Bente Ørum Wall Decorations

This still life painting on panel captures a variety of objects. Among the objects depicted are a beautiful venetian glass bowl, a cup of Italian gelato, a ripe peach, a white life mask and an obsolete iPod all placed upon a table. These masterfully painted objects create a tableau of our times. This artwork is framed in a simple antiqued silver wooden frame measuring 8.75 H x 14.75 W inches. Andrew S. Conklin Still life with Italian bowl, life mask, peach and iPod Oil on panel Measures: 7.50 H x 13.50 W in 19.05 H x 34.29 W cm ACK036 Andrew S. Conklin Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Vibrant abstract painting titled "Yellow" by American artist Rebecca Ruoff, 2018.

Contemporary New York artist Peter Buchman's "No Portrait, No Landscape" white painting is made of laser cut plexiglass, acrylic medium and enamel on wood. It's a part of his Voice over Series, one that poetically mocks knowledge and itself in an endless bantering list style. To explain that Buchman’s word paintings are ‘A Figure Of Speech’ is underestimating the level of soulfulness at which these works reside. They are markings directly from the artist’s hand yet are indications of many people before him. These are words from familiar phrases, music albums, his funny brand of irony and the human form itself. Signed and dated en verso. This will ship directly from the one of the artist's studios. American artist Peter Buchman has BFA in Illustration from The Rhode Island School of Design and did a Sculpture Residency at The School of Visual Arts in New York. Peter's artwork has been exhibited throughout the US since 1981 including the Parrish Art Museum (Southampton, NY), Cooperstown Museum (NY), Delaware Museum of Art, Kidder Smith Gallery (MA) and Vered Gallery (East Hampton, NY). His work is included in the portfolios of collectors including Beth Rudin DeWoody, Nicole Miller, David Yurman and Howard Schultz...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Oil on canvas signed and dated 1962.   

Colorful still life painting by artist Jane Kewin, Ottawa, Canada. Yellow, blue, red, pink. Turquoise colors. Created in 1991. Giltwood frame.

Highly textured mixed media impressionist still life on board with giltwood frame. Bill Condon was a native Houstonian, a practicing architect a...

Beautiful abstract blue painting inspired by ocean washed blue glass by American artist Rebecca Ruoff, 2018.

Charming still life in oil paint on canvas by Dutch artist Gerardus Paschalus Visser (1886-1982).

‘Tea at the Vicarage’ by Margaret Dovaston, dated 1952, an oil painting showing four gentlemen having an earnest conversation over a cup of tea on a terrace outside a cottage garden, Margaret Dovaston, dated 1952. English. Margaret Isabel Dovaston (1884 – 1954) was a British artist who became particularly well known for her historical genre scenes, often depicting groups in Georgian costume. In the course of her education, she was taught by Thomas William Cole at the Ealing School of Art and Arthur Stockdale Cope at the South Kensington School of Art. Her crowning achievement was winning a five-year scholarship the to the Royal Academy Schools (1903-1908) where she won many medals. She exhibited at the Royal Academy (1908 and 1910) and helped set up The Ealing Art...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60 x 110 cm (giltwood Frame - 76 x 126 cm) Private collection. Framed.

Glyn Thomas (b.1946) : Lighthouse, Orford Ness Etching. Artists proof from a limited edition of 150, signed and titled in pencil, f Depicting the lighthouse in the foreground, the Ministry of Defence buildings on the left and the River Alde and with the Castle and Church on the horizon. visible sheet length 46cm., 18",, height 29cm., 11.5" in the original mount and wooden frame length 63.5cm., 25" height 48cm.,19" The encroaching sea eventually got so close that the lighthouse had to go. Rather than simply let it fall into the sea, in July 2020 the entire building began to be carefully dismantled so as not to have any impact on the surrounding sensitive environment. The Orford Ness Lighthouse Trust plan at that time was to remove the lantern room as well as other original features and artefacts with a view to one day creating a lighthouse memorial of some sort on the other side of the Ness, facing Orford town’s quay. In the original pine slip frame height 48cm., 19" length 63cm., 24 1/2" ORFORD NESS Orford Ness is an internationally important site for nature conservation and a designated National Nature Reserve. It is a rare and delicate landscape, consisting of shingle ridges and valleys, deposited over centuries by the sea. 20% of Europe's vegetated shingle is found on Orford Ness. Once a former World War One and World War Two Airfield, the land is now a rich grazing marsh, providing home to birds, deer and rare-breed sheep. It is one of the few sites in the UK with purpose-built facilities for the testing of components of nuclear weapons. Comprising of six 'labs', which now form impressive backdrops on the shingle and the Black Beacon erected in 1928 to house an experimental rotating-loop navigation beacon. GLYNN THOMAS Glynn Thomas was born in Cambridge 1946. He studied at the Cambridge School of Art 1962-67, specialising in illustration and printmaking; taught printmaking at the Ipswich School of Art 1967-79, and is now a full-time artist living in Suffolk. He has illustrated a number of books. He is a Fellow of the Royal Society of Painter-Printmakers and at the Society’s 1983 annual exhibition his etching ‘Honfleur’, was awarded the Davys’ prize for the best print. In addition, his work has been included in the Houses of Parliament art collection. One man exhibitions include the Dominion Centre Toronto, the John Russell Gallery, Ipswich, Printworks and the Minories, Colchester, the New Ashgate Gallery Farnham, the Royal Exchange Theatre, Manchester, the Lyric Hammersmith, and the Barbican Centre London. Mixed exhibitions include the Cambridge Contemporary Art Gallery, the Adelphi Gallery New York, Donald Hughes, Hong Kong, the Royal Academy, the British Miniature...