), graphic designer and artist, was born on 22 March 1903 at Toowoomba, Queensland, the third child of Frederick William Gadsby Annand, accountant, and his wife Helen Alice, née Robinson, both Queenslanders. Having taken the commercial course at the Central Technical College, Brisbane, in 1920, Douglas j...

About the painting “Different Dreams” Dreams can be in different shapes and in different colours . Some are in strong relief, some are soft and faded and can go deep in or up to t...