Bob Sunday Serveware, Ceramics, Silver and Glass

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

A large and scarce mid-century English Poole Pottery studio vase from the Atlantis range by Guy Sydenham (1916-2005). The vase stands on a narrow rounded unglazed foot with a recesse...

Vintage artistic Danish pottery bowl with a beautiful abstract design Signed on the base but artist unknown No cracks or chips.

Ruskin pottery high fired vase C1904-09 A very dramatic glaze with lots of green and purple spots and streaks. 20.5cm high Oval West Smethwick mark - the mark is partially over glaze...

English pottery pearlware botanical plates, circa 1840     The folky painted plates have a scalloped rim. In the center of each plate is a large...

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Beautiful earth tone glazed ceramic vase by American artist Michael Kreisberg, late 20th century.

A timeless, Classic French 18th century provincial pottery / ceramic urn or pitcher with beautiful, natural time worn patina and a stunning form featuring three dramatic handles and ...

Possibly a rare early experimental piece a black unglazed pottery double face mug by R W Martin and dating from the 19th century. The mug is thickly potted a...

Very hard to find Janet Rothwoman California studio art pottery plate/plaque dating from the 1960's. Janet was the wife of Jerry Rothman. This plate is...

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...

Two beautiful Brutalist ceramic vases made by Dümler & Breiden in Germany in the 1960s. Stamped underneath with the Dümler & Breiden mark, production series and “GERMANY”. ?Dümle...